ellauri112.html on line 653: Marlo is a physical wreck, ugly fat and unkempt, a woman who doesn’t get enough or not at all and is chronically fatigued. She shuffles around in sweatpants and baggy sweaters as the house gets dirtier, the kids get noisier, and her husband gets "lazier". Everything becomes a battle for Marlo – keeping Jonah in school, putting a meal on the table, finding time to bathe, even getting her husband to hump her. He shuts her out at night, retreating to the bedroom alone to play video games with himself headphones on. Cant fix that part without fixing the hole.
ellauri112.html on line 668: Marlo and Drew describe their boy Jonah as “quirky,” but he’s a real problem. He’s disrupting school as well as their lives on a daily basis. A royal pain in the ass. The big sis is a graceless little imp.
ellauri112.html on line 684: Marlo, already a mother of two, begins the film heavily, outrageously pregnant: we learn, in rapid succession, that this third pregnancy was unwanted, that her husband does little of the domestic labour, and that her “shitty” upbringing is the reason she’s so committed to her nuclear family unit. Postnatal depression, never named, haunts the narrative: her wealthy brother offers to pay for a night nanny to avoid, in his words, the advent of another “bad time” like the one that followed the birth of her son, Jonah. When the nanny arrives – described by more than one reviewer as a “millennial Mary Poppins” – the panacea seems to be working. Not only does she look after the baby at night but she also operates as a kind of empathy machine, listening to Marlo’s problems, sharing sangria in the garden, and baking the Minions cupcakes that Marlo herself never has the time to make. The postnatal depression, it seems, disperses; Jonah – who has “emotional problems” – finds a place at a school more suited to his needs, family dinners get increasingly wholesome, and Marlo does a passable Stevie Nicks impression at a child’s birthday party. And then comes the twist: after a bender in Brooklyn with Tully, a sleep-deprived Marlo, drunk at the wheel, drives her car off a bridge and ends up in hospital, and we realise there was nobody else in the car. Her maiden name, we learn, was Tully.
ellauri112.html on line 708: Tully seems too good to be true when she quickly organizes the home, cleans it from top to bottom, and finds a place for all the errant toys too. She even makes cupcakes for Marlo to take to Jonah’s school as a peace offering. Ultimately, Tully becomes the ‘spouse’ Marlo really needs, and they even have a simpatico banter together, quipping back and forth in sharp, pithy dialogue, the only way Cody can write for her characters.
ellauri156.html on line 607: And Jonah from the belly of the whale
ellauri161.html on line 466: Kate Dibiasky (Jennifer Lawrence), an astronomy grad student, and her professor Dr. Randall Mindy (Leonardo DiCaprio) make an astounding discovery of a comet orbiting within the solar system. The problem - it's on a direct collision course with Earth. The other problem? No one really seems to care. Turns out warning mankind about a planet-killer the size of Mount Everest is an inconvenient fact to navigate. With the help of Dr. Oglethorpe (Rob Morgan), Kate and Randall embark on a media tour that takes them from the office of an indifferent President Orlean (Meryl Streep) and her sycophantic son and Chief of Staff, Jason (Jonah Hill), to the airwaves of The Daily Rip, an upbeat morning show hosted by Brie (Cate Blanchett) and Jack (Tyler Perry). With only six months until the comet makes impact, managing the 24-hour news cycle and gaining the attention of the social media obsessed public before it's too late proves shockingly comical - what will it take to get the world to just look up?. — Based on truly possible events.
ellauri161.html on line 572: Pressed together, however, the mix just doesn’t work. Too many characters, such as Jonah Hill’s presidential aide, know they’re in a comedy and play for laughs accordingly. There’s way too much going on in Don’t Look Up, so the story focus is constantly diffused as we jump from one narrative thread to another. Consequently the soiree packs very little punch; as a satire on corporate greed, media ethics and celebrity culture it’s pretty limp. All bite but no teeth, you could say. (Fuck yourself droopy-lip, this is a tableau true to life, not a sketch.)
ellauri161.html on line 671: For the majority of the film (not Talladega, the new one), we’re bouncing from one republican caricature to the next. Streep is a female version of Donald Trump. Jonah Hill is a fratty version of Donald Trump Jr. Mark Rylance is a right-wing version of Tim Cook. (What a joke, he's way too poor.) And Ron Perlman is a red-eyed version of General Turgidson. When General Turgidson wonders aloud what kind of name "Strangelove" is, saying to Mr. Staines (Jack Creley) that it is not a "Kraut name", Staines responds that Strangelove's original German surname was Merkwürdigliebe ("Strange love" in German) and that "he changed it when he became a citizen". A kike anyway, by the name.
ellauri244.html on line 593: Here in my opinion is the only imaginative prose-writer of the slightest value who has appeared among the English-speaking races for some years past. Even if that is objected to as an overstatement (there is me, after all), it will probably be admitted that Miller is a writer out of the ordinary, worth more than a single glance; and after all, he is a completely negative, unconstructive, amoral writer, a mere Jonah, a passive acceptor of evil, a sort of Whitman among the corpses. Paizi Whatman oli peräreikämiehiä.
ellauri331.html on line 240: BuzzFeed Incorporated on amerikkalainen Internet- media-, uutis- ja viihdeyritys, joka keskittyy digitaaliseen mediaan. BuzzFeedin perustivat New Yorkissa vuonna 2006 Jonah Pieretti ja John S. Johnson III keskittyäkseen virussisällön seurantaan. Kenneth Lerer, yksi The Huffington Postin perustajista ja puheenjohtaja (tod.näk. jevreiskij), aloitti BuzzFeedin perustajajäsenenä ja sijoittajana ja on nyt toiminnanjohtaja. Alun perin online-tietokilpailuista, " listicsista " ja popkulttuuriartikkeleista tunnettu yritys on kasvanut maailmanlaajuiseksi media- ja teknologiayritykseksi, joka tarjoaa kattavuutta erilaisista aiheista, kuten politiikasta, tee-se-itse, eläimistä ja liiketoiminnasta. Pörinäsyöte tuottaa tuloja natiivimainonnasta, strategiasta, joka auttaa lisäämään alkuperäiskansojen katsojien todennäköisyyttä lukea mainosten sisältöä.
ellauri368.html on line 287: Jonah Rapa, probably a native, or resident of Vermicelli, wrote a satire on Christianity in the form of the Passover Haggadah, which has come down to us in a number of manuscripts, some bearing the peculiar title of Pilpul Zeman Zemanim Zemanehem, and some the title of Haggadah of Yonah Rapa.
xxx/ellauri394.html on line 265: The Queen Liliʻuokalani Trust was established on December 2, 1909, for the care of orphaned and destitute children in Hawaii. Effective upon her death, the proceeds of her estate, with the exception of twelve individual inheritances specified therein, were to be used for the Trust. The largest of these hereditary estates were willed to her hānai sons and their heirs: John ʻAimoku Dominis would receive Washington Place while Joseph Kaiponohea ʻAeʻa would receive Kealohilani, her residence at Waikiki. Both men predeceased the Queen. Before and after her death, lawsuits were filed to overturn her will establishing the Trust. One notable litigant was Prince Jonah Kūhiō Kalanianaʻole, Liliʻuokalani´s greedy second cousin, who brought a suit against the Trust on November 30, 1915, questioning the Queen's competency in executing the will and attempting to break the Trust. These lawsuits were resolved in 1923 and the will went into probate. The Queen Liliʻuokalani Children's Center was created by the Trust.
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