ellauri003.html on line 678: Pirkko ja Calle. Ruoka ei valmis. Herkkusienet. Automatka Vermontiin. Katetut sillat. Walden Pond. Kalle juoksee. Falstaff. Great Western. Pääsiäinen. Niagara Falls. Kanada.
ellauri025.html on line 141: Kun Pirkko ja Calle kävivät meitä kazomassa Bostonissa 1981, Seija odotti Johnia. Calle sanoi Best Western hotellia Great Westernixi, ja sekotti Flagstaffin nimen Falstaffiin. Olikohan se jo dementian alkua? Mullakin tapahtuu nykyään sellasta. En muistanut tänään kyssäkaalin nimeä, ja tulee joskus sanotuxi vääriä sanoja.
ellauri030.html on line 897: Tendentious jokes are jokes that contain lust, hostility, or both. William Shakespeare’s Falstaff would be an example of Freud's "comic," generating laughter by expressing previously repressed inhibition.
ellauri067.html on line 325: Pynchonin poikasena radiosta seuraaman Fred Allen Shown naispääosahenkilö oli Frankin puoliso, Jasun Martha Nussbaumin kaima. Other dramatis personae included average-American John Doe (played by John Brown), Mrs. Nussbaum (Minerva Pious), pompous poet Falstaff Openshaw (Alan Reed), Titus Moody (Parker Fennelly), and boisterous southern senator Beauregard Claghorn (announcer Kenny Delmar). Texaco ended its sponsorship of the program in 1944.
ellauri098.html on line 459: Adele, Aristoteles, Kemal Atatürk, Wernher von Braun, Napoleon Bonaparte, Warren Buffett, Julius Caesar, Jim Carrey, Sean Connery (taas), Simon Cowell, Elisabet I, Falstaff (Shakespeare), Bill Gates, Al Gore, Hermann Göring, Katherine Hepburn, Hannibal, Steve Jobs, Garri Kasparov, Tywin Lannister, Lex Luther (Superman), Angela Merkel, Tricky Dick Nixon, Leia Organa, Nancy Pelosi, Frank D Roosevelt, Carl Sagan, Arnold Schwarzenegger, Peter Sellers, Quentin Tarantino, Margaret Thatcher, Donald Trump, Voldemort, Sigourney Weaver (Alien)
ellauri220.html on line 195: Great Western hotelli Falstaffissa isin Viewmaster-kiekoissa. Tonto varjostaa kotkansilmiä ruskealla kädellä. Eurooppamamut approprioi alkuasukkaiden maat ja maisemat.
xxx/ellauri225.html on line 372: About Shakespeare, however, Bloom is nothing short of reverential: “My religion is the appreciation of high literature. Shakespeare is the summit. Revelation for me is Shakespearean or nothing.” He admits that much about the Bard still bewilders him. In a moment of rare vulnerability, Bloom admits he longs for more life. Bloom explains his theory of “self-otherseeing,” which allows one to glimpse parts of one’s self that are hidden from conscious view. “Self-otherseeing” also describes “the double-consciousness of observing our own actions and offerings as though they belong to others and not to ourselves.” Bloom insists that Shakespeare’s characterizations of Hamlet, Iago, Cleopatra and Falstaff use “self-othering,” and by watching them we inadvertently learn to think more seriously about ourselves. But he doesn’t show us how this has applied to him, only the declaration that it does so. We are left mystified and dubious.
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