ellauri111.html on line 192: Geronimo (Mescalero-Chiricahua: Goyaałé Athabaskan pronunciation: [kòjàːɬɛ́] "the one who yawns, June 16, 1829 – February 17, 1909) was a prominent leader and medicine man from the Bedonkohe band of the Apache tribe. From 1850 to 1886, Geronimo joined with members of three other Chiricahua Apache bands—the Tchihende, the Tsokanende and the Nednhi—to carry out numerous raids, as well as fight against Mexican and U.S. military campaigns in the northern Mexico states of Chihuahua and Sonora and in the southwestern American territories of New Mexico and Arizona. Geronimo's raids and related combat actions were a part of the prolonged period of the Apache–United States conflict, which started with American settlement in Apache lands following the end of the war with Mexico in 1848.
ellauri258.html on line 126: Sivumennen sanoen, "dignity" on oikeistolainen ällösana, jota on suomittu jo useassa albumissa, erit. Tsihirunkkuṟallin yhteydessä. Oireellisesti, sitä käyttävät mm. paavi Leo työläisistä, Paavi Leo (sama mies), tarkastaja Gently, Unabomber, Marvin, Derek Parfit, Pete Mencken, käsineiti Peg Atwood, Iisakki Bashevis (Mencken sanoo ettei juutalaisilla ole sitä, Bashevis begs to differ), Pascal, Gud (som taler ud), Olli Saxi, Ransu Silava, mustarastaat, De Löllö, joku jumalinen Dr. Dodd, Mark Twain, joku taidekriitikko (puuttuu Goyan Mantoilta parvekkeella, toisin kuin Maneetin, joilla on sylikoirokin), Ernesto "Che" Hemingway, Alex Stubb Maidan-demonstraatioista, Kv filosofien päivän ohjelma 2021, Tytti Yli-Viikarin kainalossa ollut Hawthornen kirja Scarlet Letter, vihan banaanit eli kunniamurhaajat, Lionel Drivel, Alfred Apple Lolitasta, King David kuuma neitonen hot water bottlena. Mikä on tässä yhteistä? Kermaperseily rupusakin kustannuxella, eräänlaista moraalista charitya.
ellauri284.html on line 624: A convoluted trail of funds Lalit Goyal, managing director of IREO, said his firm has a licensing agreement for the Trump name and other considerations for the office tower it is building. (Enrico Fabian/for The Washington Post)
ellauri284.html on line 626: In April 2016, the Trump Organization announced that it was expanding its brand in India, lending its name to an IREO Private Ltd. office tower in Gur­gaon designed by Foster + Partners, the architects of Apple’s new campus. The Trump company signed a licensing agreement with IREO that includes use of the name, technical assistance and a portion of office rental income, according to Lalit Goyal, IREO’s managing director.
ellauri284.html on line 627: Goyal said that his company is a private-equity fund founded in 2004 by a former Goldman Sachs executive and Indian partners to infuse foreign capital into India’s real estate market. The company counts high-profile sovereign wealth and university endowment funds among its backers.
ellauri284.html on line 629: Goyal is the brother-in-law of a prominent BJP leader, Sudhanshu Mittal, but the developer said Mittal has nothing to do with the business.
ellauri284.html on line 635: Goyal said at the time they founded IREO that the company faced unusual scrutiny because few people in India understood the concept of private equity.
ellauri284.html on line 636: Investigators “basically wanted to know who our investors are. And we shared the list with them,” Goyal said. “They took two years to cross-check our list of investors and finally they said that ‘you are absolutely clean.’ ”
ellauri331.html on line 640: Ryssän päiväkirja on venäjänkielinen englanninkielinen verkkosivusto, jota ei enää päivitetä. Sen perusti vuonna 1998 intialainen yrittäjä Aku Goyal, joka toimi kustantajana ja päätoimittajana. Lehden toimituksellinen linja oli oligarkkien vastainen. Useat Vladimir Putinin uskollisimmista varhaisista kriitikoista, kuten Andrei Piontkowski, Elena Rykovtseva, Otto Lätsis ja Alexander Goltz, kirjoittivat säännöllisesti The Russia Journal -lehteen. Nyt on nekin ammuttu.
ellauri349.html on line 130: Mixi useimmat meistä tuntevat izensä häviäjixi joilla on veltto ongelma Pafoxen uimarannalla? Koskako Pipsan rakkaus uhkaa meitä nielaisun ja hylkäyxen peloilla? Koskako muut ihmiset (kuten Eski) ovat ärrrrsyttäviä? Meidän pitäisi kieltäytyä äyskimästä niille kuten Goyan koira.
ellauri349.html on line 132: Goya-Dog-CROP.jpeg" />
xxx/ellauri137.html on line 196: At its presentation at the 1869 Salon, this enigmatic group portrait was overwhelmingly misunderstood despite the obvious reference to Majas at the Balcony of Francisco Goya. "Close the shutters!" was the sarcastic reaction of the caricaturist Cham while another critic attacked "this gross art" and Manet who "lowered himself to the point of being in competition with the painters of the building trade".
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xxx/ellauri137.html on line 204: Majas on a Balcony 1800-1810 is one of the many genre paintings by Goya portraying scenes from contemporary life. The physical setting is an azotea or balcony, a characteristic appendage of Spanish houses and an integral part of social life and character in the towns and cities of Goya's country. The features and props of the setting are confined to an iron railing with vertical grills, a very austere structure (compared to the rich elaborate grill-work of which we are accustomed to think as flourishing in Spain, or at least in New Orleans), which alludes to the socio-economic character of the house; the edge of the floor; some chairs - rather inelegant - one of which has cheap wicker matting; and in the background, a bare wall, a only proof of whose presence is a shadow to the extreme right suggesting a material surface.
xxx/ellauri137.html on line 206: And the Majas, they are not aristocratic ladies as their fine apparel may suggest; they lack refinement and dignity, though they are extremely attractive (particularly the one on the right, I would fuck her anytime). The artist calls them majas not mujeres. A patent wink to the same artist's best known work La Maja desnuda from the same year. They are no ordinary women. They are courtesans! Sluts, not to make too fine a point on it. Goya makes a subtle criticism on the society of his time. In Majas on a Balcony, Goya combines an ironic treatment of material with an impressionistic technique, a mode of presentation, which succeeds in creating a piece of social criticism. Buaahahahaha don't make me laugh!
xxx/ellauri379.html on line 52: Willard onnistui tehtävässään tappaa Kurtz vain siksi, että Kurtz oli itsekin kylästynyt käymänsä villiin sotaan, halusi Willardin tappavan hänet ja vapauttavan hänet kärsimyksistään kuin Goyan koiran. Ennen kuin Willard tappoi hänet, Kurtz pyysi Willardia löytämään Kurtzin vaimon ja pojan ja selittämään heille totuudenmukaisesti, mitä hän oli tehnyt sodassa. Mixi vitussa?
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