ellauri046.html on line 359: This abridgement reduces the original quarter of a million words down to about 12,000 (around 5%), based on three different translations, one by Alastair Hannay, another by Howard V. Hong and Edna H. Hong, and a third by an unnamed translator, possibly Lee M. Hollander. As with many of these condensed versions, having picked out the glowing passages may give an impression of a coherence which is absent in the rambling, repetitive and frequently incomprehensible original. The staccato style, though, is what it is like.
ellauri118.html on line 424: Heräämisen Edna huomaa saman jutun.
ellauri152.html on line 272: Corydon and Thyrsis on paimenia Edna St. Vincent Millay's 1920 näytelmässä, "Laula laulu alusta", eli Aria da Capo.
ellauri243.html on line 757: 1. James Thomson (11. syyskuuta 1700 Ednam, Roxburghshire, Skotlanti – 27. elokuuta 1748 Richmond, Englanti) oli skotlantilainen runoilija ja näytelmäkirjailija, jonka merkittävintä tuotantoa ovat kokoelma The Seasons ja sanat brittiläiseen isänmaalliseen lauluun Rule, Britannia!.
ellauri402.html on line 741: EnochEdna
ellauri402.html on line 742: MetusalahEdna
xxx/ellauri084.html on line 815: She was no Edna St. Vincent Millay! Or am i imagining it?
xxx/ellauri084.html on line 818: Edna St. Vincent Millay (February 22, 1892 – October 19, 1950) was an American lyrical poet and playwright.
xxx/ellauri178.html on line 126: Roth patronisoi Lontoossa irkku Edna O'Brieniä ja matki (huonosti) sen iiriaxenttia. Chevalieria se pyysi tekemään imitaatioita. O'Brien's works often revolve around the inner feelings of women, and their problems in relating to men, and to society as a whole. Her first novel, The Country Girls (1960), is often credited with breaking silence on sexual matters and social issues during a repressive period in Ireland following World War II. The book was banned, burned and denounced from the pulpit. Sähän olet hyvä kynäilijä, Pili soitti iloisesti Ednalle. Niin olen sanoi Edna ohuesti.
xxx/ellauri179.html on line 619: Novick’s attempt to find love affairs in James’ life reminds me of the 1920s, when there were no biographies of James, and critics loved to speculate on the mysteries of his privacy. Van Wyck Brooks, a skillful writer of pastiche, produced his quasi-biographical Pilgrimage of Henry James to prove the novelist was a literary failure because he had uprooted himself from the United States. Edna Kenton, a devoted Jamesian in Greenwich Village, demonstrated in a biting review in The Bookman that Brooks used important James quotations out of context. Years later, Brooks confessed to having nightmares “in which Henry James turned great luminous menacing eyes upon me.”
xxx/ellauri186.html on line 85: Several members of Beecher's circle reported that Beecher had had an affair with Edna Dean Proctor, an author with whom he was collaborating on a book of his sermons. The couple's first encounter was the subject of dispute: Beecher reportedly told friends that it had been consensual, while Proctor reportedly told Henry Bowen that Beecher had raped her. Regardless of the initial circumstances, Beecher and Proctor allegedly then carried on their affair for more than a year. According to historian Barry Werth, "it was standard gossip that 'Beecher preaches to seven or eight of his mistresses every Sunday evening.'"
xxx/ellauri225.html on line 386: Crane was born in Garrettsville, Ohio, the son of Clarence A. Crane and Grace Edna Hart. His father was a successful Ohio businessman who invented the Life Savers candy and held the patent, but sold it for $2,900 before the brand became popular. Bugger it. Too late to save the life of the hart. He made other candy and accumulated a fortune from the candy business with chocolate bars.
xxx/ellauri410.html on line 146: Faber & Faber published The Faber Book of Blue Verse (1997), which was reissued as Making Love to Marilyn Monroe (2006). Both editions contain Eliot’s “Columbiad: Two Stanzos,” “There Was a Young Girl of Siberia,” and “ ’Twas Christmas on the Spanish Main,” and include verse by such eminent authors as Geoffrey Chaucer, Edna St. Vincent Millay, and the famous Anon. It is an indigestible fudge of the familiar, the feeble and the indiscriminately filthy” (Wheen 262).
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