ellauri060.html on line 928: The first official slogan of the Libertarian Party was "There ain't no such thing as a free lunch" (abbreviated "TANSTAAFL"), a phrase popularized by Robert A. Heinlein in his 1966 novel The Moon Is a Harsh Mistress, sometimes dubbed "a manifesto for a libertarian revolution". The current slogan of the party is "The Party of Principal and Dividends".
ellauri088.html on line 533: Heinlein 1958: Have space suit - will travel.
ellauri088.html on line 549: Mä arrrvasin! No sen isäpappa oli paizi rautakauppias ja huono rahamies myös saarnamies. Virnuilun alla Jerome vaikuttaa olevan aika hapantelija. Mut kaikkein paras lukijoiden ja Bob Heinleinin ja sen isän mielestä oli tää
ellauri088.html on line 575: Aargh vasta puolivälissä. Eihän tätä jaxa edes Aarne Kinnunen. Hypättävä suoraan ananaspurkki-insidenttiin, joka oli naurattanut Heinleinin isäukkoa.
ellauri088.html on line 595: Viktoriaanista läppäkeppiä. Heinleinin opetus on tässä: A man almost always gets what he wants if he wants it badly enough. Kolme stoogea eivät riittävästi halunneet ananasta purkista. Bob lainasi ton kynäveizi-insidentin Have spacesuit-kirjan esipuberteettiseen Kip/Peewee kohtauxeen.
ellauri089.html on line 37: I wonder how harmless such people are? To what extent civilization is retarded by the laughing jack-asses, the empty-minded belittlers? Nature's obvious mistakes? Mies sitä tulee räkänokasta, muttei tyhjän naurajasta. (Heinlein)
ellauri089.html on line 42: Matheis Heinlein arrived in Pennsylvania in 1754. Spelling variations of this family name include: Hainberg, Hainberger, Hainburger, Heynberg, Heynberger, Heinberg and many more. Itävaltalaista aatelia. Hohoo, Pelkkää puppua jolla myydään jenkkihöynille vaakunamukeja. Eigentlich ist es so:
ellauri089.html on line 48: Robert Anson Heinlein (/ˈhaɪnlaɪn/; July 7, 1907 – May 8, 1988) was an American science-fiction author, aeronautical engineer, and Naval officer. Sometimes called the "dean of science fiction writers", he was among the first to emphasize scientific accuracy in his fiction, and was thus a pioneer of the subgenre of hard science fiction. His published works, both fiction and non-fiction, express admiration for competence and emphasize the value of critical thinking. His work continues to have an influence on the science-fiction genre, and on modern culture more generally.
ellauri089.html on line 51: He was a sixth-generation German-American; a family tradition had it that Heinleins fought in every American war, starting with the War of Independence. Jim Marlowe, in Red Planet, and Don Harvey, in Between Planets, participate in insurrections patterned after the American Revolution, a plot Heinlein would most fully exploit in his adult novel, The Moon is a Harsh Mistress (1966).
ellauri089.html on line 53: Bobin isä ja isoveli oli samannimiset, Rex Ivar sr ja jr. Iskä oli kauppa-apulainen v. 1900 ja myöhemmin kassa, kirjanpitäjä ja farmikalujen kiertokauppias. Sotiminen loppui Bobin sukuhaaran osalta Vietnamiin, jota Bob kannatti penkkiurhona ja tuki vielä kuvitteellisesti Vietnamin veteraaneja niteessä Glory Road. Heinleinit olivat siistejä mutta koleerisia sakemanneja. Bobin roistotkin ovat paizi muuten moraalittomia myös hirmu epäsiistejä. Insult upon injury.
ellauri089.html on line 62: Heinlein's experience in the Navy exerted a strong influence on his character and writing. In 1929, he graduated from the Naval Academy with the equivalent of a Bachelor of Arts degree in Engineering, ranking fifth in his class academically but with a class standing of 20th of 243 due to disciplinary demerits.
ellauri089.html on line 64: Space Cadet (1948) may not be Heinlein’s best juvenile novel (that spot is usually reserved for Have Space Suit—Will Travel), but it is a solid contender for one of the top spots. Space Cadet would probably be a memorable novel if Heinlein had written no other juvenile books.
ellauri089.html on line 66: The schooling and the training flight that follows occupy approximately three-quarters of the book and are certainly based on Heinlein’s own experiences at the U.S. Naval Academy.
ellauri089.html on line 67: And the psychological testing, in which the boys are tested for certain character traits (and through which Heinlein begins to articulate his own philosophy about winners and losers), is even more fascinating.
ellauri089.html on line 69: Heinlein draws on his knowledge of school societies to make the Academy a “real” place; there are bull sessions, roommate problems, anxieties about passing, shared food packages, and parties at the Academy just as there are at any school, especially a boarding school or college. Also, as Matt becomes more and more a Cadet, he finds, as do many of Heinlein’s juvenile heroes, that he has grown beyond his family and that there is an unbridgeable gulf between his perspective as a Cadet and his parents’ perspectives as ground-dwellers in Kansas City. His living and working in space is a part of it, but even more important, Matt realizes, is his membership in an international/interplanetary organization. He is no longer the boy he was when he left home. He becomes aware of this difference and, understanding it, is able to deal with a family that now seems somewhat provincial to him.
ellauri089.html on line 71: The society of the Academy also allows Heinlein to develop characters who do not succeed as well as Bob does. Bill Hädensa, a bright student who has been in the Academy an unusually long time when Matt arrives, eventually drops out because he “has no wish to become a superman.”
ellauri089.html on line 74: Another Cadet, Girard Burke, is asked to resign. The reader has know for a long time that Burke, who is certainly mentally and physically capable, does not have the right attitude to be a Patrolman. He is, among other things, too skeptical of the ideals for which the Patrol stands. Burke resigns, goes into his father’s business, becomes an ship’s captain immediately, gets himself in venereal trouble on Venus, and has to call on the Patrol to rescue him from his own self-centered and stupid mistakes. Matt, Tex, and Oscar do rescue him and, with that action, prove the worth of the characteristics—perseverance, loyalty, intelligence, idealism, integrity, and courage—that Heinlein champions throughout Space Cadet and the other novels in the series. Vittu mikä nazi.
ellauri089.html on line 76: Afterwards Heinlein supported himself at several occupations, including real estate sales and bitcoin mining, but for some years found money in short supply.
ellauri089.html on line 77: Heinlein used his science fiction to earn money and as a way to explore his provocative social and political ideas, and to speculate how progress in science and engineering might shape the future of politics, race, religion, and sex. Within the framework of his science-fiction stories, Heinlein repeatedly addressed certain social themes: the importance of being earnest, individual liberty and self-reliance, the nature of incestual sexual relationships, the obligation individuals owe to their societies, the influence of organized religion on culture and government, and the tendency of society to repress nonconformist thought. He also speculated on the influence of space travel on human cultural practices.
ellauri089.html on line 85: In 1929, Heinlein married Elinor Curry of Kansas City. However, their marriage only lasted about a year. His second marriage in 1932 to Leslyn MacDonald (1904–1981) lasted for 15 years. Leslyn took to drink. No wonder.
ellauri089.html on line 86: At the Philadelphia Naval Shipyard Heinlein met and befriended a chemical engineer named Virginia "Ginny" Gerstenfeld.
ellauri089.html on line 87: Ginny undoubtedly served as a model for many of his intelligent, fiercely independent female characters. She was a chemist and rocket test engineer, and held a higher rank in the Navy than Heinlein himself. She was also an accomplished college athlete, earning four letter words.
ellauri089.html on line 91: Heinlein's early political leanings were liberal. In 1934, he worked actively for the Democratic campaign of Upton Sinclair for Governor of California. After Sinclair lost, Heinlein became an anti-Communist Democratic activist.
ellauri089.html on line 92: Isaac Asimov believed that Heinlein made a swing to the right politically at the same time he married Ginny.
ellauri089.html on line 93: Heinlein's fiction of the 1940s and 1950s, however, began to espouse conservative views.
ellauri089.html on line 94: The Heinleins formed the Patrick Henry League in 1958, and they worked in the 1964 Barry Goldwater Presidential campaign.
ellauri089.html on line 96: When Robert A. Heinlein opened his Colorado Springs newspaper on April 5, 1958, he read a full-page ad demanding that the Eisenhower Administration stop testing nuclear weapons. The science fiction author was flabbergasted. He called for the formation of the Patrick Henry League and spent the next several weeks writing and publishing his own polemic that lambasted "Communist-line goals concealed in idealistic-sounding nonsense" and urged Americans not to become "soft-headed".
ellauri089.html on line 98: It started with the famous Henry quotation: "Is life so dear, or peace so sweet, as to be purchased at the price of chains and slavery? Forbid it, Almighty God! I know not what course others may take, but as for me, give me liberty, or give me death!!". It then went on to admit that there was some risk to nuclear testing (albeit less than the "willfully distorted" claims of the test ban advocates), and risk of nuclear war, but that "The alternative is surrender. We accept the risks." Heinlein was among those who in 1968 signed a pro-Vietnam War ad in Galaxy Science Fiction. Että semmonen libertiini.
ellauri089.html on line 100: While at the Philadelphia Naval Shipyards, Asimov, Heinlein, and de Camp brainstormed unconventional approaches to kamikaze attacks, such as listening to detect approaching planes.
ellauri089.html on line 103: He wanted to do his own juvenile work, stating that: "I want to do my own stuff, my own way". Vapaa sexi kiinnosti. Kirjassa Strangers in a strange land se oli aivan daft. Jill is homophobic and says that "nine times out of ten, if a girl gets raped it's partly her own fault." Bobia kiinnosti myös insesti. Heinlein often posed in situations where the nominal purpose of sexual taboos was irrelevant to a particular situation, due to future advances in technology.
ellauri089.html on line 104: Heinlein portrays incest and pedophilia in a lighthearted and even approving manner.
ellauri089.html on line 106: His hobby was stonemasonry. Bob ja Ginny kumpikiin veti smögää ketjuna mut bob sai köystistä vanhuxena tiakohtauxia. Heinlein jelppi Reagania tähtien sodassa vielä kalkkiviivoilla, mutta pettyi pahasti. 1987 se kirjoitti:
ellauri089.html on line 110: The least science-y Heinlein is probably Double Star, about an actor who stands in for a galactic leader.
ellauri089.html on line 114: From Rocket Ship Galileo (1947) to Have Space Suit—Will Travel (1958), Robert A. Heinlein wrote twelve novels, all published by Scribners, that were aimed at what we now call the juvenile market. In Dr. Johnson’s sense of the word, they are classics in their field, they have stood the test of time. They appeared first in hardback—unusual in a field in which, until the 1950s or 1960s, almost all major works were published in magazines or in paperback; and during the 1950s, hardback copies of these novels could be found in school and public libraries all across the country. These novels later appeared in paperback and have remained available in that form to the present. Heinlein’s juvenile novels have been largely ignored by both science fiction critics and critics of children’s literature; but even a half century after they were written, these novels are still “contemporary” and are still among the best science fiction in the range.
ellauri089.html on line 116: There's no gap between will and action, for Heinlein's juveniles adulthood is devotion to something they want to do. This is the origin of the books' guilelessness—for that worldview is innocence, down at its root, even when the grand theme of a book is slavery, war, or survival in harsh circumstances. Being human isn't an insoluble problem for them. It's a puzzle that has a solution: be juvenile. What made Robert Heinlein inimitable was the easiness of the people in those stories.
ellauri089.html on line 118: Heinlein state that the purpose of metaphysics is to ask questions: "Why are we here?" "Where are we going after we die?" (and so on); but that you are not allowed to answer the questions.
ellauri089.html on line 124: During the 1930s and 1940s, Heinlein was deeply interested in Alfred Korzybski's general semantics and attended a number of seminars on the subject. His views on epistemology seem to have flowed from that interest, and his fictional characters continue to express Korzybskian views to the very end of his writing career.
ellauri089.html on line 130: When Ayn Rand's novel The Fountainhead was published, Heinlein was very favorably impressed, as quoted in "Grumbles ..." and mentioned John Galt—the hero in Rand's Atlas Shrugged—as a heroic archetype in The Moon Is a Harsh Mistress. He was also strongly affected by the religious philosopher P. D. Ouspensky.
ellauri089.html on line 132: Heinlein's name is often associated with the competent hero, a character archetype who, though he or she may have flaws and limitations, is a strong, accomplished person able to overcome any soluble problem set in their path. They tend to feel confident overall, have a broad life experience and set of skills, and not give up when the going gets tough.
ellauri089.html on line 134: Heinlein coined terms that have become part of the English language, including grok, waldo and speculative fiction, as well as popularizing existing terms like "TANSTAAFL", (free lunch) "pay it forward", and "space marine". Ja kexi vesisängyn ja kännykän. Ois voinut jättää keximättä.
ellauri089.html on line 138: Growing up Mr. Heinlein was and still is one of my favorite writers...He is old school none of this sodomite loving and liberal rectum kissing for him he was a TRUE Flag Waving AMERICAN Patriot! And we need MEN like him today and NOT that COMMIE Sodomite Rag Head Zebera occupying OUR White House today!
ellauri089.html on line 144: Somehow, in the writing of juveniles, only Heinlein gets away with being Heinlein.
ellauri089.html on line 145: Even more surprising, the sociological aspects of these books have also stood up well over the years. Boys today may not be quite as innocent about girls as they appear to be in most of Heinlein’s juveniles (perhaps at the request of Scribner’s editor Alice Dalgliesh), but the various interpersonal relationships (boy-girl, parent-child, sibling-sibling) do still ring quite true. Today’s young readers may have to ask what a “soda jerk” is, but they will have no trouble understanding why Kip, the hero of Have Space Suit—Will Travel, tosses a chocolate milkshake all over his tormentor.
ellauri089.html on line 153: Most of what Heinlein wrote after 1958 explores ideas that are more interesting, more profound, in certain senses, than any of his early work, like quirky sex. But at some point, even his most fervent fans want to return to books where the hero doesn't use time travel and advanced technology to have sex with his mother, his granddaughter, and his own clone. Or his computer made flesh.
ellauri089.html on line 157: He is a great fan of nuclear power. He certainly fails to challenge the reader to think critically about what the future climate might be like. In addition, Heinlein presents specific scientific, technological, sociological, moral or ethical, and humanistic situations which will not only intrigue but challenge the reader’s attitudes—about space travel, illegal alien societies, the over-populated future, the nature of time, and so on.
ellauri089.html on line 159: For average readers, Heinlein tells a good story; for better readers, Heinlein has challenges; and for the best readers, there is a kind of shared inside knowledge, a delight the reader feels when Heinlein makes a passing reference to Schiaperelli (sic) and the reader knows, without Heinlein’s ever explaining, who Schiaperelli was.
ellauri089.html on line 170: No wonder that Heinlein’s juveniles still enthrall the juvenile readers discovering them for the first time and enchant the older readers, like myself, who discovered them first in the 1950s. (C. W. Sullivan III is Distinguished Research Professor of English at East Carolina University.)
ellauri089.html on line 172: July 20, 1969, is probably the most important day in human history - the day men from Earth first set foot on another planet, Earth's moon. Robert Heinlein was a guest commentator (along with Arthur C. Clarke) with Walter Cronkite on this historic occasion.
ellauri089.html on line 176: Art Clarke ja Bob Heinlein näyttää kuulennon aikaan kuvatussa teeveehaastattelussa aikalailla Aartuu Diituulta ja Siitriipiioulta, tässä järjestyxessä. Clake oli huojuva hujoppi ja Bob näytti vesipostilta. Nasan droideja.
ellauri089.html on line 179: Heinlein puhkuu intoa. Tää on vuosi 1 uutta ajanlaskua, ihmiskunnan puberteetti, ympärileikkaus. Nyt me aletaan levitä avaruuteen kuin pienet spermapisarat. Aargh, ei tätä siedä kazoa.
ellauri089.html on line 182: Cyrano de Bergerac tän kuumatkailun aloitti, Verne ja Herge jatkoivat. Onnexi se on nyt tauolla. Heinlein was a mentor to Ray Bradbury, giving him help and quite possibly passing on the "payahead" concept, made famous by the publication of a letter from him to Heinlein thanking him. Apua, onko Bradburykin yhtä juveniili? Siis tollanen competent man.
ellauri089.html on line 184: Heinleinissä on lukuisia mätiä kohtia, kuin lommoja jouluomenassa. Armottomuus vihamiestä kohtaan on sen julmin piirre. Siinä on paljon saxalaista nazimaisuutta. Kuin sen hirvittävän siisteyden kääntöpuolena. Kip ei pidä piiklestukasta, he wears a crew cut.
ellauri089.html on line 191: On se kumma miten just nää samat mätämäisyydet toistuu miehekkäästä mieskirjailijasta toiseen. On jotenkin pakko. Sellasta Timo Airaxisen essentialismia. Kaikissa Heinleinin henkilöissä on pieni Bob sisällä. Wormfacet mukaanlukien.
ellauri089.html on line 197: Job: A Comedy of Justice is a novel by Robert A. Heinlein published in 1984. The title is a reference to the biblical Book of Job and James Branch Cabell's book Jurgen, A Comedy of Justice.
ellauri089.html on line 203: Heinlein depicts a Heaven ruled by snotty angels and a Hell where everyone has a wonderful, or at least productive, time — with Mary Magdalene shuttling breezily between both places.
ellauri089.html on line 217: Heinlein-First-Lines-277631.html">Heinlein Fun Trivia
ellauri089.html on line 345: Good boys, bad boys, Heinlein ja Moore
ellauri089.html on line 347: "It is easy to see why Robert Heinlein ranks at the top among science fiction writers ... he adds a delightful sense of humor and a deft sense of timing and suspense." (Chicago Sunday Tribune 1958)
ellauri089.html on line 349: Bob Heinleinin Have Spacesuit Will Travel on infantiili, vaikka piti olla juveniili. K.L. Humphreys kirjoittaa sarjaa adult romaaneja yleisamerikkalaisista pojista, jotka ovat alfasusia. Pitäisi ehkä tarkastella kysymystä G.E. Mooren etiikan valossa. Cambridgen apostolina se tiesi yhtä ja toista pojista. Niin hyvistä kuin pahoista.
ellauri090.html on line 391: Vizi hei mä vedin ton ihan hatusta! Mut JUST SIITÄ siinä onkin kysymys! Arvasin ihan oikein! Lusmuista pohatoista tosiaan tulee tosi yritteliäitä ja eipä aikaakaan kun ne on taas vaurastumispolulla. Alexis (joka on kyllä homo, mutta sekin on nyt jo ookoo prime time teeveessä) oppii rehellisen (tai no, tuottoisan) työn arvon jne. jne. Tää kaikki selvisi vaan treilereitä kazomalla. Tää sarja on sellasta riches to rags and back to riches tarinaa jota jauhettiin jo 1900-luvun lopulla kun pikku Wallu kazoi televisiota puristellen tennispalloa. Se kyllä tykkäisi. Pilkkanauru pois, kääritäänpä hihat ja ansaizemaan ensimmäistä miljoonaa kengänkiillottajana kuten nuori Roope, tai sooda jerkkinä kuten Bob Heinleinin Kip.
ellauri093.html on line 435: Näin pitkän unen jossa mm. käpyläläinen paritalo syttyi tahallisesti palamaan, Irina Krohn kertoi kuumia poliittisia salaisuuxia merimieskapakassa, Jaakko Haaviolla oli ökytalo kadunkulmassa, urheilijat kuristivat toisiaan irvistellen judo-otteilla ohuen lumen peittämässä valtavassa hallissa. Viimeisessä ja parhaassa osassa halasin selvästi alaikäistä mutta halukasta Seija-tyttöstä jolla oli kaunis selkä yöpaidan alla eikä vielä oikeastaan tissejä mutta nännit kovana. Se löysi mun yöpuvun housun halkiosta jäykkänä törröttävän kikkelin ja tökki sitä kummissaan. Mikä tämä on? En tohtinut vielä näyttää enkä selittää. Se tekee sulle ojennuxen koitin sanoa. Aika hyvät pedofiilixet. No siihen heräsin. Olikohan se Heinleinin syytä vai tuliko se Hiljasta.
ellauri095.html on line 161: Timothy d´Arch Smith, antiquarian bookseller, ascribes to Hopkins suppressed erotic impulses which he views as taking on a degree of specificity after Hopkins met Robert Bridges´s distant cousin, friend, and fellow Etonian Digby Mackworth Dolben, "a Christian Uranian". Ei siis Plutosta kuten Heinleinin matonaamat.
ellauri096.html on line 465: Jaskassa on muuten tätä samanlaista anaalis-obsessiivistä siisteydentarvetta kuin monissa samantyyppisissä pakko-oireisissa varsinkin jenkkikirjoittajissa, tulee mieleen heti Pynchon, Wallace ja Robert Heinlein. Niistä kaikista hirveintä ällöä on joku korvavaikku tai likaa käsissä. Sille jää möröt ja merikoirat kepeesti kakkosex. Kakkonen on niille kauhun lyömätön ykkönen. Mä lyön vetoa että Jaska popsii koko ajan paranoidisesti kaikenlaisia lääkkeitä, ravintolisiä sun muita ennaltaehkäiseviä tabuja ja hipsii kengänsyrjillä ettei vahingossakaan astu koirankakalle. Kun lamppu särkyy se pelkää kamalasti lasinsiruja. Niistä voi tulla isoja veripipejä. Se on varmaan nauttinut hurjasti korona-ajasta, kun saa vältellä muita elollisia ihan luvalla, pestä ketjuna käsiä ja pitää nolon naaman päällä naamaria. I can relate to that. Se ei tykkää edes siitä että hevosilla on nimiä. On kuin jääpuikko työnnettäisiin anuxeen. Porkkana tai lämmitetty nakki olisi ihan eri asia.
ellauri098.html on line 451: Tuomas Akvinolainen, Sergey Brin, Charles Darwin (taas), Death (Pratchett), Rene Descartes, Richard Dawkins, Albert Einstein, Gerald Ford, Milton Friedman, Gandalf (taas), Hermione Granger, Bob Heinlein, Dustin Hoffman, William James, I. Kant, Franz Kafka, Harper Lee, Abraham Lincoln, John Locke, Larry Page, Gregory Peck, Adam Smith, Thucydides, Yoda
ellauri119.html on line 598: Tää kymysys on aiheuttanut paljon tukkanuottasia Quorassa. Alisa Zinovjevna Rozenbaum, James Bondin From Russia with Love leffan naiskonnan "Number 2" doppelgänger ja selvä esikuva, ryssämatu jutkero kuten Saul Belov mutta jehovansa kuopannut, on vanha tuttu aiemmista albumeista. Albumissa 98 selvisi että Ayn Rand on INTJ. Ylläri. Heinlein ja Mencken peukuttivat Aynia. Iso ylläri. Mielikirjailijani ei ole Hilja Haahti vaan Ayn Rand, sanoi Maailman Paskin Nalle. Mojo ylläri. Täytyykin tähän väliin todeta että historianjälkeisen ajan James Bond, se Craig jotakin, on paskahuusin Valituista Paloista päätellen just niin tyhmä amis gorilla kuin sen lähellä toisiaan olevista silmistä voisi päätellä. Peruskoulupudokas ja täysi ääliö.
ellauri159.html on line 1224: You make the mistake to write in purely abstract terms. That just won´t do these days. You must communicate values and personal television through your writing. Nobody is interesting in abstractions. They search for the meaning behind the facts, and so consider the facts themselves to be of marginal importance. This is true; however, throw in some facts to dazzle your readers, like Bob Heinlein. During revision, add concrete details like the size of Peewee´s bra. Appeal to the five senses. Include Peeweeś vital statistics. Incorporate other points of view for balance. Make sure your research backs up your conclusion.
ellauri185.html on line 430: No kyllähän kaikki toimisi kuin junan vesa jos kaikkialla olis sama newtonilainen aika koko ajan, mutta Einsteinin poinzi on että aikakärpäset etenevät nuolen nopeudella, ja sitä vauhtia ei sitten sovi ylittää, muuten aikakärpäset näyttäisivät peruuttavan taaxepäin. Aika esiintyy sen yhtälöissä molemmilla puolilla, ei vain neliulottaisen avaruuden koordinaattina. Avaruus on kiero venkura, sen koordinaatit on vinossa kuin talousliberaalin arvot. Aikaa voi ostaa matkalla ja kääntäen. Kävikö Heinleinin sankarille suhteellisen vanhanaikaisesti alaikäisen tyttöystävän menarkheen ajankohdan suhteen? En muista.
ellauri263.html on line 694: Kerista's polyamorous sexual practice was influenced by Robert A. Heinlein's (1907-88) science-fiction novel Stranger in a Strange Land (1961), in which the Martian-raised human Michael Valentine Smith founded The Church of All Worlds, preached sexual freedom and the truth of all religions, and is martyred by narrow-minded people who are not ready for freedom. Sukua myös Diskordianismille. Concordia res parvae crescunt, discordia maximae dilabuntur.
xxx/ellauri086.html on line 578: Tää ero tuottaa suuria vaikeuksia myös Bob Heinleinille, joka kykkii Anskasta kazoen GAL-TAN asteikon vastakkaisessa nurkassa:
xxx/ellauri086.html on line 606: Tän ozakkeen mä oon nähnyt 1 zilj. kertaa, mutten jaxanut lukea. Viimexi se tuli vastaan Bob Heinleinin juveniilissa. Bobilla on paljon kulttuurivinkkejä. Edgar Allan Poe on musta ollut aina lähinnä rasittava. Enkä mä pidä muutenkaan detektiivijutuista. Musta on samantekevää kuka oli murhaaja. Tässä purloined letterissä on nimetön kertoja. Olis ollut parempi jos kertoja olis murhattu heti alussa.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri091.html on line 181: Ilmari Krohn eli valitettavasti harvinaisen pitkään, 92-vuotiaaksi. Se oli mukana heittämässä Hiljan muistolaattaa seinään 1957 täysin soineena. Seuraavana vuonna julkaistiin Heinleinin teos Have Spacesuit Will Travel. Ehtivätkö Ilmari ja Hilja sitä lukea? Tai tohtivatko? Olisivat hyvin ehtineet. Ainiin mutta Ilmari osasi vaan suomea, ruozia, saxaa, ranskaa ja unkaria. Muthei saxaxi ois nipin napin ehtinyt:
xxx/ellauri091.html on line 183: Die Invasion der Wurmgesichter (orig. Have Spacesuit – Will Travel) ist ein Jugendroman von Robert A. Heinlein. Das Buch ist in Deutschland erstmals 1960 erschienen, deutsche Alternativtitel sind Raumjäger, Piraten im Weltraum sowie Kip überlebt auf Pluto.
xxx/ellauri193.html on line 329: The term was used by science fiction author Robert A. Heinlein in the 1947 short story "Space Jockey" as the name of a rocket spacecraft used for the third step of a journey from the Earth to the Moon.
xxx/ellauri225.html on line 107: Mistäs nää Ursulan "hainit" tulevat? Perhaps the Middle English word heyne (and its variants, such as haine, hayn ), meaning 'mean wretch, niggard'? Tai Robert Heinlein — aus einer Koseform von Heinrich entstandener Familienname? Ach nein, nö! Heine: Dieser Name leitet sich vom hebräischen Wort für das Leben ab.
xxx/ellauri225.html on line 267: Le Guin read both classic and speculative fiction widely in her youth. She later said that science fiction did not have much impact on her until she read the works of Theodore Sturgeon and Cordwainer Smith, and that she had sneered at the genre as a child. Authors Le Guin describes as influential include Victor Hugo, William Wordsworth, Charles Dickens, Boris Pasternak, and Philip K. Dick. Le Guin and Dick attended the same high-school, but did not know each other. She also considered J. R. R. Tolkien and Leo Tolstoy to be stylistic influences, and preferred reading Virginia Woolf and Jorge Luis Borges to well-known science-fiction authors such as Robert Heinlein, whose writing she described as being of the "white man conquers the universe" tradition. Several scholars state that the influence of mythology, which Le Guin enjoyed reading as a child, is also visible in much of her work: for example, the short story "The Dowry of Angyar" is described as a retelling of a Norse myth.
xxx/ellauri319.html on line 369: Robert A. Heinlein, American author
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