ellauri016.html on line 782: Drake recorded his debut album Five Leaves Left later in 1968, with Boyd as producer. He had to skip lectures to travel by train to the sessions in Sound Techniques studio, London. Inspired by John Simon's production of Leonard Cohen's 1967 album Songs of Leonard Cohen, Boyd was keen to record Drake's voice in a similar close and intimate style, "with no shiny pop reverb". He sought to include a string arrangement similar to Simon's, "without overwhelming or sounding cheesy".
ellauri021.html on line 267: Leave me alone, damned! Let me do as I please
ellauri035.html on line 325: Father of Light. Leave we it burning still
ellauri051.html on line 478: Walter ”Wilt” Whatman (31. toukokuuta 1819 Long Island, New York, Yhdysvallat – 26. maaliskuuta 1892 Camden, New Jersey, Yhdysvallat) oli yhdysvaltalainen runoilija, esseisti, journalisti ja humanisti. Hänen tunnetuin teoksensa on runokokoelma Pössyä (alkuteos Leaves of Grass). Ei se ollut mikään länkkäri, vaan city slicker, dick licker.
ellauri051.html on line 490: Whatman kirjoitti työnsä lomassa runoja. Hän julkaisi 12 runon kokoelman Ruohoa (Leaves of Grass) vuonna 1855 ja painoi siitä 795 kopiota. Teos oli irtiotto senaikaisen runouden jäykistä normeista ja perinteistä. Runot syntyivät osittain Whatmanin rajaseuduille suuntautuneiden matkojensa sekä runoilija Ralph Waldo Emersonin ihailun inspiroimina. Whatman muokkasi ja laajensi runoteostaan vuosien varrella useasti ja julkaisi siitä yhteensä kahdeksan painosta. Kokoelma ei herättänyt aluksi paljon huomiota, mutta Ralph Waldo Emerson ylisti sitä. Seuraavana vuonna Whatman laajensi kokoelman 32 runon mittaiseksi. Julkaisuyhtiö kuitenkin kaatui sisällissodan alettua muiden kaatuneiden etunenässä. Walt jatkoi puuhailua veteraanien perässä.
ellauri051.html on line 494: Whatman julkaisi vuonna 1870 kokoelmat Democratic Vistas ja Passage to India sekä jälleen uuden version Leaves of Grassista.
ellauri051.html on line 496: Whatman sai ketnureaktion 1873 ja muutti Camdeniin New Jerseyyn veljensä luokse. Vuosina 1875–1876 hän julkaisi sisällissodasta kertovan kirjan Memoranda during the War, mutta halvaukset olivat jo hidastaneet hänen kirjoittamistaan. Whatman julkaisi myös uusia versioita Leaves of Grassista, jonka myyntituloilla hän osti Camdenista itselleen oman talon. Teoksen viimeinen versio sisälsi kaikkiaan 300 runoa. Whatmanin viimeiseksi jäänyt teos Good-Bye, My Fanny julkaistiin vuonna 1891.
ellauri074.html on line 474: At least one death, the result of the defenestration of Dr. Frank Olson, was attributed to Olson's being subjected, unaware, to such experimentation, nine days before his death. Don't worry. Be happy. Leave pipe, socks, and shoes on the windowsill.
ellauri118.html on line 754: Finding beneath the Verdant Leaves a Snake. Löydettyään sananjalkojen alta käärmeen.
ellauri159.html on line 1171: We know you have no great love for facts and details. Leave enough time at the end to check that you’ve included sufficient objective data. Strive for balance and fairness, include both facts and alternative facts. Avoid over-reliance on personal insight. Ask a trusted friend to review your writing with a critical eye. Your work will be stronger for it. And, WtF, you can always just ignore them.
ellauri197.html on line 696: Leave me not,
ellauri241.html on line 177: Leave traces in the grass and flowers sweet; Jättää jälkiä ruohoon ja kukkiin makeisia;
ellauri241.html on line 343: "Leave thee alone! Look back! Ah, Goddess, see "Jättää sinut rauhaan! Katso taaksepäin! Ah, jumalatar, katso,
ellauri260.html on line 393: In 1896 Frazer married Elizabeth "Lilly" Grove, a writer whose father was from Alsace. She would later adapt Frazer's Golden Bough as a book of children's stories, The Leaves from the Golden Bough. Frazer was not widely travelled. His prime sources of data were ancient histories and questionnaires mailed to missionaries and imperial officials all over the globe. His vision of the annual sacrifice of the Year-King has not been borne out by field studies. His wife Lady Frazer published a single-volume abridged version, largely compiled by her, in 1922, with some controversial material on Christianity excluded from the text. Sigmund Freud, the founder of psychoanalysis, cited Totemism and Exogamy frequently in his own Totem and Taboo:
ellauri263.html on line 674: Col. Olcott ei ollut vakuuttunut vaan alkoi vehkeillä ennenkuin HPB oli ehtinyt kylmetä. In the April Theosophist Col. Olcott makes public what we have long known to be his private opinion – a private opinion hinted at through the pages of Old Diary Leaves – that H.P.B. was a fraud, a medium, and a forger of bogus messages from the Masters. This final ingrate’s blow is delivered in a Postscript to the magazine for which the presses were stopped. The hurry was so great that he could not wait another month before hurling the last handful of mud at his spiritual and material benefactor, our departed H.P.B. The next prominent person for whom we wait to make a similar public statement, has long made it privately. [Note: This sentence referred to Annie Besant.]
ellauri266.html on line 246: Leave No Trace
ellauri302.html on line 171: The Scribe: Who can tell? Our Lord is a God of mercy and forgiveness, but He is also a God of retribution and vengeance. (Leaving.) Well, it's getting late. Let's be off to the synagogue. (Leaves)
ellauri302.html on line 474: Reb Ali The truth. The truth. Heaven will help you... Everything will turn out for the best. I'm going to the young man's father directly. He's over at the synagogue and must surely be waiting for me. (Looks around.) Tell your wife to put the house in order in the meantime. And you, prepare the contract, and at once, so that he'll have no time to discover anything amiss and withdraw. Arrange the wedding date and have the bride go at once to her parents-in-law. No idle chatter, remember. Keep silent, so that nobody wiU learn anything about it. (Ready to go.) And cast all this nonsense out of your head. Trust in the Lord and rejoice in His comfort. (At the door.) Tell your wife to tidy up the place. (Leaves.)
ellauri323.html on line 345: Mooren äiti Mary Warner Moore muutti Mooren ja hänen veljensä John Warnerin (tunnetaan perheelle nimellä Warner) pastori Mooren luo, joka oli jäänyt leskeksi nuorena eikä koskaan täysin toipunut. Tämä järjestely – aikuinen tytär perusti talon leskeksi jääneen isänsä kanssa – esikuvasi Mooren omaa outoa kauppaa Maryn kanssa, joka jakoi sängyn Mariannen kanssa vuodesta 1918 kuolemaansa saakka, vuonna 1947, jolloin Moore oli kuusikymmentä. Elämänkerturi Leavell on ensimmäinen Mooren elämäkerran kirjoittajista, joka luonnehtii hiänen äitiään yksiselitteisesti lesboksi.
ellauri336.html on line 578: Greta Thunberg's 'Neutral' Stance on Israel-Palestine Conflict Leaves Twitter Fuming! (Joo, se oli sillon vielä Visertäjä.)
xxx/ellauri086.html on line 887: Leave no black plume as a token of that lie thy soul hath spoken! Ala mennä korjaa luusi senkin Pluto, sille huusin.
xxx/ellauri086.html on line 888: Leave my loneliness unbroken!—quit the bust above my door! Ja pyyhi mennessäs se pysti! taino, kuha lähet, 1 lysti.
xxx/ellauri124.html on line 424: Leave off the ‘I love you.’
xxx/ellauri208.html on line 1167: Leave women's work to women, they have a well lubricated hole for it.
xxx/ellauri225.html on line 145: I learned that making power from the Sun is not easy. I began to see how nature beat this problem. Collecting sunlight is key to the survival of a tree. Leaves are the solar panels of trees, collecting sunlight for photosynthesis. Collecting the most sunlight is the difference between life and death. Trees in a forest are competing with other trees and plants for sunlight, and even each branch and leaf on a tree are competing with each other for sunlight. Evolution chose the Fibonacci pattern to help trees track the Sun moving in the sky and to collect the most sunlight even in the thickest forest.
xxx/ellauri225.html on line 269: Dad´s discipline of cultural anthropology had a powerful influence on Le Guin´s writing. Her father Alfred Kroeber is considered a pioneer in the field, and was a director of the University of California Museum of Anthropology: as a consequence of his research, Le Guin was exposed to anthropology and cultural exploration as a child. In addition to myths and legends, she read such volumes as The Leaves of the Golden Bough by Lady Frazer, a children´s book adapted from The Golden Bough, a study of myth and religion by her husband James George Frazer. She described living with her father´s friends and acquaintances as giving her the experience of the other sex. The experiences of Ishi, in particular, were influential on Le Guin, and elements of his story have been identified in works such as Planet of Exile, City of Illusions, and The Word for World Is Forest and The Dispossessed.
xxx/ellauri231.html on line 394: Vuonna 1899 alkoi Buninin ystävyys Maksim Gorkin kanssa, jolle hän omisti Falling Leaves (1901) -runokokoelmansa ja jonka luona hän myöhemmin vieraili Capri-housuissa. Bunin liittyi Gorkin (Kuuma) Znanie (Tieto) -ryhmään. Toinen vaikuttaja ja innoittaja oli Leo Tolstoi (Tukeva), jonka hän tapasi Moskovassa tammikuussa 1894. Jälkimmäisen proosaan tosin ihastunut Bunin yritti epätoivoisesti seurata myös suurmiehen elämäntapaa vieraillessaan lahkojen siirtokunnissa ja tekemässä paljon kovaa työtä. Hänet tuomittiin jopa kolmeksi kuukaudeksi vankeuteen Tolstoilaisen kirjallisuuden laittomasta levittämisestä syksyllä 1894, mutta hän välttyi vankilasta yleisen armahduksen ansiosta. Hän tapasi Anton Chekovin vuonna 1896, ja siitä syntyi vahva ystävyys.
xxx/ellauri251.html on line 2993: Leaves lowland and lawn
xxx/ellauri385.html on line 99: Rozanov kirjoitti kirjassaan "Fallen Leaves": "Venäläisiä lukuun ottamatta, yksinomaan ja yksinomaan venäläisiä, en tarvitse ketään ollenkaan, he eivät ole mukavia eivätkä kiinnostavia".
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