ellauri051.html on line 1075: 485 Hurrah for positive science! long live exact demonstration! 485 Hurraa positiiviselle tieteelle! eläköön tarkka esittely!
ellauri095.html on line 518: The motif of the singing bird appears again in Gerard’s “Spring” (1877): “and thrush/Through the echoing timber does so rinse and wring/The ear, it strikes like lightnings to hear him sing.” The father’s attempt to represent what it is like to live in a bird’s environment, moreover, to experience daily the “fields, the open sky, /The rising sun, the moon’s pale majesty; /The leafy bower, where the airy nest is hung” was also one of the inspirations of the son’s lengthy account of a lark’s gliding beneath clouds, its aerial view of the fields below, and its proximity to a rainbow in “Il Mystico” (1862), as well as the son’s attempt to enter into a lark’s existence and express its essence mimically in “The Woodlark” (1876). A related motif, Manley’s feeling for clouds, evident in his poem “Clouds,” encouraged his son’s representation of them in “Hurrahing in Harvest’ (1877) and “That Nature is a Heraclitean Fire”(1888).
ellauri145.html on line 769: Emporte le morceau – Hurrah ! – Vie haukkapala - Hurraa!
ellauri145.html on line 797: – Hurrah ! c´est à nous la poussière ! - Hurraa! Purraan pölyä!
ellauri145.html on line 800: – Hurrah ! c´est à nous le hallier ! - Hurraa! Nyt tulee pensaseste!
ellauri145.html on line 802: – Hurrah ! c´est à nous la barrière ! - Hurraa! Tuossa kavaletti!
ellauri145.html on line 804: Hurrah !... et le fossé derrière... Hurraa!... Viimeiselle vesiesteelle!
7