Plan C: Get Uriah to Do Drunk What He Will Not Do Sober (11:12-13)

Tonto's horse was called Scout. When the Lone Ranger shouted "Hi-ho, Silver-away!" Tonto would mumble "Get-um up, Scout".

WSJ: Tip for Authors In a Sales Bind: Get a 'Platform'. Retrieved 8 October 2012.
xxx/ellauri139.html on line 469: “Get hence! get hence! there’s dwarfish Hildebrand; Antaa heittää! Tuollon Hildebrandin knääpä;
xxx/ellauri149.html on line 396: On a different note, whether or not Christ is actually divine is ambiguous. There is evidence both for (his prophecy to Peter and Judas) and against (Jesus running from the lepers instead of healing them, and his prayers in Gethsemane) in the music, and it is typically left to the individual production to sort it out, usually in Judas' "Jesus Christ Superstar" number and after Jesus' death, where some productions will throw in a hint that he was resurrected later.
xxx/ellauri157.html on line 520: Get your motor runnin'
xxx/ellauri157.html on line 546: Get your motor runnin'
xxx/ellauri179.html on line 35:
xxx/ellauri179.html on line 652: More black humor: "Get up," Kake tells Bill, who replies "What? I never get up." Of course, it is Kake, not Bill, who never gets up. Later, trout (again, a phallic fish) try in vain to swim against the current of a waterfall, and — not so humorously — Kake reads a book about a man frozen inside a glacier whose wife awaits the reappearance of his body for twenty-four years. Kake is "frozen," too, only no one has the patience to await his unthawing.
xxx/ellauri187.html on line 195: Getting to the point wasn’t exactly Rilke’s forte. It may not be fair to expect that of any poet, especially one born in 1875 and swimming in the currents of the Symbolists. Rilke’s flowery — and daresay twee — verses do not jibe with today’s tastes for cut-and-dry clarity, blasé irony, and Tweet-able brevity. But that’s precisely why Rilke is enjoying somewhat of a posthumous comeback. He offers what Twitter can’t.
xxx/ellauri212.html on line 256: Geten Kytisos plär och vargen geten förfölja!
xxx/ellauri218.html on line 338: You have to go back to the root of history of the country, look at the history of the country. Get something for nothing. Take and kill. Rob the country, they don't come in a civilized manner and say we like to marry your women, and so on. No, they take your land and they kill you off. That's the history of the US. Why did the white man not come to America, like in a civilized manner, preaching freedom of religion, say we like to come here. We like to assimilate, we like to marry your women. But no, we take your land and kill you off , right? Bring over slaves from Africa. That's the history of the United States. A despicable country, you know. Even as a boy I never had the slightest interest in the history of the US, I knew their was something rotten in Denmark.
xxx/ellauri225.html on line 277: Several of Le Guin´s works have featured stylistic or structural features that were unusual or even subversive. The heterogeneous structure of The Left Hand of Darkness, described as "distinctly post-modern" (eek!), was unusual for the time of its publication. This was in marked contrast to the structure of (primarily male-authored) traditional science fiction, which was straightforward and linear. The novel was framed as part of a report sent to the Ekumen by the protagonist Genly Ai after his time on the planet Gethen, thus suggesting that Ai was selecting and ordering the material, consisting of personal narration, diary extracts, Gethenian myths, and ethnological reports. Earthsea also employed an outlandishly unconventional narrative form described by scholar Mike Cadden (Princeton U Senior Lecturer in Theater) as "free indirect discourse", in which the feelings of the protagonist are not directly separated from the narration, making the narrator seem sympathetic to the characters, and removing the skepticism towards a character´s thoughts and emotions that are a feature of more direct narration. Cadden suggests that this method leads to younger readers sympathizing directly with the characters, making it an effective technique for young-adult literature like Flaubert or Zola.
xxx/ellauri225.html on line 284: Gender and sexuality are prominent themes in a number of Le Guin´s works. The Left Hand of Darkness, published in 1969, was among the first books in the genre now known as feminist science fiction, and is the most famous examination of androgyny in science fiction. The story is set on the fictional planet of Gethen, whose inhabitants are ambisexual humans with no fixed gender identity, who adopt female or male sexual characteristics for brief periods of their sexual cycle. Which sex they adopt can depend on context and relationships.
xxx/ellauri225.html on line 286: Gethen was portrayed as a society without war, as a result of this absence of fixed gender characteristics, and also without sexuality as a continuous factor in social relationships. Gethenian culture was explored in the novel through the eyes of a Terran, whose masculinity proves a barrier to cross-cultural communication. Outside the Hainish Cycle, Le Guin´s use of a female protagonist in The Tombs of Atuan, published in 1971, was described as a "significant exploration of womanhood".
xxx/ellauri225.html on line 288: Le Guin´s attitude towards gender and feminism evolved considerably over time. Although The Left Hand of Darkness was seen as a landmark exploration of gender, it also received criticism for not going far enough. Reviewers pointed to its usage of masculine gender pronouns to describe its androgynous characters, the lack of androgynous characters portrayed in stereotypical feminine roles, and the portrayal of heterosexuality as the norm on Gethen.
xxx/ellauri225.html on line 292: Le Guin initially defended her writing; in a 1976 essay "Is Gender Necessary?" she wrote that gender was secondary to the novel´s primary theme of loyalty. Le Guin revisited this essay in 1988, and acknowledged that gender was central to the novel; she also apologized for depicting Gethenians solely in heterosexual relationships. In fact they did a lot of trainwatching and pussymunching too, she just did not tell.
xxx/ellauri225.html on line 294: Le Guin responded to these critiques in her subsequent writing. She intentionally used feminine pronouns for all sexually latent Gethenians in her 1995 short story "Coming of Age in Karhide", and in a later reprinting of "Winter's King", which was first published in 1969. "Coming of Age in Karhide" was later anthologized in the 2002 collection The Birthday of the World, which contained six other stories featuring unorthodox sexual relationships and marital arrangements. She also revisited gender relations in Earthsea in Tehanu, published in 1990. This volume was described as a rewriting or reimagining of The Tombs of Atuan, because the power and status of the female protagonist Tenar are the inverse of what they were in the earlier book, which was also focused on her and Ged. During this later period she commented that she considered The Eye of the Heron, published in 1978, to be her first work genuinely centered on a woman.
xxx/ellauri230.html on line 719: Ulkomaalaisten puheesta kuuluu tämän tästä: Go to hell! Don't be a fool! taikka Die verdammten Schweine! Zum Teufel! ynnä muita donnerwettereitä, mutta japanilaiset keskustelevat keskenään sävyisästi: 1. バカ (baka) – Stupid, Idiot. 2. ばかやろう(bakayarou) – Asshole, Idiot. 3. あほ (aho) – Moron. 4. くそ (kuso) – Shit, Crap. 5. ちくしょう (chikushou) – Shit, Son of a Bitch. 6. わるがき(warugaki) – Brat. 7. ふざけるな (fuzakeruna) – “Fuck Off”. 8. どけ(doke) – “Get out of the way!”. 9. しね (shine) – Die! 10. ブス(busu) – Extremely Ugly Woman. 11. ウルサイ (urusai) – Shut up! 12. だまれ(damare) – Shut up! 13. やかましい (yakamashii) - Turpa rullalle!
xxx/ellauri234.html on line 489: One word for the wise and depressed men described in this thread: VASECTOMY. Get it! I got it. Too late tho. Highly unlikely that creating another being entirely dependent on you for 18 years is going to do much to change your mood. Don’t have kids unless parenthood is your top priority and ambition in life. Kurt Cobain was right: it’s a setup!. Plant a house. Build a tree! Take a beer! Have a cow! Watch some TV! Join Depressive Quora!
xxx/ellauri235.html on line 861: The Spider and the Fly" is a song by English rock band the Rolling Stones, recorded in May 1965 and first released on the US version of their 1965 album Out of Our Heads. In the UK, it was released as the B-side to "(I Can't Get No) Satisfaction". Horatio H-blower got no satisfaction off H. Simpson, whose sex pistol was a dud.
xxx/ellauri250.html on line 664: How Are We to Get Rich? Ethics in an Age of Self-interest, Text Publishing, Melbourne, 1993
xxx/ellauri252.html on line 256: Pepun mielestä Aben Gettysburg address on hienointa sitten maailman luomisen. Haha. 2. maailmansota oli se vallankumous jossa Amerikan työväenluokka taisteli ja voitti. Hahaa Peppu. "Neuvostomyönteinen Stalinia kannattava" bolshevikkiliike niistettiin 50-luvulla jenkeistä ja siitä lähin on siellä oltu ryssän vihamiehiä. Buahaha. Hyvä yritys, mutta ei susta Peppu tule kunnon jenkkiä tekemälläkään kun olet jutku.
xxx/ellauri259.html on line 44: Kari Hotakaisessa on jotain vakavasti vialla... mikähän se mahtaa olla... No tietysti! Se on narsisti! Karissa plus Eskissä on hurjasti samankaltaisuuxia. Olisko se toi kultahattuisuus, pikkukaupungin tyhjäntoimittajataustalta tehdään mahtavaa julkkisuraa. Sanotaan WSOY:n käytävällä toimitussihteerille: ettekö tiedä kuka minä olen? Olen kiro... en minä jaxa. Molemmat diggaavat Eino Leinoa, Eino Gröniä, VM Loiria, Rollareita ja Remu Aaltosen Roadrunner-levyä, erit. stykeä Get on. Remu Aaltonen on kuollut. He got on, eventually.
xxx/ellauri259.html on line 69: Peruspiirre, josta suomalaisen tunnemme, on se mitä Toini Havu kutsuu purnaavaisuudeksi, Suomalainen on izepäinen piru. Korpisuomalainen itsepäisyys on pysyttänyt kansankulttuurimme omalla pohjallaan, tunne omasta pihasta, jonne vieraan ei ole hyvä tulla (Get off my property! hän sanoo kuten viulunsoittaja vaikkakaan ei katolla), on varjellut henkilökohtaista vapauttamme. Uskon, että parhaimmassakin tosisuomalaisessa tulisi tämän piirteen esiintyä.
xxx/ellauri268.html on line 498: Flash Sale: Get 12 weeks for $29.99 plus $6, plus a free tote. Subscribe. Cancel anytime.
xxx/ellauri273.html on line 292: Ahne BBC jättää näyttämättä brittein saarten luontotuhon surkeuden. Attenboron naama norsunvitulla voisi suututtaa oikeistosiiven maxajat. 4/5 britistä on huolestunut eläin- ja kasvikadosta. Se 1/5 jolla on vielä maxukykyä villiintyy jos tulee villiinnyttämisestä ohjelmassa edes maininta. Nää on mun maita, minähän sen oravan myrkytän! Get off my property ne huutavat kuin onnekkaammat naalit huippuvuoren huipulla. Karkottavat varkaita huiskahännät suorana. Nää on meidän pikkukajavat!
xxx/ellauri273.html on line 427: Aluxi naisia oli 10, loppupeleissä joukkokanteeseen on liittynyt ainakin 120 naista eri maista. Paikkaan on liittynyt monia hyviä muistoja, sanoo Kaj. Mukana olivat myös George W. Bush, Michael Jackson ja Robert deNiro. He olivat Peterin pieniä ylpeydenaiheita. Nygårdia juhlittiin Herlinin Sanomissa esimerkkinä maailmalla menestyneenä suomalaisena, tosin hurrina. HS kertoi innoissaan helsinkiläisnaisesta, jonka Peter oli raiskannut 17-vuotiaana Peterin vieraillessa Helsingissä HS:n vieraana. "Tässä on kyse ihmiskohtalosta", HS ozikoi. Kaupungin virkamiehet häiriköivät häntä ja rikkovat lakia kävellessään korjaamon tontilla ilman hänen lupaansa. Get off my property! Kaikki oli kuitenkin Peterin ilkeän naapurin Possu Pekonin tekosia. Eiväthän ihmiset voi elää noin, sanoo naapuri. Vain siat voivat asua tuollaisessa rytökasassa.
xxx/ellauri289.html on line 76: Naiselliset Jehovan todistajat tunkeutuivat taas yxityisalueellemme. Harmi että olin koko ajan suihkussa. Seija oli kiukkuinen koska se joutui ovelle papiljotit päässä. Jenkeissä olisi meillä ollut oikeus "stand our ground"; eli käyttää kuolettavaa väkivaltaa alueella, joka kuuluu meille. Get off my property! Bang bang! Aargh! Mein Leben! Jenkkilä on karmaiseva apinoiden planeetta. Nuutti jäi aidalle haukkumaan tyhjin toimin lähteneiden käännynnäisten perään.
xxx/ellauri292.html on line 115: One day he said he would go to Jerusalem to see the Garden of Gethsemane and the hill of the skull that is called Golgotha. But Shaitan (Satan) planned to stop Tekla Haymanot going on his journey to the Holy Land, and he cut the rope which led from the rock to the ground just as Tekla Haymanot started to climb down. Then God gave Tekla Haymanot six wings and he flew down to the valley below... and from that day onwards Teklahaimanot would fly back and forth to Jerusalem above the clouds like an aeroplane. No, more like a bird. Like Super Tekla.
xxx/ellauri298.html on line 646: God is a metaphor for a mystery that absolutely transcends all human categories of thought, even the categories of being and non-being. Those are categories of thought. I mean it's as simple as that. So it depends on how much you want to think about it. Whether it's doing you any good. Gets you closer to your bliss. Whether it is putting you in touch with the mystery that's the ground of your own being. If it isn't, well, it's a lie. So half the people in the world are religious people who think that their metaphors are facts. Those are what we call theists. The other half are people who know that the metaphors are not facts. And so, they're lies. Those are the atheists.
xxx/ellauri305.html on line 1462: Deut. 24:1 — Avioeron myöntäminen Get- asiakirjan avulla
xxx/ellauri312.html on line 169: lepää kärpänen. Tässä lepää siira. Incel? Get 90% off today!
xxx/ellauri354.html on line 528: Goren puolsi tai tuki toistuvasti kolmannen temppelin rakentamista Temppelivuorelle 1960-luvulta lähtien, ja hänet liitettiin useisiin messiaanisiin hankkeisiin, jotka liittyivät paikkaan. Kesällä 1983 Goren ja useat muut rabbit liittyivät rabbi Yehuda Getzin, joka työskenteli Länsimuurilla uskonnollisten asioiden ministeriössä, kanssa kiertelemään Getzin kaivaman vuoren alla olevaa kammiota, jossa he väittivät nähneensä Liiton arkin. Tunneli löydettiin pian, ja se johti massiiviseen tappeluun nuorten juutalaisten ja arabien välillä alueella. Israelin poliisi tiivisti tunnelin nopeasti betonilla. Sinetöity sisäänkäynti näkyy Länsimuuritunnelista, joka avattiin yleisölle vuonna 1996.
xxx/ellauri363.html on line 294: GettyImages-143231755-01b0f27.jpg?quality=90&webp=true&resize=600,400" />
xxx/ellauri376.html on line 132: Al Green Gets Next to You (1971)
xxx/ellauri376.html on line 151: I Get Joy (1989)
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