It’s noteworthy that the last three terrorist attacks I have cited occurred shortly after the start of the First Intifada—Palestinian uprising against Israel. The Intifada had begun in December 1987. And this brings us to Nidal’s deadliest terror: the slaughter of his own men. Between 1987 and 1988, Seale notes:
xxx/ellauri085.html on line 373: There is no “trickle down economics”. That isn’t something that exists. It’s a made up term to slander people left-wing socialists don’t like.
xxx/ellauri085.html on line 389: It’s a strange irony that a phrase made up to slander rich people, is actually dead on accurate.
xxx/ellauri085.html on line 419: They understood it going in. It’s called a trade-off: they know they could lose it all, but FOR the chance to make a lot of money over a long period of time they RISK losing whatever they put in. That’s WHY the business environment of taxes and regulations, trade restrictions, etc is so important: If the owner thinks that even if they succeed, the govt will take a big chunk of what they profit, then WHY RISK IT? So they will just put money overseas or in lower risk but lower returns that don’t employ as many people. (Except that more people means lower returns...)
xxx/ellauri085.html on line 432: It’s that simple: REDUCE BARRIERS to starting and doing business, and we all have more opportunities to prosper.
xxx/ellauri085.html on line 448: It’s not “trickle down” as if government action is the source of the money. It is “spurt up” when the government policies that discourage and suppress its productive use are relaxed. The remaining money in poor folk's socks and mattresses spurts up into the greedy pockets of the rich.
xxx/ellauri085.html on line 514: It’s currently estimated that the richest 200,000 families own about as much as the bottom 90% of households combined.
xxx/ellauri091.html on line 485: love. It’s a tough pill to swallow, but a good deal of Europe’s 44 official countries (as recognized by the United Nations) have no
xxx/ellauri091.html on line 498: It’s so crowded.
xxx/ellauri103.html on line 218: As for the culture police’s obsession with “authenticity,” fiction is inherently inauthentic. It’s fake. It’s self-confessedly fake; that is the nature of the form, which is about people who don’t exist and events that didn’t happen. The name of the game is not whether your novel honours reality; it’s all about what you can get away with. Well mine is anyway, I don't know about you. I try to get away with anything that is not nailed or welded fast.
xxx/ellauri103.html on line 226: Of course he’s exploiting her. It’s his book, and he made her up. He owns her, she is her property. He is free to fuck her, rape her, do whatever he wants. The character is his creature, to be exploited up a storm. Yet the reviewer chides that “special care should be taken with a story that’s not implicitly yours to tell” and worries that “Cleave pushes his own boundaries maybe further than they were meant to go.”
xxx/ellauri103.html on line 257: I’m from a small rural community, and ev’rybody who lived in my neighborhood, if you want to call it that, were relatives. We called it “the circle,” and our house was there, my grandmother’s house was there, an aun’ an’ uncle who were childless lived there, and (uh) a couple of aunts an’ uncles who had children. There were five female cousins, an’ in the summertime we hung out together all day long from early until late. In my grandmother’s yard was a maple tree, and the five of us developed that into our apartment building. Each of us had a limb, and [small laugh] the less daring cousins took the lo’er limbs, and I and another cousin a year younger than I always went as far to the top as we could, an’ we– we were kinda derisive of those girls who stayed with the lower limbs. We had front doors an’ back doors. The front door was the — the limb — were the limbs on the front, that were nearest (um) the boxwood hedge. And the grass was all worn away in that area. An’ then the back doorwa–was on the back side of the tree, an’ you could only enter the front an’ exit from the rear. And that had to be done by swinging off a limb that was fairly high off the ground, and (um) my cousin Belinda and I had no problem with that, but the other girls — that was always somethin’ we had to coax them into doin’. But still, you entered the front, you left the rear. We (um) ate our lunches together. When it was lunchtime — an’ our mothers always cooked lunch in the summertime ’cause they didn’ want to be in the hot kitchen at night. So we would just take our (um) — go home, an’ we’d load our plates with all the vegetables an’ the cornbread, an’ get our glasses of milk or ice tea or whatever we were havin’, an’ we would head for somebody’s yard, where we would all sit down an’ eat together. It was just an institution: lunch in somebody’s yard. An’ if you wanted to go home for a second helping– sometimes that was quite a little walk, but it was worth it, because that was our thing, having lunch together, every day. (Um) We gathered at my grandmother’s on Sundays. All my aunts would get those chairs, form a circle. (Uh) One crocheted. (Uh) Most of them just sat an’ talked, an’ we girls hung out for the main part with the women. (Uh) The men would gather around the fish pond, which was in a side yard. It was (um) — it was kind of a rock (um) pond that my granddaddy had, had built. There was a ir’n pipe in the middle, an’ when he went fishin’, he would put his catch in there. Or he caught a mud turtle, he’d put it in there. An’ there it stayed until it was time to kill it an’ cook it, whatever it was. The pipe in the middle had water that sprayed up all the time. There was a locust tree near there, an’ that’s where we girls picked the leaves an’ the thorns to make the doll clothes out o’ the locust. It’s where we always ate the watermelon. We always had to save the rind, an’ we always had to leave some pink on that rind, because my grandmother made watermelon pickles out o’ that rind. I hated the things. I thought they were the worst things I ever put in my mouth. But ever’body else thought watermelon pickles were just a great delicacy. That was also around the time that ev’rybody grew gladiolias [sic] an’ I thought they were the ugliest flower I’d ever laid my eyes on, but ever’body had gladiolias. ‘Course now I’ve come to appreciate the gladiolia, but back then I had absolutely no appreciation for it. It was also where we made (uh) ice cream, (uh) on the front porch. We made ice cream on Sunday afternoons. I had an aunt who worked in the general mercantile business that my family owned, an’ she was only home on Sunday, so she baked all day: homemade rolls an’ cakes. And so, she made cakes an’ we made ice cream, an’ ever’body wan’ed to crank, of course. (Um) That was just a big treat, to get to crank that ice cream. It was jus’ our Sunday afternoon thing, an’ I, I think back on it. All the aunts would sit around an’ they’d talk, an’ they’d smoke. Even if you never saw those ladies smoke, any other time o’ the week. On Sunday afternoon when we all were gathered about in gran- in granny’s yard, they’d have a cigarette. Just a way of relaxing, I suppose. The maple tree’s now gone. In later years, it was thought the maple tree, our apartment building, was shading the house too much an’ causing mildew, so it was removed at some point. And I don’t, to this day, enjoy lookin’ (uh) into that part o’ the yard. …
xxx/ellauri103.html on line 335: It’s not always OK if a white guy writes the story of a Nigerian woman because the actual Nigerian woman can’t get published or reviewed to begin with. It’s not always OK if a straight white woman writes the story of a queer Indigenous man, because when was the last time you heard a queer Indigenous man tell his own story? How is it that said straight white woman will profit from an experience that is not hers, and those with the actual experience never be provided the opportunity? It’s not always OK for a person with the privilege of education and wealth to write the story of a young Indigenous man, filtering the experience of the latter through their own skewed and biased lens, telling a story that likely reinforces an existing narrative which only serves to entrench a disadvantage they need never experience.
xxx/ellauri103.html on line 349: The kind of disrespect for others infused in Lionel Shriver’s keynote is the same force that sees people vote for Pauline Hanson. It’s the reason our First Peoples are still fighting for recognition, and it’s the reason we continue to stomach offshore immigration prisons. It’s the kind of attitude that lays the foundation for prejudice, for hate, for genocide.
xxx/ellauri103.html on line 433: The comment was one of a string as she defended herself after being called out for “liking” a tweet that compared hormone prescriptions to anti-depressants, which were over-prescribed to teenagers in the past with sometimes harmful results. It’s the second social media tussle the Harry Potter scribe has faced in two months after angering the LGBTQ community and supporters in June over transphobic remarks.
xxx/ellauri113.html on line 220: Personally, as someone with no religious beliefs, I’d feel a bit weird about the idea that someone might launch my ashes into space after my death. Sort of seems like a terrible waste of rocket power. It’s irrelevant what happens to my ashes after death.
xxx/ellauri113.html on line 222: Being buried in Westminster Abbey is generally considered a very high honour. Not that you’re likely to care after you’ve died. Once you’re dead, it’s no longer about you. It’s about how people remember you. More people are likely to remember him buried in Westminster Abbey than in outer space, which appears sparsely populated at best.
xxx/ellauri114.html on line 122: What more than anything is missing in recent films, and shines splendidly in Maxwell’s films, is the sense of glory, the feeling that some have lived on an elevated plane according to the dictates of the highest sense of duty and honor. It’s an unfashionable feeling today, and mocked by those who conspicuously lack it, who love weakly, who think solely in quotidian, political terms. It cannot be understood by those without religious faith, for Heaven is a City of Glory and glory is the special attribute of a God who, if hidden, nevertheless offers us a glimpse of the special virtue of his glory in the lives of those who in moments of danger are willing to sacrifice themselves for a cause they think greater than themselves; and that, above the messiness of political squabbles, is the message behind Maxwell’s films. (The American Spectator 2015)
xxx/ellauri114.html on line 355: Bozrah was the capitol of Edom. It’s name can either mean sheepfold or fortress. It’s often associated with the abandoned city of Petra, which is only twenty miles away.
xxx/ellauri120.html on line 130: It’s always ready for new challenges.
xxx/ellauri121.html on line 314: The books he wrote were never “hot”, but they were never read, so no harm done. His novels were well crafted but never quite took off — what the French call connerie pure. In 1996, he decided to stop writing novels altogether, and concentrate on childcare and cooking & laughing at Peggy's jokes. Kinda ironic given they didnt ever marry tho. It’s as if he made sure to stick around long enough for her new sequel to The Handmaid’s Tale – The Testaments – to be published. Considerate.
xxx/ellauri123.html on line 566: In the end, what helped me the most was an exercise you could file under “youthful naïvete:” I grabbed a piece of paper and wrote down “my 30 guiding principles.” Most of them were simple, like “Let go what must be let go,” “Simplify,” and, “Have no secrets.” I still have the list. It’s on my pinboard. I’m looking at it right now. So why was I naïve to create it?
xxx/ellauri123.html on line 592: In 1995, Studio Ghibli, a Japanese anime company, released a movie called Whisper of the Heart. It’s about two high school students struggling with their artistic callings, their feelings for each other, and coming of age.
xxx/ellauri123.html on line 606: Bill Gates says the worst day in his life was the day his mother died. It’s a simple reminder that we all have regrets. Another bad day was when his wife caught him astride his secretary.
xxx/ellauri123.html on line 626: Instead of taking shots at others, most people decide to draw up — and lose at — another imagined game: Who’s better? It’s a moot question. We have no idea what anyone’s story is like up to the page on which we meet them.
xxx/ellauri123.html on line 1269: Eric Sweeten provides a fascinating and well-written answer to this question. It’s almost impossible to disagree with him.
xxx/ellauri124.html on line 409: coffee this morning was the last straw. “It’s not about being mean or getting back
xxx/ellauri124.html on line 435: felt impossibly long in high school? Worse yet 375 humanists? It’s not long enough when you’re this ticked
xxx/ellauri124.html on line 543: it. It’s so simple that this may be the first guide we’ve written with just one
xxx/ellauri124.html on line 544: screenshot. It’s a feature that is so easy to use, it’s a travesty [Questions mark: of what?] that more
xxx/ellauri125.html on line 302: “Yeezus” is the most musically adventurous album West has ever released, a wildly experimental work that features tracks produced by Daft Punk, Hudson Mohawke, Rick Rubin and others. It’s also West’s most narcissistic, defiant, abrasive and unforgiving.
xxx/ellauri130.html on line 583: “I don’t think there’s ever been a time when you could just say anything.” He recalls an early comedy show – this must have been in the late 80s – where the host apologised to the crowd after Skinner had performed some risque sexual material. “He said I’d never play at the venue again – and then he launched into a load of racist material and brought the house down. Everyone’s got their own standards and restraints. But I think it’s been good for me to keep questioning what I say. It’s made me think more positively about racist jokes and not so much about penises. My knob is not working anymore BTW, I'm 65. We’re both deeply ashamed. Can't lift our eye to the public.”
xxx/ellauri130.html on line 595: When you have sex in a glow-in-the-dark condom, it’s like being in a lighthouse. It’s light, it’s dark. It’s light, it’s dark. It’s light, it’s dark.
xxx/ellauri130.html on line 601: It’s horrible when you’re having sex and you have to stop halfway through, like when the doorbell goes, or the saucepan boils over, or you run out of money.
xxx/ellauri136.html on line 117: Everyone is special. Each kid in the HP universe has unique skills. It’s a whole school of special snowflakes overlaying a traditional school dynamic. You get “sorted” into your house; you get a personalized wand, your broom is like a pet. You have owls to bring you messages, how cool is that? I want to be special too!
xxx/ellauri170.html on line 421: It’s so good to follow and copy something that works, to follow someone who’s been through it and done it, and to find that modern empirical scientific research is confirming our experiences. And it’s good to be able to describe the process in dictionary definable words and post scientific empirical neurological and genetic research that both confirms actualism and buckets the spiritual belief in an immortal Godly soul. Ah, serendipity abounds … Peter, The Actual Freedom Trust Mailing List.
xxx/ellauri183.html on line 90: Malamud was stunned. He drafted two letters to Roth, refuting his argumenz, but never sent them, according to a Malamud biography by Philip Davis. Instead, Malamud mailed only a few words to Roth: “It’s your problem.”
xxx/ellauri186.html on line 215: