ellauri080.html on line 420: Jungian_Typology.pdf">Villagedesignin expertti aloittaa jungilaisten kontribuution luonnekysymyxiin näin.
ellauri080.html on line 437: In Jungian typology, the original ‘unity’ of human consciousness is first divided into two poles of attitude: extraversion and introversion. These represent two fundamentally distinct yet complementary relationships between inner and outer reality. Extraversion is characterized bya flow of energy and interest from the subject to the object, from the inner to the outer. Identification with the outer gives meaning to the inner. Introversion is completely the opposite. It is characterized by a flow of energy and interest from the object to the subject, from the outer to the inner.
ellauri159.html on line 803: In 2004, he published The Seven Basic Plots: Why We Tell Stories, a Jungian-influenced analysis of stories andń their psychological meaning, on which he had been working for over 30 years. The book was dismissed by Adam Mars-Jones, who objected to Booker employing his generalisations about conventional plot structures prescriptively: "He sets up criteria for art, and ends up condemning Rigoletto, The Cherry Orchard, Wagner, Proust, Joyce, Kafka and Lawrence – the list goes on – while praising Crocodile Dundee, ET and Terminator 2".
ellauri159.html on line 805: Christopher Booker's The Seven Basic Plots is a long book. It's on the order of War and Peace for thickness. It also gets a bit repetitive at times, but if you can slog through the material, you're rewarded with a good understanding of the seven basic plots. You can also get a good dose of Jungian psychology to boot; for instance, Booker likes to talk about the symbolism of the masculine and feminine aspects of a character.
ellauri382.html on line 577: Imi has two Master’s degrees and is trained in Jungian theories, philosophical counseling, mentalization-based treatment, solution-focused coaching, trauma-informed practices, and mindfulness-based modalities. She works holistically, combining psychological insights with Eastern and Western philosophies such as Buddhism and Stoicism.
xxx/ellauri134.html on line 106: Jungian Archetypes & Zodiac Signs
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xxx/ellauri134.html on line 111: Jester, Jungian Archetypes, Leo, Lover, persona, Pisces, Rebel, Ruler, Sage, Sagittarius,
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The 12 Jungian Archetypes & Zodiac Signs

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  • Jokamies / Moukka. 12 Jungian Arkkimöykkyä Maalainen Moukka.
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    Jungian Archetypes & Zodiac Signs, loppuvizejä

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    xxx/ellauri136.html on line 82: Lucia Toman´s credentials: Doctoral researcher in Literature. MA in Comparative Literature & Literary Analysis and Criticism, Goldsmiths, University of London · Graduated 2018. A voracious reader · Literature. Reads extensively and has published on Jungian psychology · Jungian Psychology. Avid reader, writer and doctoral student in literature · Literature. PhD researcher interested in Jungian psychoanalysis · Jungian Psychological Type. Knows French. Knows Slovak. Knows Czech. Bet her family is Bohemian (or Moravian perhaps).
    xxx/ellauri136.html on line 99: The Sungod’s Journey Through the Netherworld by Andreas Schweizer—This Jungian psychoanalyst took the greatly misunderstood texts of the Amduat (what is in the netherworld) and made sense of them as a journey of transformation.
    xxx/ellauri157.html on line 508: Hesse’s personal experience with psychoanalysis began when he sought therapy and refuge in a sanatorium after his father’s death in 1916, his first wife’s schizophrenia, and a serious illness of his son, Martin (not Mordechai). This began a long obsession with psychoanalysis, the influence of which appears in Demian (1919) and in his later work, which evidences his interest in Jungian concepts of introversion and extraversion, the collective unconscious, idealism, and the duality of human nature.
    xxx/ellauri225.html on line 271: Several scholars have commented that Le Guin´s writing was influenced by Carl Jung, and specifically by the idea of Jungian archetypes. In particular, the shadow in A Wizard of Earthsea is seen as the Shadow archetype from Jungian psychology, representing Ged´s pride, fear, and desire for power. Le Guin discussed her interpretation of this archetype, and her interest in the dark and repressed parts of the psyche, in a 1974 lecture. She stated elsewhere that she had never read Jung before writing the first Earthsea books. Other archetypes, including the Mother, Animus, and Anima, have also been identified in Le Guin´s writing.
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