ellauri108.html on line 233: Rastafari is not a homogeneous movement and has no single administrative structure, nor any single leader. A majority of Rastas avoid centralised and hierarchical structures because they do not want to replicate the structures of Babylon and because their religion's ultra-individualistic ethos places emphasis on inner divinity. The structure of most Rastafari groups is less like that of Christian denominations and is instead akin to the cellular structure of other African diasporic traditions like Haitian Vodou, Cuban Santería, and Jamaica's Revival Zion. Since the 1970s, there have been attempts to unify all Rastas, namely through the establishment of the Rastafari Movement Association, which sought political mobilisation. In 1982, the first international assembly of Rastafari groups took place in Toronto, Canada. This and subsequent international conferences, assemblies, and workshops have helped to cement global networks and cultivate an international community of Rastas.
ellauri108.html on line 264: Both through travel between the islands, and through reggae's popularity, Rastafari spread across the eastern Caribbean during the 1970s. Here, its ideas complemented the anti-colonial and Afrocentric views prevalent in countries like Trinidad, Grenada, Dominica, and St Vincent. In these countries, the early Rastas often engaged in cultural and political movements to a greater extent than their Jamaican counterparts had. Various Rastas were involved in Grenada's 1979 New Jewel Movement and were given positions in the Grenadine government until it was overthrown and replaced following the U.S. invasion of 1983. Although Fidel Castro's Marxist–Leninist government generally discouraged foreign influences, Rastafari was introduced to Cuba alongside reggae in the 1970s. Foreign Rastas studying in Cuba during the 1990s connected with its reggae scene and helped to further ground it in Rasta beliefs. In Cuba, most Rastas have been male and from the Afro-Cuban population.
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Phillu mainizee (175) Mandelin tykänneen Tito Puentesista ja Pupi Camposta niin paljon että muutti nimensä Babaluuxi. (Kolmas nimi on pianisti Joe Loco.) "Babalú" is a Cuban popular afro song written by Margarita Lecuona, the cousin of composers Ernestina and Ernesto Lecuona. The song title is a reference to the Santería deity Babalú Ayé. "Babalú" was the signature song of the fictional television character Ricky Ricardo, played by Desi Arnaz in the television comedy series I Love Lucy, though it was already an established musical number for Arnaz in the 1940s as evidenced in the 1946 film short Desi Arnaz and His Orchestra. By the time Arnaz had adopted the song, it had become a Latin American music standard, associated mainly with Cuban singer Miguelito Valdés, who recorded one of its many versions with Xavier Cugat and his Waldorf-Astoria Orchestra. Arnaz made the song a rather popular cultural reference in the United States.
ellauri144.html on line 195: José Julián Martí Pérez (28. tammikuuta 1853, Havanna, Kuuba – 19. toukokuuta 1895, Kuuba) oli kuubalainen kirjailija, kansallissankari ja maan itsenäisyystaistelun henkinen johtohahmo. Kuubassa häntä pidetään maan yhtenäisyyden symbolina, ja häneen viitataan nimellä El Apostol de la Independencia Cubana (suom. Kuuban itsenäisyyden apostoli).
ellauri144.html on line 236: Cubano soy y le canto Kuubalainen olen ja laulaa hänelle.
ellauri185.html on line 827: Results: American Indians/Alaska Natives had a significantly higher and 50% or greater prevalence for 7 conditions (anotia or microtia, cleft lip, trisomy 18, encephalocele, lower, upper, and any limb deficiency). Cubans and Asians, especially Chinese and Asian Indians, had either significantly lower or similar prevalences of these defects compared with non-Hispanic Whites.
ellauri219.html on line 1012: Underworld is a novel, quite simply, about what was experienced in the United States in the second half of the 20th century. An era shaped by the advent and then cancellation of the Bretton Woods agreement. Nuclear proliferation. The withering away and relocation of American manufacturing, and the rise of global capitalism. Jazz. The Cuban missile crisis (through the voice, as DeLillo has it, of the smirking standup comedian Lenny Bruce). Civil tights. The CIA. Bombs on university campuses. Artists on New York rooftops, and around them, the old industrial framework of bygone city life, something aesthetic and exotic, either marvelled at or ignored, take your pick.
ellauri220.html on line 430: The world comes to the brink of nuclear war with the Cuban Missile Crisis. In response to the USA's nuclear advantage, the USSR sent missiles to Cuba. The crisis lasted for 12 days before a deal was finally stuck between Khrushchev and Kennedy in which the Cuban missile bases were dismantled in return for the secret removal of US missiles from Turkey.
ellauri220.html on line 452: Two major events Adlai Stevenson number 2 dealt with during his time as UN ambassador were the Bay of Pigs Invasion of Cuba in April 1961 and the Cuban Missile Crisis in October 1962.
ellauri226.html on line 231: Bronx census, such as Japanese, Koreans, Vietnamese, Cubans,
ellauri272.html on line 216: Dreaming In Cuban by Cristina Garcia
ellauri378.html on line 660: Expatriate Cubans condemned the game for its depiction of American special forces trying but failing to kill a young Fidel Castro, regrettably killing instead only a body-double. The Cuba-based pro-Fidel Castro website Cubadebate said the game "empowers sociopathic attitudes of American children and adolescents, the main consumers of these virtual games." 25M copies had been sold by 2013.
xxx/ellauri085.html on line 264: Mark Cuban for example does this. There are many facts to his beginning and journey that are not exactly moral or success related but now hes in a position to say whatever he wants and relate everything as a direct result of his effort, ability and contributions and supposedly working harder than everyone else. He just likes to hear himself talk like many of these types do.
xxx/ellauri125.html on line 750: Courtney Michelle Harrison was born on July 9, 1964, at Saint Francis Memorial Hospital in San Francisco, California, the first child of psychotherapist Linda Carroll (née Risi) and Hank Harrison, a publisher and road manager for the Grateful Dead. Her parents met at a party held for Dizzy Gillespie in 1963. Her mother, who was adopted at birth and raised by an Italian-American family in San Francisco, was the biological daughter of novelist Paula Fox; Love's maternal great-grandmother was screenwriter Elsie Fox. Phil Lesh, the founding bassist of the Grateful Dead, is Love's godfather. According to Love, she was named after Courtney Farrell, the protagonist of Pamela Moore's 1956 novel Chocolates for Breakfast. Love is of Cuban, English, German, Irish, and Welsh descent.
xxx/ellauri314.html on line 299: mother filed for divorce and later met and married Cuban refugee Miguel Bezos. In
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