The states that make up Gilead in complete occupation are: Minnesota, Wisconsin, Illinois (except for Chicago), Michigan, Indiana, Ohio, Tennessee, Kentucky, West Virginia, Virginia, North Carolina, Maryland, Pennsylvania, Delaware, New Jersey, New York, Connecticut, Rhode Island, Maine, New Hampshire, and Massachusetts.
ellauri067.html on line 413: Bishop Simon Brute College Seminary, Indianapolis, Indiana USA. College of the Holy Cross, Worcester, Massachusetts. Georgian Institute of Public Affairs, Tbilisi, Georgia. Hardey Preparatory School for Boys, Chicago, Illinois USAHoly Cross College, Arima, Trinidad. Holy Cross College, Kalutara, Sri Lanka. Holy Cross College of Carigara, Carigara, Leyte, Republic of the PhilippinesHoly Cross High School, Camp Phillips, Bukidnon, Republic of the Philippines. Holy Cross School, Winnipeg, Manitoba, Canada. Instituto Tecnológico de Mérida, Mérida, Mexico. Madras Christian College, Madras, IndiaMarist Brothers High School, Fiji Suva cityLegon, Ghana. Quitman High School, Quitman, Louisiana USA. St Eunan´s College, Letterkenny, County Donegal, Republic of Ireland. St. Joseph´s Grammar School, Donaghmore, County Tyrone, Northern Ireland. St. Michael´s Church School, Christchurch, New ZealandSt. Thomas´ Secondary School, Kano, NigeriaStrangford Integrated College, Carrowdore, County Down, Northern Ireland. Wah Yan College, Wan Chai, Hong Kong. Wah Yan College Kowloon, Yau Ma Tei, Hong Kong.
ellauri069.html on line 172: Gene Krupa: Eugene Bertram Krupa, Born:January 15, 1909, Chicago, Illinois, U.S., Died:October 16, 1973, Yonkers, New York, U.S. was an American jazz drummer, band leader and composer known for his energetic style and showmanship. His drum solo on "Sing, Sing, Sing" elevated the role of the drummer from an accompanying line to an important solo voice in the band.
ellauri069.html on line 686: Ironically, kettle corn much pre-dates the original Cracker Jack, dating to at least the 18th century, when it’s mentioned in some Pennsylvania Dutch diaries. Cracker Jack was introduced in 1893, sold by brothers Fritz and Louis Rueckheim at the Chicago World’s Fair. The first packaged product was introduced in 1896.
ellauri073.html on line 260: Matt Foley is a fictional character from the sketch comedy program Saturday Night Live performed by Chris Farley (1964-1997). Foley is a motivational speaker who exhibits characteristics atypical of someone in that position: whereas motivational speakers are usually successful and charismatic, Foley is abrasive, clumsy, and down on his luck. The character was popular in its original run and went on to become one of Farley's best-known characters. Farley named the character after one of his Marquette University rugby union teammates, who is now a Roman Catholic priest in the Chicago suburb of Arlington Heights. Plans for a film version with Spade in a supporting role were shelved after Farley's death in 1997.
ellauri074.html on line 414: Tähän väliin tekis mieli paasata vähän Mircea Eliadesta (1907 – 1986) ja sen Chicagon kollegasta Belovin Sakusta. Mirkkis on ilmitullut ex-fasisti ja antisemitisti, ja Saku tunnetttu semiitti. Mitenkähän ne oikein tulivat toimeen keskenään? Voisi kuvitella ettei kovinkaan hyvin. Väärin arvattu.
ellauri080.html on line 834: Kukahan se oli? Jenkkimoraalin taustaoletus on kapitalismin kasvuräjähdys, win-win näät perustuu sellaiseen. Nollasummapeliin se ei sovi. Jos asia ei ratkea tarjouskilpailulla, se on politiikkaa sanoo paskiaiset. Vitun tarjouskilpailut. Jopa Milton Friedmanin ja sen Chicagon roistokoplan oma peliteoria todistaa että sellaisissa voittaa rikas köyhät 6-0, koska sillä on varaa hävitä tarjouskilpailussa enemmän. Nälkäinen karvakäsi Eesau häviää koko taivaosansa ja luihu Jakob hähättelee koko matkan pankkiin.
ellauri089.html on line 347: "It is easy to see why Robert Heinlein ranks at the top among science fiction writers ... he adds a delightful sense of humor and a deft sense of timing and suspense." (Chicago Sunday Tribune 1958)
ellauri092.html on line 59: Dwight Lyman Moody (February 5, 1837 – December 22, 1899), also known as D. L. Moody, was an American evangelist and publisher connected with Keswickianism, who founded the Moody Church, Northfield School and Mount Hermon School in Massachusetts (now Northfield Mount Hermon School), Moody Bible Institute and Moody Publishers. One of his most famous quotes was “Faith makes all things possible... Love makes all things easy.“ Moody gave up his lucrative boot and shoe business to devote his life to revivalism, working first in the Civil War with Union troops through YMCA in the United States Christian Commission. In Chicago, he built one of the major evangelical centers in the nation, which is still active. Working with singer Ira Sankey, he toured the country and the British Isles, drawing large crowds with a dynamic speaking style. Jesus was a great motivational speaker, and the apostles plus Paul of Tarsus copycatted him to the best of their abilities.
ellauri092.html on line 78: The first change in Moody was that he received a burden to see all his family earnings saved. Later that year he moved to Chicago and although he started to show signs of real shoe business ability and success, when he experienced the revival which commenced in that city in January 1857, business success faded into insignificance. He was ruined - success of this world no longer interested him instead, he began to glow in Christian virtue. He mixed freely amongst Plymouth Brethren, Methodist Episcopal, Congregationalists and Baptists. The years passed and he worked with the men in tights at YMCA and raised up one of the most unusual Sunday Schools of that day which became a church. He reluctantly began to preach and haggled every step of the way. He turned down Congregational ordination and remained a simple uneducated layman with a burden for souls. Having heard of Spurgeon’s ministry in London he did all he could to get hold of and read every Spurgeon sermon. He took thorough hold of Spurgeon’s three ‘R’s: Ruin by the fall, Redemption by the Blood, and Regeneration by the Holy Mackerel. This flowed through every one of his messages and was the marrow of Moody’s theology. Many thought him too radical and so nicknamed him ‘Crazy Moody.’
ellauri092.html on line 82: He became very settled and successful in ministry in Chicago. He sat on at least ten separate committees while at the same time fighting the gall of Cod to step out as an itinerant Evangelist. Cash flow was becoming mechanical. In June 1871 a great burden came upon two older ladies in his congregation to pray that he would receive the baptism of the Holy Ghost and fire. These two hot ladies became very obvious to Moody as they sat on the front pew and prayed as he preached. When he enquired about their praying they informed him that they needed the power of the Spirit.
ellauri092.html on line 84: At first Moody could satisfy himself so that was ok. But the persistence of these ladies led him to meet and pray with them. They poured out their hearts asking Cod to fill them with His servant's Spirits. From that day a deep hunger and thirst gripped Moody. By October he was in agony for sole as he prayed and munched Cod for the promised gift. At times he would roll on the floor in agony with the ladies and in tears with this singular prayer to be baptised in the Holy Mackerel grilled with fire. This was a wrestle between his willy and Cod’s willy. It was that very month that Chicago burnt to the ground by ghost fire. All his works, efforts and organizational committees literally went up in a blaze. Shortly after this while passing through New York on his way to Britain the second time Cod heard his prayer. As he walked the streets his willy bent before Cod's, the power of the Golden Horde fell upon him, the Ford drew near and revealed Himself to be His servant. Moody rushed to a friend’s house and asked for rum and to be left alone. Hour after hour he bathed in the presence of Cod as the Holy Mackerels filled him. So strong was this that he cried out to Cod to stay in His hand lest He die. He was filled with the joy of the Gourd. When he left that house it was in the power of the fire, just like Chicago the other day.
ellauri093.html on line 144: Ironside oli muistaaxeni läski viivasuinen poliisi jossain rullatuolissa? Vai sekotanko nyt? Juu ei tää on Harry Ironside – Bible teacher, preacher, and author; pastor of the Moody Church in Chicago (1930-1948); associated at different times with both the Open and Exclusive Brethren.
ellauri099.html on line 205: Two things hit you when you visit the site of the Lyceum and look at its architectural plans. First, it is a direct copy of Plato’s Academy. And second, it is much, much bigger. The relation between the Academy and the Lyceum is a little like that between a twee medieval Cambridge College and the monumental architecture of the University of Chicago.
ellauri100.html on line 252: Academics: Graduated from Big-Ten U in the early 1960s with a B.A. in Economics. Accepted for graduate study in economics at several top schools, including Chicago, M.I.T., and some Ivy League schools. Chose M.I.T. and soon regretted the choice: gray, rainy Cambridge and robotic mathematical approach to economics made for a depressing combination. Returned to alma mater to finish the academic year, then quit to join the (somewhat) “real world” and earn some money. Read: I flunked because I was too dense for M.I.T.
ellauri102.html on line 244: Gene Siskel of the Chicago Tribune described the film as "a big disappointment when compared with the studio's other recent films about a female hero searching for independence." He was further critical of Mulan's characterization in comparison to Ariel and Belle, jotka molemmat on aivan lällyjä. Mä en ole nähnyt Titanicia (enkä todellakaan aio nähdäkään) mutta näkemättäkin oon vakuuttunut eze on yhtä syvältä kuin se paattikin.
ellauri106.html on line 65: Philip Roth was the younger of the 2 boys of Herman Roth (1901–1989) and his wife Bess, nee Finkel (1904–1981). Both parents were assimilated American Jews of the second generation of immigrants. The maternal grandparents came from the area around Kiev, the Yiddish-speaking paternal grandparents, Sender and Bertha Roth, from Koslow in Galicia. Sender Roth had trained as a rabbi in Galicia and worked in a hat factory in Newark. Herman Roth, the middle of seven children and the first child in the United States, first worked in a factory after eight years of schooling, then became an insurance agent selling door-to-door life insurance. By his retirement he made it to the district director of Metropolitan Life. Philip Roth's brother, Sanford (Sandy) Roth (1927–2009), who was four years older than him, studied art at the Pratt Institute, became vice-president of the advertising agency Ogilvy & Mather in Chicago and made a name for himself as a painter after his "early retirement".
ellauri106.html on line 67: In October 1956, Philip Roth met the secretary Margaret Martinson Williams in Chicago, whom he married in February 1959. The divorced mother of two children of completely different social origins, who was four years older than him, initially gave Roth the feeling of both a challenge and a liberation. Later, however, the problems and arguments in their relationship increased, which the writer dealt with in retrospect in works such as When She Was Good ( Lucy Nelson or Die Moral, 1967) or My Life As a Man (Mein Leben als Mann, 1974). In his autobiography The Facts (The Facts, 1988) Margaret even advanced as Josie Jensen to the “counter-self”, to the “arch enemy and nemesis ” of the author. The couple separated in 1963, but Margaret Roth refused to consent to a divorce. Five years later she died in a car accident.
ellauri106.html on line 104: He enjoyed a robust childhood and was poplar in high school where he was a bright student but not quite diligent enough in his studies to win a prized full scholarship to Rutgers where he wanted to study law. Roth attended Rutgers University in Newark for a year, then transferred to Bucknell University in Pennsylvania, where he earned a B.A. magna cum laude in English and was elected to Phi Beta Kappa. He received a scholarship to attend the University of Chicago, where he earned an M.A. in English literature in 1955 and briefly worked as an instructor in the university´s writing program. Less prestigious Bucknell University in Pennsylvania was Roth’s fallback school. There he abandoned his vague dreams of becoming a lawyer for the underdog and turned his attention to writing.
ellauri106.html on line 106: That same year, rather than wait to be drafted, Roth enlisted in the army. Roth enlisted in the Army that year to avoid being drafted and assigned to unpleasant duty like the infantry. Fortunately he suffered a back injury during basic training and was given a medical discharge. Who knows. He returned to Chicago in 1956 to study for a PhD in literature but dropped out after one term. It was a yeasty environment for a young writer. Saul Bellow was a contemporary and with some what similar backgrounds and interests they could not avoid being rivals. During that year he met a lovely shiksa waitress Margaret Martinson, a single woman with a small child. He was smitten. An intense, but often troubled relationship ensued. At the end of the year he dropped out of the U of C and headed to the University of Iowa to teach in its creative writing program. None the less, whatever he may have said, Roth was not happy there, perhaps because the semi-rural Midwesterness of Ames was alien to him. After a while with Martinson in tow he moved on to a similar position at Princeton, another WASP bastion but one with even more prestige. Everyone who knew him recognized Roth as an early comer. He later continued his academic career at the University of Pennsylvania, where he taught comparative literature before retiring from teaching in 1991. Roth started teaching literature in the late 1960s at the University of Pennsylvania. The 1969 feature film adaptation of Goodbye, Columbus coincided with the publication of Portnoy’s Complaint, which soon became a best-seller amid controversy for its prurient content. (Those who've read it will likely not forget Portnoy's "love affair" with mom´s slab of liver in the fridge.)
ellauri106.html on line 108: Nähtävästi Phillu oikein pyrkimällä pyrki sotapoliisixi mutta pylly venähti. Missä muka näkyy Midway ikkunasta? Sehän oli avomerellä? Roland Emmerichin Midway on nimittäin häpeilemätön paluu aikakauteen, jolloin sota oli jonkinlainen ihmiskunnan ulkopuolinen kiirastuli, jonka läpi soturien oli kuljettava täyttääkseen tarkoituksensa miehinä - tai heittäydyttävä liekkeihin tien tasoittamiseksi jäljessä tuleville. Tiedostavaa sodanvastaisuutta tai sen taistelujen kauheuden realismia on turha hakea. Midway on täynnä sotaelokuvaklisheitä. Eipäskun Midway Park on Chicagon keskuspuisto. Phillu on täynnä amerikkalaisia klisheitä. Ukrainan mamusta tuli vastenmielisen jenkki-isänmaallinen egoistiläjä.
ellauri106.html on line 148: A mid-1970s transplant to Chicago from New York, he rose in the competitive advertising world to become senior vice president and creative director of Ogilvy & Mather, where his major account was Sears Home Fashions, friends and family said. But in 1983, he gave it all up to devote himself to painting full time.
ellauri106.html on line 152: Mr. Roth, 81, who also taught painting and drawing at his West Loop studio until his health deteriorated in 2007, died of congestive heart failure Wednesday, May 6, at his Chicago home.
ellauri106.html on line 164: Services have been held. At least 106 people shot, 14 fatally, in Chicago weekend violence. Watch live.
ellauri106.html on line 351: That Dylan line was also the title of a position paper distributed at an SDS convention in Chicago on June 18, 1969. This founding document called for a "White fighting force" to be allied with the "Black Liberation Movement" and other radical movements to achieve "the destruction of U.S. imperialism and form a classless communist world".
ellauri106.html on line 649: Nathan-Roth kaipaa Chicagon aikoja, jolloin se luki yeshiva-kopissa suuria mestareita Mannia, Tolstoita, Gogolia ja Proustia samalla lailla nyökytellen kuin Shtizelin ortodoxit ohimokäkkäräiset kipapäiset partapozot. Se on niin jutku että tekee päästä kamalaa.
ellauri107.html on line 84: "With clarity and with crudeness, and a great deal of exuberance, the embryonic writer who was me wrote these stories in his early 20s, while he was a graduate student at the University of Chicago, a soldier stationed in New Jersey and Washington, and a novice English instructor back at Chicago following his Army discharge...In the beginning it amazed him that any literate audience could seriously be interested in his story of tribal secrets, in what he knew, as a child of his neighborhood, about the rites and taboos of his clan—about their aversions, their aspirations, their fears of deviance and defection, their embarrassments and ideas of success."
ellauri107.html on line 504: Whenever Thompson twanged, “Put your John Hancock on that line,” Babbitt was as much amused by the antiquated provincialism as any proper Englishman by any American. He knew himself to be of a breeding altogether more esthetic and sensitive than Thompson's. He was a college graduate, he played golf, he often smoked cigarettes instead of cigars, and when he went to Chicago he took a room with a private bath. “The whole thing is,” he explained to Paul Riesling, “these old codgers lack the subtlety that you got to have to-day.”
ellauri109.html on line 225: Gillian Leigh Anderson (s. 9. elokuuta 1968 Chicago, Illinois) on yhdysvaltalainen näyttelijä ja kirjailija. Hänet tunnetaan erityisesti roolistaan FBI-erikoisagentti Dana Scullyna televisiosarjassa Salaiset kansiot.
ellauri109.html on line 537: In Chicago, Roth met Margaret (Maggie) Martinson, a divorcée with two children who came from a small Midwestern town and whose tumultuous life (an alcoholic father, a brute of an ex-husband) fascinated him with its “goyish chaos” and provided material for his fiction.
ellauri112.html on line 590: Native Chicago suburban writer Diablo Cody on Buffalo Bill muutenkin kuin nimeltä. Klisheepuhveleita kaatuu kuin hehtaaripyssyllä, bullshttiä piisaa enemmän kuin jaxaa syödä. Diablo Cody’s script contains her trademarked witticisms and dry humor. Cody’s quick-witted screenplay highlights an open disdain for hipsters.
ellauri119.html on line 622: She went on to briefly attend the State Institute for Cinema Arts, and in 1925 was granted a visa to the United States to visit relatives in Chicago, Illinois, landing first in New York. She decided then to never return to Russia.
ellauri131.html on line 744: Canadian prime minister Kevin Trudeau earned untold millions through his "They Don't Want You To Know About" series of infomercials touting his supposed secret knowledge of natural cures, debt relief, and weight loss techniques. And though he earned the allegiance of many followers who believed his claims, a federal jury found him guilty of criminal contempt in 2013, for "lying in several infomercials about the contents of his hit book, The Weight Loss Cure 'They' Don't Want You to Know About," according to The Chicago Tribune. Trudeau repeatedly touted the methods in the book as "easy," except unwitting customers didn't find out until they plunked down cash that it involved "prolonged periods of extreme calorie restriction, off-label skin-syringe injections and high-colonic enemas personally administered by Mr. Trudeau," according to ABC News.
ellauri131.html on line 902: She then moved to Chicago, where she worked in low-paying jobs. In 1950, she moved on again, to New York. At this point she changed her first name, and began a career as a fashion model. She achieved success, working for Bill Blass, Oleg Cassini, and Pauline Trigère. In 1954, she married the English businessman Andrew Hay (1928–2001); after 14 years of marriage, she felt devastated when he left her for another woman, Sharman Douglas (1928–1996). Hay said that about this time she found the First Church of Religious Science on 48th Street, which taught her the transformative power of thought. Hay revealed that here she studied the New Thought works of authors such as Florence Scovel Shinn who believed that positive thinking could change people's material circumstances, and the Religious Science founder Ernest Holmes who taught that positive thinking could heal the body.
ellauri140.html on line 728: Styx on yhdysvaltalainen rockyhtye.Se perustettiin Chicagossa vuonna 1961 nimellä "The Tradewinds". Yhtyeen alkuperäiseen kokoonpanoon kuuluivat Dennis DeYoung, Chuck Panozzo ja John Panozzo.Myöhemmin mukaan liittyivät James Young ja John Curulewski.Tällä kokoonpanolla yhtye teki levytyssopimuksen Wooden Nickel Recordsin kanssa vuonna 1971.
ellauri144.html on line 290: He eventually dropped out of high school, and worked at a variety of jobs, including shoe salesman and store window decorator. One of his first jobs was as a soda jerk. When the drugstore went out of business, Todd had acquired enough medical knowledge from his work there to be hired at Chicago's Michael Reese Hospital as a type of "security guard" to stop visitors from bringing in food that was not on the patient's diet.
ellauri147.html on line 179: Emily in Paris follows Emily, a battery driven 20-something American from Chicago who moves to Paris for an unexpected job opportunity. She is tasked with bringing an American point of view to a venerable French marketing firm. Cultures clash as she adjusts to the challenges of life in Paris while juggling her career, new friendships and genitals.
ellauri147.html on line 187: Dodi, nyt on nähty 2 jaxoa Emilystä. Kuten saattoi arvata, Chicagon runkku heivattin pois pelistä, ja nyt Emily jo kyntää uraa ranskalaisessa mainosfirmassa. Sen 'le vagin jeune' kelpaa heti ranskis äijille, ja ikävän seniori naispomon se ohittaa jo ekassa kaarteessa. Macronin vaimosta tehdään halpaa huumoria. Sovinistivaltioissa kuten USA on suorastaan skandaali että Macronin vaimo on sitä vanhempi. Verratkaa nyt meidän trofeita, huutaa Trump ja Bolsonaro kuorossa ja tuulettaa kainaloista kanoja kuin keltaisia tupeita. Sattumalta Luxemburgin puistossa nähty vinosilmä lastenhoitaja onkin salaa kiinalaisen vetoketjumiljonäärin tytär. Vittu nää amerikkalaiset on sitten ennustettavia. Jotain kerta kaikkiaa masentavaa siinä on. Tulee ihan paha mieli. Mieluumin luen vaikka Isaac Bashevis Singerin sentimentaalisia lapsuudenmuistoja Varsovan ghetosta.
ellauri147.html on line 189: Huomiota kiinnitti muuten partnereiden reaktiot kun Chicagon runkku peruutti Pariisin lentonsa. Se oli molemmille osapuolille puhtaasti narsistinen loukkaus. Emily on narsistipissixen muotokuva. Dorian Grey halkiohaarana.
ellauri147.html on line 203: Emily's boss Madeline prepares to make the transition from the Chicago based pharmaceutical marketing firm, the Gilbert Group, to a French based fashion firm, Savior, when she discovers that she is pregnant. She offers the job to Emily and she accepts, leaving her boyfriend back in Chicago. Emily moves to Paris despite the fact that she does not speak French. She moves into the 5th floor of an old apartment building without an elevator but with a wonderful Parisian view. Emily creates an Instagram account, @emilyinparis, and begins documenting her time in Paris. Emily starts her first day of work much to her new co-workers chagrin who reveal that she was only hired because of a business deal. She introduces the French to American social media strategies who seem very reluctant about her and her American methods. Emily accidentally tries to enter the wrong apartment and bangs her very attractive neighbor right at the door, Gabriel. As Emily accustoms to life in Paris she makes countless faux-pas and the firm nicknames her "la plouc" or "the hick". Emily meets Mindy Chen, a nanny originally from Shanghai, and they become fast friends. After Emily and her boyfriend attempt to have cybersex but the connection fails, she plugs in her vibrator and accidentally short-circuits the block's power. "Accidentally" is the top frequency word in the script.
ellauri147.html on line 207: Emily's boyfriend tells her that she should return to Chicago, since he struggles with a long distance relationship, and he does not want to visit Paris, despite a pre-planned trip. She declines returning to Chicago and breaks off the relationship without so much as beg your leave. She turns to Mindy for emotional support. Mindy's slanty eyes have most likely been operated on.
ellauri147.html on line 240: Many scenes are filmed in Paris, Texas, at Place de l´Estrapade in the 5th Arrondissement, including the site of Emily´s first apartment, the restaurant ("Les Deux Compères"), and the bakery ("La Boulangerie Moderne"). Some scenes are also filmed at Cité du Cinéma, a famous film studio complex in Denver. Famous Parisian sites to feature in the series as digitally prepared miniatures include: Le Grand Véfour, the Pont Alexandre III, Palais Garnier, L´Atelier des Lumières, Rue de l´Abreuvoir, Jardin du Luxembourg, Jardin Du Palais Royale, Café de Flore and the Panthéon. An episode was also filmed at the Château de Sonnay in the department of Indre-et-Loire. Additional photography took place in Chicago during November 2019.
ellauri160.html on line 314: Francis Fukuyama was born in the Hyde Park neighborhood of Chicago, Illinois, United States. His paternal grandfather fled the Russo-Japanese War in 1905 and started a shop on the west coast before being interned in the Second World War. His father, Yoshio Fukuyama, a second-generation Japanese American, was trained as a minister in the Congregational Church, received a doctorate in sociology from the University of Chicago, and taught religious studies. His mother, Toshiko Kawata Fukuyama (河田敏子), was born in Kyoto, Japan, and was the daughter of Shiro Kawata (河田嗣郎), founder of the Economics Department of Kyoto University and first president of Osaka City University. Francis grew up in Manhattan as an only child, had little contact with Japanese culture, and did not learn Japanese.
ellauri162.html on line 830: Robin McLaurin Williams (July 21, 1951 – August 11, 2014) was an American actor and comedian. Williams was raised and sometimes identified himself as an Episcopalian. He described his denomination in a comedy routine as "I have that idea of Chicago protestant, Episcopal—Catholic light: half the religion, half the guilt." He also described himself as an "honorary Jew", and on Israel's 60th Independence Day in 2008, he appeared in Times Square, along with several other celebrities to wish Israel a happy birthday.
ellauri183.html on line 623: Tämä tyttö nostattaa minunkin pikkupoikani seisomaan, tässä iässä! Ja paraatiasentoon. Mixi hätäillä? Ehditte saada rynkkyä vaikka millä mitalla ennenkö vakiinnutte. Chicagon juutalaisten mielestä ei pidä olla ihmiskana, on nokittava vaikka oma veljensä päästäkseen tunkiolle kukoxi. Tehtävä näin eikä oltava ihmiskana, kynitty ja riepoteltu, kakkaa takapuolessa ja surullisia ryppyjä pelokkaissa kasvoissa. Luudalla hätistelty ihmiskana. Joku Jeesus.
ellauri185.html on line 859: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs.
ellauri192.html on line 351: The last American winner was Toni Morrison in 1993. No writer from South America has won since Gabriel Garcia Marquez in 1982. The previous North American winner was Canadian Saul Bellow, who won in 1976 and was a resident of the United States for much of his life. What the fuck he was a Chicago crook, as American as apple pie.
ellauri192.html on line 902: Not many of our foreign guests were this distance from Broadway and the main streets of Chicago; not many could tell about their impressions with such liveliness and humor. – New York Herald Tribune
ellauri194.html on line 87: Route 66, U.S. Route 66 oli tunnettu valtatie Yhdysvalloissa. 11. marraskuuta 1926 perustettu Valtatie 66 oli yksi alkuperäisiä liittovaltion valtateitä, vaikka kyltit pystytettiin vasta seuraavana vuonna. Se kulki alun pitäen Chicagosta, Illinoisista Missourin, Kansasin, Oklahoman, Texasin, New Mexicon ja Arizonan läpi päättyen Santa Monican hiekkarannoille Kaliforniaan. Reitin kokonaispituus oli 2 448 mailia (3 940 km).
ellauri194.html on line 92: Route 66 lakkautettiin virallisesti vuonna 1985. Tällöin päätettiin ettei tiellä enää ollut merkitystä, koska Interstate Highway System oli korvannut sen. Tiestä löytyy vielä osia nimellä Historic Route 66. Maisemareitti kiemurtelee eri osavaltioissa Chicagosta Santa Monicaan. Tämä jo osin käytöstä poistettu reitti on merkitty uudelleen karttoihin tällä uudella nimellä.
ellauri194.html on line 96: Vuonna 1928 Averyn vastaperustettu yhdistys teki ensimmäisen julkisuustempauksensa: maratonkilpailun Los Angelesista New York Cityyn. Kilpailun reitti Los Angelesista Chicagoon oli Route 66. Tempaus onnistui: useat julkisuuden henkilöt, kuten Will Rogers (n.h.), tervehtivät juoksijoita reitin varrella. Hi guys. I'm tired. I thank Im gonna home now. Shit happens.
ellauri196.html on line 618: Chicagossa pula-aikana oli slummeja ja rotanpuremia lapsia. Sale oli niihin yhtä tottunut kuin demokraatit norsuihin. Hauska nähdä mikä on viisikymppisen akateemisen free enterprise jutkun käsitys ay-liikkeestä. Kuten saattoi arvata ei korkea. Sen mielestä ne ovat kateita. Niin ovatkin, tasa-arvo on ainoa asia joka tyydyttää kateita. Ja ääliöitä koska ne eivät osaa ize vetkutella pinnalle hengittelemään hyttysentoukkana kuten Sale. Koska ne on harmitonta laahusta joista on bisinixille pelkkää harmia.
ellauri196.html on line 677: Brando was raised a Christian scientist from Pfalz. Kasvoi kompostista kuin krispaattorissa wilttaantunut Pak Choi. His mother, known as Dodi Rypäleitä Perseessä, was unconventional for her time; she smoked, wore pants, and drove cars. She helped Henry Ford begin his acting career. However, she was an alcoholic and often had to be brought home from bars in Chicago by her alcoholic husband. Brando expressed sadness when writing about his mother: she preferred getting drunk to caring for us. No wonder Buddy.
ellauri198.html on line 232: Ei kylä ollut tämä! Delmore oli muistaaxeni Salen Humboldtin lahjan esikuva, suuri runoilijalupaus josta Sale sittemmin ajoi oikealta ohize tyytyväisenä terävä kyynärpää avoauton ikkunasta ulkona. Delmore muisteli ehkä Memorial Day Massacrea holokaustia odotellessa. Kaatuneiden muistopäiväpäivän verilöylyssä vuonna 1937 Chicagon poliisilaitos ampui kymmeniä aseettomia mielenosoittajia ja kaatoi niistä 10 Chicagossa 30. toukokuuta 1937. Tapaus tapahtui Little Steel -iskun aikana Yhdysvalloissa. Tästä vähäpätöisenä pidetystä eventistä on artikkeli Uikipediassa vain usaxi ja venäjäxi.
ellauri198.html on line 234: Let’s take time this Memorial Day weekend to remember Memorial Day 1937, when workers in Chicago were massacred by police for trying to picket against their employer, the Republic Steel Company.
ellauri198.html on line 239: The most terrible day, preceding those described above, was May 30th, Memorial Day. On the south side of Chicago 1,500 workers, including some of their families, marched to the Republic Steel plant for a picket line and to hold a meeting. They were met by 200 police and dozens of paddy wagons. A group of 300 workers advanced to confront the police. After debate, then heated argument, the police opened fire on the workers, first shooting dozens, then clubbing those still fleeing and many they had already shot. Ten were killed and forty others were shot, almost all in the back. One was paralyzed from the waist down. One hundred were beaten with clubs, including an eight-year-old child. After Memorial Day, workers were fearful that any wrong move could sudden death. And their union leaders offered no larger strategy to answer the violence.
ellauri210.html on line 787: Le Congrès Eucharistique de Chicago Chicagon ehtoolliskokous
ellauri219.html on line 975: Underworld (also released as Paying the Penalty) is a 1927 American silent crime film directed by Josef von Sternberg and starring Clive Brook, Evelyn Brent and George Bankrupt. The film launched Sternberg's eight-year collaboration with Paramount Pictures, with whom he would produce his seven films with actress Marlene Dietrich. Journalist and screenwriter Ben Hecht won an Academy Award for Best Original Story. Time felt the film was realistic in some parts, but disliked the Hollywood cliché of turning an evil character's heart to gold at the end. Filmmaker and surrealist Luis Buñuel named Underworld as his all time favorite film. Critic Andrew Sarris cautions that Underworld does not qualify as "the first gangster film" as Sternberg "showed little interest in the purely gangsterish aspects of the genre" nor the "mechanics of mob power." Film critic Dave Kehr, on the other hand, writing for the Chicago Reader in 2014, rates Underworld as one of the great gangster films of the silent era. "The film established the fundamental elements of the gangster movie: a hoodlum hero; ominous, night-shrouded city streets; floozies; and a blazing finale in which the cops cut down the protagonist."
ellauri220.html on line 41:
Prokofjew Chicagossa
ellauri220.html on line 45: Rakkaus kolmeen appelsiiniin, op. 33, on Sergei Prokofjevin vuonna 1919 säveltämä venäjänkielinen ooppera. Teoksen libreton kirjoittivat Prokofjev ja Vera Janacopoulos. Ensiesitys oli Chicagossa 30. joulukuuta 1921 ranskaxi. Kylmään sotaan oli vielä runsaat 20v.
ellauri222.html on line 72: The celebrated writer kept romances alive in different cities, two or three at any given time — with students and faculty divorcées at the University of Chicago, assistants at The New Yorker, even his housecleaner. A dreary train of affairs.
ellauri222.html on line 83: “I am an American, Chicago born” begins the famous first sentence of “The Adventures of Augie March.” The author of that sentence was actually an illegal immigrant, Canada born, and the words were written in Paris. Bellow’s father, Abraham Belo, was born in a shtetl inside the Pale of Settlement. He began his career in St. Petersburg as a produce broker, specializing in Egyptian onions and Spanish fruit. The family seems to have been quite well off. Abraham had used a forged document to work in St. Petersburg, and, when this was discovered, he was arrested and convicted. He may have gone to prison. But he managed to escape and, in 1913, to get his family to Canada.
ellauri222.html on line 85: They settled in Lachine, outside Montreal, where Abraham tried farming, and where, in 1915, Saul was born. When the farm failed, the family moved into the city and Abraham took up bootlegging, a venture that ended even more disastrously. In 1924, he moved again, to Chicago, and engaged some bootlegging associates to smuggle his wife and children across the border to join him.
ellauri222.html on line 87: Abraham spent the rest of his life in Chicago, and he ended up running a retail coal business. But he never really learned English—Yiddish was the language at home—and he never became a citizen. He had no passport and no driver’s license (which didn’t prevent him from driving). Saul did not become an American citizen until 1943.
ellauri222.html on line 89: But Chicago was a city of immigrants. It also had a large Jewish population—by 1931, according to Leader, nearly three hundred thousand in a city of 3.3 million. All the Bellow children assimilated happily and all became well off. Saul is often associated with the University of Chicago, where he taught for many years as a member of the legendary Committee on Social Thought. He was a student there, but for less than two years. He had to withdraw for financial reasons (a truck driver was killed in an accident at his father’s coal yard and the insurance had lapsed), and he transferred to Northwestern, from which he graduated in 1937.
ellauri222.html on line 91: In his Op-Ed about the Zulu Tolstoy, Bellow made much of his academic training in anthropology. After leaving Northwestern, he did become a graduate student in anthropology at the University of Wisconsin. But he completed just one course before dropping out and returning to Chicago, where he married a woman, Anita Goshkin, who was studying for a master’s degree in social work, and began his career as a fiction writer and itinerant college teacher. His first job was at Pestalozzi-Froebel Teachers College, on South Michigan Avenue, in downtown Chicago.
ellauri222.html on line 95: He also worked for a time at the Encyclopædia Britannica, on the fifty-two-volume “Great Books of the Western World,” under the editorship of Mortimer J. Adler. Bellow was in charge of editing part of the “Syntopicon,” a two-volume digest of the Great Ideas composed by Adler. He had taken one of Adler’s courses at the University of Chicago and had concluded that it was “tomfoolery,” but he seems to have liked the job.
ellauri222.html on line 113: Into his head popped the memory of a friend from childhood, a boy named Charlie August—and Augie March was born. The novel poured out of him. “All I had to do was to be there with buckets to catch it,” he said. Being abroad, he thought, encouraged the sense of compositional freedom. He wrote much of the novel in Europe—in Paris, Salzburg, and Rome. He later boasted that not a single word of it was written in Chicago.
ellauri222.html on line 117: The first two hundred pages of “Augie March” are the best writing Bellow ever did. He created an idiolect that had no model. “I am an American, Chicago born . . . and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent.” Nobody speaks or writes that way—which is exactly what the sentence is telling us.
ellauri222.html on line 119: Augie is a street-urchin autodidact. Never taught how to write a proper sentence, he invents a style of his own. He is an epigrammist and a raconteur, La Rochefoucauld in the body of a precocious twelve-year-old, a Huck Finn who has taken too many Great Books courses. With this strange mélange of ornate locutions, Chicago patois, Joycean portmanteaus, and Yiddish cadences, Bellow found himself able to produce page after page of acrobatic verbal stunts:
ellauri222.html on line 175: The decorum in Bellow criticism is to acknowledge the original of the fictional character when the person is famous, and otherwise to insist on treating it all as fiction. Thus everyone knows that, in “Humboldt’s Gift,” Von Humboldt Fleisher “is” Delmore Schwartz, and that, in “Ravelstein,” Abe Ravelstein “is” Allan Bloom, the Chicago professor who wrote “The Closing of the American Mind” and was a good friend of Bellow’s.
ellauri222.html on line 177: But “Ravelstein” is a revenge novel, too. It’s not really about Ravelstein/Bloom. It’s about the narrator, a writer named Chick, who has been treated cruelly by his wife, Vela, a beautiful and brilliant physicist—a wicked caricature of Bellow’s fourth wife, the mathematician Alexandra Ionescu Tulcea. There are also a couple of drive-by take-downs along the way—of Mircea Eliade, a historian of religion at Chicago rumored to have been involved in the fascist Romanian Iron Guard, and of the owner of a restaurant on St. Martin, in the Caribbean, where Bellow contracted a case of food poisoning that nearly killed him. He brings them into the story just to skewer them.
ellauri222.html on line 209: Greg's mother was Anita Goshkin, Saul's first wife, whose family had emigrated to the US from the Crimea after the pogroms, as Bellow's own antecedents had left Lithuania for Canada. They ended up in Chicago, where Saul would become one of the city's most famous sons and where, in 1935, he met Anita at summer school. Anita oli niin tavis ettei siitä ole edes nettikuvia. Tollanen Liisa Karhunen.
ellauri222.html on line 221: Bellow was born Solomon Bellow in Lachine, Quebec, in 1915, two years after his parents had arrived there from St Petersburg. When he was nine, the family moved to the Humboldt Park neighbourhood of Chicago. His mother, Liza, died when Saul was 17, but not before she had passed on to him her love of the Jewish Bible (he learned Hebrew at four). His first serious critical success was The Adventures of Augie March (1953), but it was not until his 1964 novel, Herzog, became a bestseller that he earned any real money. His elder brothers, both businessmen, were by this time making serious cash, and regarded him, he once said, as "some schmuck with a pen". Mary Cheever, the wife of John Cheever, believed the two got on so well because "they were both women-haters". He has nothing good to say about feminism. Bellow has a go at Hannah Arendt and Mary McCarthy (the one is "rash", the other "stupid"). In 1994, however, he ate a poisonous fish in the Caribbean, and fell into a coma that lasted five weeks. He dreaded a loss of virility.
ellauri222.html on line 261: Mistähän Sale sai päähänsä tän kotkankesytyxen Mexikossa? Se on yhtä uskottavan oloinen kuin se sen Aahrikka-pläjäys. Kaikesta näkee ettei kaveri ole käynyt Chicagosta kauempana kuin ehkä Pariisissa (jota se muuten inhosi). Kukaan jenkkiarvostelija ei sano siitä mitään. Ilmeisesti se ei kiinnostanut niitäkään, kun siinä on vaan märkäselkiä.
ellauri222.html on line 331: One of the major themes of the novel is the human tendency toward dishonesty. Augie is not a particularly honest character. He cheats, he steals, and lies quite frequently. Dishonesty characterizes many of the other characters in the novel, including Grandma, Einhorn, Mimi (who lies to doctors that she thinks her pregnancy abnormal), Stella, Agnes, and Mintouchian. The only characters who do not lie or cheat are the simple-minded Mama and Georgie. Lying appears necessary for people to survive in a Machiavellian world. As Mintouchian puts it: “I’m a great admirer of our species. I stand in awe of the genius of the race. But a large part of this genius is devoted to lying and seeming what you are not.” The ethics of the American Jew. The book starts with a lie: I am an American, Chicago born."
ellauri222.html on line 413: Thea, the elder of the two Fenchel sisters, is a glorious-looking girl with kinky black hair and a passionate spirit. She falls in love with Augie at a mineral spring resort, but Augie is in love with her sister, Esther. Thea later comes to find Augie in Chicago, and the two move to Mexico together. Thea, whose name is Greek for “goddess,” is an eccentric woman with wild ideas; she wants to hunt with an eagle and catch poisonous snakes. In the end she finds Augie too ordinary for her. After they part ways, she marries an Air Force captain.
ellauri222.html on line 437: Joe Gorman is a notorious Chicago thief whom Augie meets in the poolroom. Augie helps Gorman with a robbery and later goes on a road trip with him to move illegal immigrants across the border. The police catch Gorman, but Augie gets away.
ellauri222.html on line 521: Augie, the hero of the novel, is a Jewish-American boy coming of age in Depression-era Chicago. Since their father abandoned the family, Augie and his two brothers are raised by their slow-witted mother and surrogate “Grandma” Lausch. Augie, good-looking with “tall hair” and green-gray eyes, is a soft-hearted young man whose sympathy for others often gets him into trouble. He holds a variety of jobs throughout his life and learns from different people he encounters. People tend to “adopt” Augie and try to groom him into the person they want him to be, but he really wants to become his own person. The name Augie is short for “August,” which means “Great.” Augie has a desire for greatness, but he has no idea of how to do it, thinking it beyond his ability to “breathe the pointy, star-furnished air at its highest difficulty.” He goes along through life repeating the same mistakes. In the end, Augie realizes that his life has been a voyage of discovery. Whether or not he has been a success, he doesn’t know, but he will continue with unquenchable optimism and hope, “forever rising up.”
ellauri222.html on line 573: Owens is an old Welshman who owns the student boarding house where Augie lives near the University of Chicago.
ellauri222.html on line 625: Stoney and Wolfy are fellow travelers hitching free rides on the trains, whom Augie meets while traveling back to Chicago after Joe Gorman’s arrest. The police arrest all three thinking they are a gang of car thieves. Stoney is a young man on his way to veterinary school; Wolfy has a criminal record.
ellauri222.html on line 637: Clem, the younger of Tambow’s two sons, and the cousin of Jimmy Klein, is a good friend to Augie. He is an easy spender and refuses to work, preferring to beg money off his father. When his father dies, he inherits his money. He has a crush on Mimi. Clem eventually goes to the University of Chicago, earning a degree in psychology, and invites Augie to join him in a counseling practice. Augie has a great deal of affection for Clem. Clem is the audience for Augie’s speech about “axial lines.”
ellauri222.html on line 733: In their quest to find the beaver that gives meaning to life, Bellow's protagonists must also come to terms with death. The message Bellow conveys in almost all of his novels is that one must fear death to know the meaning of life and what it means to be human. Henderson overcomes his fear of death when he is buried and symbolically resurrected in the African king Dahfu's experiment. Similarly, in Seize the Day, Tommy Wilhelm confronts death in a symbolic drowning. Charlie Citrine in Humboldt's Gift echoes Whitman in viewing death as the essential question, pointing out that it is only through death that Sauls can complete the cycle of life by liberating self from the body. Bellow's meditations on death darken in Mr. Sammler's Planet and The Dean's December. While the title character in Mr. Sammler's Planet eagerly awaits the death of the person he most values in the world, Bellow contemplates the approaching death of Western culture at the hands of those who have abandoned humanistic values. The Dean's December presents an apocalyptic vision of urban decay in a Chicago totally lacking the comic touches that soften Charlie Citrone's portrait of this same city as a "moronic inferno" in Humboldt's Gift. An uncharacteristically bleak yarn from he old standup comic. With More Die of Heartbreak and the recent novellas, however, Bellow returns to his more characteristic blend of pathos and farce in contemplating the relationship between life and death. In the recent Ravelstein, Bellow once again charts this essential confrontation when Saul recounts not only his best friend's death from AIDS but also his own near-death experience from food poisoning. Through this foreground, in a fictionalized memoir to his own gay friend Allan Bloom, Bellow reveals the resilient love and tenderness that offer the modern world its saving grace.
ellauri222.html on line 739: Some common synonyms of gay are animated, lively, sprightly, and vivacious. While all these words mean "keenly alive and spirited," gay stresses complete freedom from care and overflowing spirits. the gay spirit of Paris in the 1920s. Bellow and his gay chummies in Chicago.
ellauri222.html on line 761: Though in some ways separated from American society, Bellow's protagonists also strongly connect their identity with America. Augie begins his adventures by claiming, "I am an American, Chicago born—Chicago, that somber city." Almost all of Bellow's novels take place in an American city, most often Chicago or New York. Through his depiction of urban reality, Bellow anchors his novels in the actual world, and he uses the city as his central metaphor for contemporary materialism. Although recognizing the importance of history and memory, Bellow's novels maintain a constant engagement with the present moment. His characters move in the real world, confronting sensuous images of urban chaos and clutter that often threaten to overwhelm them. Looking down on the Hudson River, Tommy Wilhelm sees "tugs with matted beards of cordage" and "the red bones of new apartments rising on the bluffs." Sammler denounces contemporary New Yorkers for the "free ways of barbarism" that they practice beneath the guise of "civilized order, property rights [and] refined technological organization." In Humboldt's Gift, which is replete with images of cannibalism and vampirism, Charlie Citrone sees Von Trenck, the source of his material success, as "the blood-scent that attracted the sharks of Chicago." Acknowledging the influence of the city on his fiction, Bellow himself has remarked, "I don't know how I could possibly separate my knowledge of life such as it is, from the city. I could no more tell you how deeply it's gotten into my bones than the lady who paints radium dials in the clock factory can tell you." However, although the city serves to identify the deterministic social pressures that threaten to destroy civilization, Bellow's heroes refuse to become its victims and instead draw on their latent nondeterministic resources of vitality to reassert their uniquely American belief in individual freedom, as well as their faith in the possibility of community.
ellauri222.html on line 803: British critics tend to regard the American predilection for Big Novels as a vulgar neurosis — like the American predilection for big cars or big hamburgers. Oh God, we think: here comes another sweating, free-dreaming maniac with another thousand-pager; here comes another Big Mac. First, Dos Passos produced the Great American Novel; now they all want one. Yet in a sense every ambitious American novelist is genuinely trying to write a novel called USA. Perhaps this isn’t just a foible; perhaps it is an inescapable response to America – twentieth-century America, racially mixed and mobile, twenty-four hour, endless, extreme, superabundantly various. American novels are big all right, but partly because America is big too. You need plenty of nerve, ink and energy to do justice to the place, and no one has made greater efforts than Saul Bellow. In 1976 Bellow was awarded the Nobel Prize for Literature, praised by the Swedes ‘for human understanding and subtle analysis of contemporary culture’. Many times in Bellow’s novels we are reminded that ‘being human’ isn’t the automatic condition of every human being. Like freedom or sanity, it is not a given but a gift, a talent, an accomplishment, an objective. The busiest sections of the Chicago bookstores, I noticed, were those marked ‘Personal Growth’.
ellauri222.html on line 872: Menin ja puhuin tovereilleni, ihmisten suureksi hämmästykseksi, yleismaailmallisesta muurahaiskeosta jonka vihollinen (kommunistit ennenkaikkea) perustaisi jos voittaisi, kohtalosta jota kukaan ei voisi välttää kun koko ihmiskunta joutuisi yhden ainoan hallituksen alaiseksi, ihmisaavikosta joka hyökyisi mahdin hirviömäisten pyramidien juureen. Muutamien vuosikymmenien kuluttua tämän saman maan pinnalla, saman auringon ja kuun alla, missä kerran oli elänyt jumalien kaltaisia ihmisiä, olisi jäljellä vain tämä ihmishyönteisten sukukunta joka kehittäisi itsensä yhtä peikkomaiseksi kuin ulkona uhkaava avaruus ja jäljittelisi sitä hiomalla itselleen koneelliset säännöt jotka olisivat yhtä muuttumattomia kuin fysiikan lait. Kuuliaisuus olisi jumala, vapaus paholainen. Kukaan uusi Mooses ei nousisi johtamaan pakoa orjuudesta, koska uusien pyramidien maassa ei Moosesta syntyisi. Niin, kohottauduin takajaloilleni kuin Bizcocho ja paasasin voimaini takaa. Ja sitten luistin kuzunnoista kauppalaivastoon. No justiinsa tällästä termiittikekoa on jenkit rakentaneet hiki tukassa etenkin neuvostolan hajottua, sillä erolla että globaalissa kapitalistipesässä voi olla useita kilpailevia kuningattaria (tai siis kuninkaita, sori siitä). Sale kazoo Chicagoa ja ymmärtää: yxilö ei ole täällä mitään. Ei yhtään mitään. No mixi pitäskään.
ellauri222.html on line 1066: Sen Pariisin muistelmista tulee mieleen Emily Pariisissa. Samanlainen röyhkeä jenkkinarsisti Chicagosta joka luulee omistavansa koko maailman.
ellauri236.html on line 169: Prohibition and the ensuing Great Depression in the US (1929–39) had given rise to the Chicago gangster culture prior to World War II. This, combined with Chase's book trade experience, convinced him that there was a big demand for gangster stories. After reading James M. Cain's novel The Postman Always Rings Twice (1934), and having read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he wrote No Orchids for Miss Blandish in his spare time, he claimed over a period of six weekends, though his papers suggest it took longer. The book achieved remarkable notoriety and became one of the best-selling books of the decade. It was the subject of the 1944 essay "Raffles and Miss Blandish" by George Orwell (alla). Chase and Robert Nesbitt adapted it to a stage play of the same name which ran in London's West End to good reviews. The 1948 film adaptation was widely denounced as salacious due to the film's portrayal of violence and sexuality. Robert Aldrich did a remake, The Grissom Gang, in 1971.
ellauri236.html on line 194: As I have mentioned already, No Orchids enjoyed its greatest vogue in 1940, though it was successfully running as a play till some time later. It was, in fact, one of the things that helped to console people for the boredom of being bombed. Early in the war the New Yorker had a picture of a little man approaching a news-stall littered with paper with such headlines as ‘Great Tank Battles in Northern France’, ‘Big Naval Battle in the North Sea’, ‘Huge Air Battles over the Channel’, etc., etc. The little man is saying ‘Action Stories, please’. That little man with his little dick stood for all the drugged millions to whom the world of the gangster and the prize-ring is more ‘real’, more ‘tough’, than such things as crucifixions, wars, revolutions, earthquakes, famines, genocides, holocausts and pestilences. From the point of view of a reader of Action Stories, a description of the London blitz, or of the internal struggles of the European underground parties, would be ‘sissy stuff’. On the other hand, some puny gun-battle in Chicago, resulting in perhaps half a dozen deaths, would seem genuinely ‘tough’. This habit of mind is now extremely widespread. A soldier sprawls in a muddy trench, with the machine-gun bullets crackling a foot or two overhead, and whiles away his intolerable boredom by reading an American gangster story. And what is it that makes that story so exciting? Precisely the fact that people are shooting at each other with machine-guns! Neither the soldier nor anyone else sees anything curious in this. It is taken for granted that an imaginary bullet is more thrilling than a real one. (But note one difference: they get a whacking pile of money and loads of wet twat for it.)
ellauri236.html on line 198: There exists in America an enormous literature of more or less the same stamp as No Orchids. Quite apart from books, there is the huge array of ‘pulp magazines’, graded so as to cater for different kinds of fantasy, but nearly all having much the same mental atmosphere. A few of them go in for straight pornography, but the great majority are quite plainly aimed at sadists and masochists. Sold at threepence a copy under the title of Yank Mags(4), these things used to enjoy considerable popularity in England, but when the supply dried up owing to the war, no satisfactory substitute was forthcoming. English imitations of the ‘pulp magazine’ do now exist, but they are poor things compared with the original. English crook films, again, never approach the American crook film in brutality. And yet the career of Mr. Chase shows how deep the American influence has already gone. Not only is he himself living a continuous fantasy-life in the Chicago underworld, but he can count on hundreds of thousands of readers who know what is meant by a ‘clipshop’ or the ‘hotsquat’, do not have to do mental arithmetic when confronted by ‘fifty grand’, and understand at sight a sentence like ‘Johnny was a rummy and only two jumps ahead of the nut-factory’. Evidently there are great numbers of English people who are partly americanized in language and, one ought to add, in moral outlook. For there was no popular protest against No Orchids. In the end it was withdrawn, but only retrospectively, when a later work, Miss Callaghan Comes to Grief, brought Mr. Chase's books to the attention of the authorities. Judging by casual conversations at the time, ordinary readers got a mild thrill out of the obscenities of No Orchids, but saw nothing undesirable in the book as a whole. Many people, incidentally, were under the impression that it was an American book reissued in England.
ellauri236.html on line 386: In 1973, Gene D. Phillips of Loyola University of Chicago remarked on the influence of William Faulkner's 1931 novel Sanctuary, writing that, "It is a matter of record that [No Orchids for Miss Blandish] was heavily indebted to Sanctuary for its plot line." Phillips also stated that Slim Grisson, who was identified by Phillips as the main antagonist, was based on Popeye The Sailor Man, a criminal in Faulkner's novel. Onko se sama Kippari Kalle joka heilastelee Olkan kanssa ja hoitaa pikku Hajuhernettä?
ellauri243.html on line 762: 2. The other James Thomson, in full James Alexander Thomson, (born Dec. 20, 1958, Chicago, Ill., U.S.), is an American biologist who was among the first to isolate human embryonic stem cells. Thomson extracted stem cells from human embryos. However, this confronted him with a moral dilemma, as such an extraction is fatal to the embryo. After consulting with several bioethicists at the university, Thomson decided that continued research was ethical as long as the embryos, "created" by couples who "no longer wanted them" in order to "have children", would otherwise be "destroyed anyway." I just love medicinal ethics! Kunnon personismia. Montako neekeriä saa keilata pelastaaxeen yhden valkoisen joka työntää lastenvaunuja.
ellauri262.html on line 67: Minkä takia toi yxi tukallinen pienipää on jäänyt haaviin? Ehkä silläkin on tupee? No ei. Se on Former Chicago Bears Matt Mayberry to Support Bike Bald Charity Fun ... Matthew Mayberry (born August 6, 1987) is a former American football linebacker for the Indiana Hoosiers of the NCAA and Chicago Bears of the NFL. He is now a keynote speaker and business consultant on the topics of leadership, peak performance, culture, and teamwork. So "why the name?" Bike Bald Group was founded in 2004 by a bald multiple time cancer survivor who was taught to fight even on the toughest days, while never forgetting those that helped along the way.
ellauri262.html on line 85: Viime viikonloppuna vierailin Wheaton Collegen Marion E. Wade Centerissä . Wheaton, joka sijaitsee aivan Chicagon ulkopuolella, on maan lippulaiva evankelinen yliopisto. Se on koulu, jossa Billy Graham kävi ja nousi kuuluisuuteen. Mutta Wade Centeristä, joka on piilotettu tavalliselle alueelle, kampuksen laitamille, on tullut pyhiinvaelluspaikka sekä protestanteille että katolilaisille.
ellauri262.html on line 580: Teippikirjaimet (Screwtape Letters) soitti 309 esityksensä New Yorkin Westside Theatressa vuonna 2010. Vuoden 2011 kiertue vieraili esittävän taiteen paikoissa kaupungeissa kaikkialla Yhdysvalloissa, mukaan lukien Los Angeles, Houston, Dallas, Atlanta, Seattle, Minneapolis ja Boston . Vuosien 2012–2013 kiertue alkoi Los Angelesista tammikuussa 2012. Kiertueella on paluumatkat San Franciscoon, San Diegoon, Seattleen, Chicagoon ja Atlantaan sekä pysähdyksiin useissa muissa kaupungeissa. The Screwtape Letters on kuvattu "Humoristiseksi ja eloisaksi... Paholaiselle on harvoin annettu ansaitsemansa tarkkaavaisemmin!" kirjoittanut The New York Times, "Syvä kokemus".Christianity Today ja "Pahoin nokkela... Helvetin hyvä esitys!" kirjoittanut The Wall Street Journal . [16] Tuotanto on myös kiertänyt maailmanlaajuisesti. Ruuvinauha (Screwtape)-roolin on myös esittänyt nainen (woman).
ellauri264.html on line 426: Nenästä ja ammatista huolimatta Pattis ei välttämättä ole jutku, nimestä päätellen se voisi olla myös paki tai mafioso. No ei se onkin ... Hungarian! Ei vaitiskaan vaan Esko Kreetalta. Pattis was born in Chicago in 1955 to a mother of French-Canadian descent and a father who had immigrated from the Greek island of Crete. One day when Pattis was 6 or 7, his father left the house and never came back. Pattis says that the abandonment haunts him to this day.
ellauri264.html on line 435: Years later, in his 40s, Pattis reconnected with his dad, who told him he had been a career criminal in Detroit specializing in payroll heists and fled to Chicago after shooting a man. Rikos oli Normin porukoilla verissä.
ellauri270.html on line 191: Hayakawa ja elevantti John Tantor perustivat poliittisen lobbausjärjestön US English, jonka tehtävänä on tehdä englannista Yhdysvaltojen virallinen kieli. Hayakawa, joka asui Chicagossa Kanadan kansalaisena toisen maailmansodan aikana ja jota ei siten ollut vangittuina, väitti että japanilaisten amerikkalaisten internointi oli hyödyllistä ja että japanilaisille amerikkalaisille ei pitäisi maksaa "velvoitteidensa täyttämisestä" noudatettuaan keskitysleirien toimeenpanomääräystä 9066. "Loppujen lopuksi varastoimme heidät reilusti."
ellauri272.html on line 78: Kirsten Sims from New Zealand stated that the book "will win no prizes for its prose" and that "there are some exceedingly awful descriptions," although it was also an easy read; "(If you only) can suspend your disbelief and your desire to – if you'll pardon the expression – slap the heroine for having so little self respect, you might enjoy it." A Cord from U of Columbia stated that, "Despite the clunky prose, James does cause one to turn the page." Father Metro wrote that "suffering through 500 pages of this heroine's inner dialogue was torturous, and not in the intended, sexy kind of way". Jessica Reaves, the Chicago Tribune, wrote that the "book's source material isn't great literature", noting that the novel is "sprinkled liberally and repeatedly with asinine phrases", and described it as "depressing". Publishers Weekly named E. L. James the 'Publishing Person of the Year' 2012. In April 2012 E. L. James was listed as one of Time magazine's "100 Most Influential People in the World".
ellauri277.html on line 250: The Prophet received tepid reviews in Poetry and The Bookman, an enthusiastic review in the Chicago Evening Post, and little else. On the other hand, the public reception was intense. It began with a trickle of grateful letters; the first edition sold out in two months; 13,000 copies a year were sold during the Great Depression, 60,000 in 1944, and 1,000,000 by 1957. Many millions of copies were sold in the following decades, making Gibran the best-selling American poet of the twentieth century. It is clear that the book deeply moved many people. When critics finally noticed it, they were baffled by the public response; they dismissed the work as sentimental, overwritten, artificial, and affected.
ellauri278.html on line 453: Thompson -konepistooli (tunnetaan myös nimellä "Tommy Gun" , "Chicago Typewriter" , "Chicago Piano" , "Trench Sweeper" tai "Trench Broom" ) on Unitedin kehittämä takaisinpuhalluskäyttöinen, valikoivalla tuulellakin käyttövarmasti toimiva konepistooli. Osavaltioiden armeijan prikaatikenraali John T. Thompson vuonna 1918. Se oli alun perin suunniteltu murtamaan ensimmäisen maailmansodan umpikujia, mutta se valmistui vasta sodan päätyttyä. Bugger it!
ellauri282.html on line 425: Tammikuussa 1938 Merton valmistui Columbiasta BA-arvosanoilla englanniksi. Kesäkuussa hänen ystävänsä Seymour Freedgood järjesti tapaamisen Mahanambrata Brahmacharin, hillomunkin kanssa, joka vieraili New Yorkissa Chicagon yliopistosta. Hän teki Mertoniin vaikutuksen, koska hän (Merton) uskoi, että munkki (Maha-etc) keskittyi syvästi Jumalaan. Vaikka Merton odotti Brahmacharin suosittelevan hindulaisuutta, hän sen sijaan neuvoi Mertonia yhdistämään sen uudelleen oman (Mertonin) kulttuurinsa hengellisiin juuriin. Hän ehdotti Mertonia lukemaan Augustinuksen tunnustukset ja Kristuksen jäljittelyn. Merton luki lojaalisti ne molemmat.
ellauri294.html on line 537: Time - lehden Richard Corliss kehui elokuvaa sen älykkäästä ennakkoluuloista kertovasta tarinasta. Hän väitti, että se osoittaa, että puolueelliset asenteet voivat myrkyttää jopa syvimmät suhteet, ja sen katkeransuloinen loppu antaa yleisölle voimakkaan ja tärkeän moraalisen viestin. Chicago Sun-Times -lehden Roger Ebert kehui myös sitä sanoen: "Kaikista tutuista ominaisuuksistaan huolimatta tämä elokuva merkitsee jotain lähtökohtaa Disney-studiolle, ja sen liike on mielenkiintoiseen suuntaan. Kettu ja Koira on yksi niistä suhteellisen harvoista Disneyn animaatioominaisuuksista, joka sisältää hyödyllisen opetuksen nuoremmalle yleisölle. Se ei ole vain söpöjä eläimiä ja pelottavia seikkailuja ja onnellinen loppu; se on myös melko harkittua mietiskelyä siitä, kuinka yhteiskunta määrää sukupuolisen käyttäytymisemme ja poliittisen kantamme."
ellauri299.html on line 360: Chicagon poliisimellakassa 1968 mätkittiin jo 1500 tyyppiä. Chicagon seizikon oikeudenkäynnistä tuli puhdasta puskafarssia. Huolimatta kaatumisvaarasta Rubin poltti marihuanaa ennen oikeudenkäyntiä. "Minua kivitettiin paljon oikeudenkäynnissä, koska se oli niin täydellistä teatteria – historian eturivin istuin – ja marihuana tehostaa jokaista kokemusta." Hölmö tuomari Hoffman lisäsi vauhtia spektaakkeliin. Tuomari Hoffman määräsi muun muassa, että Black Panther -johtaja Bobby Seale sidotaan, sidotaan ja ketjutetaan tuoliinsa huomattavan osan oikeudenkäynnistä. Olihan se hauskaa aikansa, mutta pitkässä juoxussa yrittäjyys tuo parempaa katetta, tuumi Jerry viisastuttuaan ja rupesi juppiexi. Teit'isäin astumaan.
ellauri310.html on line 303: asianajotoimisto Chicagossa, hän ei koskaan pystynyt tuomaan paljon muuta
ellauri310.html on line 846: Nyttemmin kuivahtaneen John M. Olinin säätiön paras sijoitus oli Federalist Society. Federalist Societyn perusti vuonna 1982 joukko Yale Law Schoolin, Harvard Law Schoolin ja Chicagon yliopiston lakikoulun opiskelijoita tavoitteenaan haastaa liberaali tai vasemmistoideologia amerikkalaisten lakikoulujen ja yliopistojen sisällä. Järjestön ilmoittamia tavoitteita ovat "liittovaltion vallan tarkistaminen, yksilönvapauden suojeleminen ja perustuslain tulkinta sen alkuperäisen merkityksen mukaisesti". Maaliskuussa 2020 43/51 Trumpin valitustuomioistuimesta ehdokkaat olivat seuran nykyisiä tai entisiä jäseniä. Federalist Societysta "on tullut yksi vaikutusvaltaisimmista lainopillisista järjestöistä historiassa - ei vain muokkaanut oikeustieteen opiskelijoiden ajattelua, vaan muuttanut itse amerikkalaista yhteiskuntaa siirtämällä tietoisesti, ahkerasti maan oikeuslaitosta oikealle." Yhdysvaltain korkeimman oikeuden nykyisestä yhdeksästä jäsenestä vähintään viisi on organisaation nykyisiä tai entisiä jäseniä.
ellauri318.html on line 327: The Pritzker family is of Jewish descent and based in Chicago, Illinois. one of 10 richest families of USA, owners of the Hyatt hotel chain.
ellauri318.html on line 328: Nicholas Pritzker (1871–1957), Jewish immigrant from Kyiv, founded Pritzker & Pritzker law firm in Chicago and was a cousin of the existentialist philosopher Lev Shestov (Schwartzman). Penny is the sister of J. B. Pritzker, the current governor of Illinois.
ellauri323.html on line 131: The further she went West—millionaire Edelweiss had loaned her his private car—the lovelier her time was. Chicago drowned the echoes of New York; final Frisco dwarfed the headlines of Chicago. Like one of its own prairie-flies, she swept the country from end to end. Then she swept back, and sailed for England. She was to return for a second season in the coming Fall. At present, she was, as I have said, “resting.”
ellauri325.html on line 387: Kalle Pulliainen on nyt päässyt nousutuulelle. Hän suorastaan nauttii saadessaan haukkua. Hän haukkuu kaiken ministeri Tannerista kadunlakaisijaan saakka; hän nauraa ivallisesti kansanhuoltoministerille ja selittää laajasti, miten hän panisi asiat luistamaan, jos akselivaltain sodanjohto olisi hänen käsissään. Ei ole sitä alaa, jota hän ei uskoisi hallitsevansa; hän selittää Chicagon kansantaloustieteen olevan pelkkää huijausta ja nauraa halveksivasti Einsteinille, joka on hänen mielestään lapsellisen yksinkertainen miesraasu luullessaan ettei Israelin jumala leiki nopilla. Hän parodioi italialaista runoutta, vaikka ei ymmärrä sanaakaan italiaa; hän haukkuu suomalaisen kirjallisuuden, mm Olli Seppäsen, koska mikään lehti ei julkaise hänen tuotteitaan edes yleisönosastossa. Puhuessaan hän kiihkoutuu, kasvaa mielikuvituksessaan suunnattomaksi jättiläisneroksi, joka ymmärtää kaiken ja katselee omasta ylhäisestä korkeudestaan säälivästi ihmislasten vajavaisia puuhia. Ja välillä hän puhkeaa nauruun, jota hän nimittää
ellauri327.html on line 554: Vuonna 1993 kansainvälisten suhteiden teoreetikko ja Chicagon yliopiston professori John Mearsheimer julkaisi paperin, joka sisälsi hänen ennusteensa, jonka mukaan Ukraina ilman ydinpelotteita todennäköisesti joutuisi Venäjän hyökkäyksen kohteeksi, mutta teos ei tuolloin saanut paljon kannattajia.
ellauri332.html on line 531: "Memoirs of a Geisha" oli Arthur Goldenin [n.h.] myydyin romaani. Elokuvantekijä Rob Marshall, Oscar-palkitun Chicagon ohjaaja, otti sen uudelleen elokuvaksi. Kaliforniassa kuvattua japsuelokuvaa kritisoitiin epäaitoudesta. "Memoirs of a Geisha" voitti kolme Oscar-palkintoa, mutta se sai vaihtelevia arvosteluja ja sitä kritisoitiin laihojen kiinalaisten näyttelijöiden käyttämisestä pulskien japanilaisten naisten esittämiseen. Sekä kiinalaiset että japanilaiset loukkaantuivat. Mutta jopa kirja oli kiistanalainen, sillä kirjailijaa inspiroinut geisha haastoi hänet oikeuteen heidän nimettömyytensä sopimuksen rikkomisesta. Vittu että jenkit on sitten kieroja.
ellauri342.html on line 427: Maxwell "Bogey" Bodenheim (26. toukokuuta 1891 – 6. helmikuuta 1954) oli yhdysvaltalainen runoilija ja kirjailija. Chicagon kirjallisuuden hahmona hän meni myöhemmin New Yorkiin, jossa hänet tunnettiin Greenwich Village Bohemiansin kuninkaana. Hänen kirjoittamisensa toi hänelle kansainvälistä mainetta 1920-luvun jazz-ajan aikana.
ellauri350.html on line 96: Helmikuussa 1940 Kohut sai matkustaa brittiläisessä saattueessa Bostoniin , josta hän matkusti bussilla Chicagoon. Ystävä Wienistä, Siegmund Levarie , joka oli muuttanut asumaan setänsä luo Chicagoon ja josta tuli myöhemmin kuuluisa musiikkitieteilijä Yhdysvalloissa, järjesti hänelle viisumin ja kutsui hänet sinne. Myös Kohutin äiti Else muutti Chicagoon matkustaen Italian kautta. Itävallasta salakuljettamillaan rahoilla hän avasi myymälän nimeltä "De Elsie's".
ellauri350.html on line 98: Kohutin äiti Else asui Chicagossa, lähellä Kohutin asuntoa. 1950- ja 1960-luvuilla hän vieraili Kohutin perheen luona säännöllisesti illallisilla ja suurilla lomilla. Hänen sanotaan olleen ainoa henkilö, joka (allergian lisäxi) todella pääsi Kohutin ihon alle. Ilmeisesti kukaan perheessä ei pitänyt hänestä. Hän oli töykeä ja aggressiivinen, puhui suoraan muiden ihmisten kasvoihin ja tökki ihmisiä sormellaan.
ellauri350.html on line 104: Ei ole ratkaisevaa vastausta siihen, oliko Kohut herra Z., mutta Strozier puoltaa sitä vahvasti, kuten myös Cocks. Strozier sanoo, että oli erittäin todennäköistä, että Kohut olisi käyttänyt sitä vuonna 1977, kun hän oli kirjoittanut kaksi izehoitokirjaa, joista toinen oli Itsen analyysi: Systemaattinen lähestymistapa narsististen persoonallisuushäiriöiden psykoanalyyttiseen hoitoon (1971). International Universities Press , New York. ISBN 0-8236-8002-9. Kohout työskenteli hikisesä tuulisessa Chicagossa mutta sillä oli kiva mökki Carmelissa.
ellauri351.html on line 378: Ensimmäisen maailmansodan jälkeen hänestä tuli Strasbourgin yliopiston sosiologian ja pedagogiikan professori kymmeneksi vuodeksi, ja sen jälkeen hän siirtyi vierailevaksi professoriksi Chicagon yliopistoon, josta hänet kutsuttiin Sorbonneen 1935. Ei ois kannattanut.
ellauri352.html on line 267: Mallin esitteli sveitsiläisamerikkalainen psykiatri Elisabeth Kübler-Ross vuoden 1969 kirjassaan Kuolemasta ja kuolemasta, ja se sai inspiraationsa hänen työstään parantumattomasti sairaiden potilaiden parissa. Masentuneena siitä, että lääketieteellisissä kouluissa ei annettu opetusta kuolemasta ja kuolemasta, Kübler-Ross tutki kuolemaa ja sen kohtaajia Chicagon yliopiston lääketieteellisessä koulussa. Kübler-Rossin projekti kehittyi seminaarisarjaksi, josta potilashaastattelujen ja aikaisemman tutkimuksen ohella tuli hänen kirjansa perusta. Vaikka Kübler-Rossin tunnustetaan yleisesti näyttämömallien luojana, aiemmat kuolemanteoreetikot ja -lääkärit, kuten Josef Mengele, Erich Lindemann, Collin Murray Parkes ja John Bowlby, käyttivät samanlaisia steppien tai vaiheiden malleja jo 1940-luvulla.
ellauri353.html on line 266: Rose Director syntyi Staryi Chortoryiskissä Ukrainassa Director - perheeseen, merkittäviin juutalaisiin. Niinpä tietysti. Hänen uskotaan syntyneen joulukuun 1910 viimeisellä viikolla; syntymätiedot ovat kuitenkin kadonneet. Nuoruudessaan hän kirjoitti artikkeleita kulutuksesta Dorothy Bradyn kanssa. Rose Friedman opiskeli Reed Collegessa ja siirtyi sitten Chicagon yliopistoon, jossa hän sai filosofian kandidaatin tutkinnon. Tämän jälkeen hän alkoi opiskella taloustieteen tohtoriksi Chicagon yliopistossa ja suoritti kaikki tohtorintutkintoon tarvittavat työt väitöskirjan kirjoittamista lukuun ottamatta.
ellauri353.html on line 268: Hän oli naimisissa usein työtoverinsa Milton Friedmanin (1912–2006) kanssa, joka voitti vuoden 1976 taloustieteen Nobelin. Hänen veljensä, Aaron Director (1901–2004), oli professori Chicagon yliopiston lakikoulussa ja yksi oikeustieteen taloudellisen analyysin perustajista. Kz. myös ulkokultainen video "2 onnekasta ihmistä".
ellauri353.html on line 277: The Friedmans were recent guests at the Commonwealth Club of Kalak it in Los Angeles. Each author speaks and then takes questions from the audience. Good afternoon and welcome to today's meeting of the common a Club of California. Brought to you from the St Francis Hotel relooking Union Square. I am doing an orderly chair. We also welcome the listener. A.W. F.M. in Sitka Alaska. One of more than two hundred twenty five stations across the country. Joining us for America's longest running. Radio program. We invite all our listeners here and on radio. To visit the club's website. At W.W.W. Commonwealth Club. Dot org. And now for today's speakers. It is with great pleasure that I introduce those plucky Jews, the Friedmans. The Friedmans are with us today. Connection with their recently published memoirs. Bucky people. Published by the University of Chicago. Press this year. They have been partners in love. And in life. For over sixty years.
ellauri353.html on line 279: Milton Friedman is widely regarded as the leader of the Chicago school. Of monetary economics. Stresses the importance of the quantity of money. As an instrument of government policy. Terminated. A business cycles and inflation. After graduating in one nine hundred thirty two with a Bachelor of Arts from Rutgers. He received graduate degree. From the University of Chicago. And Columbia University. Since one thousand nine hundred seventy seven. Professor print. Has been a senior research fellow at the Hoover Institution. Homeless or University Professor Friedman received the one nine hundred seventy six Nobel Prize for ECT. That's. In addition to his scientific work. Professor Friedman has written extensively on public policy. Always with primary emphasis on the preservation and extension of. Individual freedoms. In his most important works in this area. Perhaps an ever. The important area. Is life. He has collaborated by. Roads. An accomplished. Economist in her own right. Together they wrote. Capitalism and Freedom. Free to choose. And tyranny of the status quo. Free to choose and tyranny of the status quo later rip it into a T.V. series of the same names that were shown over the public. Public Broadcast stations.
ellauri353.html on line 281: Mrs. FRIEDMAN attended Reed College and studied economics at the University of Chicago. She was on the staff of the National Research and the bureau. A few. Home Economics. She next joined the staff of the Federal Deposit Insurance Corporation where she worked until she married Milton and moved to New York. Since then she has continued home economic research on her own publishing. Individually and coauthoring the three works referred to a few moments ago. She was mostly a producer of the P.B.S. T.V. series free to choose. And in one thousand nine hundred six she received an honorary doctorate from Pepperdine University. The Milton. And Rose de Friedman Foundation which the Freedman's us. Promotes parental choice. Of the schools. Attend. As I mentioned the title of their most recent book is Two lucky people. I'm being told by my parents. That the harder you work the luckier you get. It is no wonder the Friedan consider themselves lucky. They have worked long hard to make the contributions they have made to each other and to our society. We the members and listen. Well are the lucky ones today. To have them share themselves and their insights with us once again. We welcome. (Milton claps his hands to them.)
ellauri353.html on line 295: So I gave up my job and we moved when we got to this crime scene. I didn't inquire whether the university had a nepotism rule. As the University of Chicago did or we went. Later if the husband worked for the university his wife. Could not be employed there even as a janitor. This change however with women's lives. Today. If the university wishes to hire a qualified male. It has to find a job for his wife. At the best of my knowledge that's not work in reverse.
ellauri362.html on line 73: Paige Wiser, joka kirjoittaa Chicago Sun-Timesille, päinvastoin nimtuten jämentää, että Aston kirjoittaa tarinansa Austenin tyyliin, jonka tuloksena on "hyviä hahmoja, mahtavia sarjakuvia, upeaa romantiikkaa". Vuonna 2013 The Daily Buglen Aja Romano listasi sen parhaiden Austen-sovitusten joukkoon. Useat kommentoijat ovat luokitelleet sen tylysti fanifiktioksi.
ellauri367.html on line 58: Erottuaan MI5:n palveluxesta Cairncross jäi rahattomaksi ja työttömäksi. Uskollinen Juri Modin antoi hänelle rahaa muuttaa Chicagoon, missä Cairncross siirtyi akateemiseen uraan Northwestern Universityssä.
ellauri367.html on line 275: Toukokuussa 1933 natsien apulaisfüüreri Rudolf Hess antoi saksalaiselle maahanmuuttajalle ja saksalaisen natsipuolueen jäsenelle Heinz Spanknöbelille valtuudet perustaa amerikkalainen natsijärjestö. Pian tämän jälkeen Spanknöbel loi New Yorkissa sijaitsevan saksalaisen konsulin avulla Ystävien Uuden Saksan yhdistämällä kaksi vanhempaa organisaatiota Yhdysvalloissa, Gau-USA ja Free Society of Teutonia, jotka molemmat olivat pieniä ryhmiä, joissa kussakin oli vain muutama hassu jäsen. FONG toimi New Yorkissa, mutta sillä oli vahva läsnäolo Chicagossa. Miesjäsenet käyttivät univormua: valkoinen paita, mustat housut ja musta hattu, jota koristaa punainen symboli. Naisjäsenillä oli yllään sievä valkoinen pusero ja musta hame.
ellauri370.html on line 281: On a cold and gray Chicago mornin´
ellauri370.html on line 313: On a cold and gray Chicago mornin´,
ellauri371.html on line 61: Väkijoukko, anarkia. Voiko kuulostaa loogiselta mielen toivoa onnistuneesti johtaa väkijoukkoja, annettuaan järkevän kehotuksen hajaantua tai suostuttelun voimalla, jos mahdollista on ristiriidan mahdollisuus, vaikkakin järjetön, mutta silti vittu, joka saattaa tuntua pinnallisesti miellyttävämpää ihmisille? Päästä irti yksinomaan pienet intohimot, uskomukset, tavat, perinteet ja sentimentaaliset teoriat ihmisjoukossa, ja ihmisten väkijoukot antautuvat puolueen jakautumiseen, mikä häiritsee kaikkia joille olen samaa mieltä, jopa täysin järkevän perusteen kehotuksesta. Jokainen yleisön päätös riippuu sattumasta. Chicago tai väärennetty enemmistö, jonka mukaan tietämättömyys poliittisista salaisuuksista, ilmaisee järjettömyyttä - uusi päätös, joka kasvattaa anarkian idut hallitukseen laiskuudesta.
ellauri376.html on line 127: 15. kesäkuuta 1977 Green meni naimisiin ensimmäisen vaimonsa Shirley Greenin (os Kyles) kanssa Memphisissä. Hiän oli alunperin Chicagosta, ja hiän oli yksi hänen taustalaulajistaan ja työntekijä hänen kirkossaan. Heillä on yhdessä kolme tytärtä. Shirley haki ensimmäisen kerran avioeroa vuonna 1978 julmuuden ja sovittamattomien erimielisyyksien perusteella. Hiän jätti hakemuksen uudelleen vuonna 1981 syyttämällä Greenin kohdistaneen hänet perheväkivaltaa koko avioliiton ajan. Green syytti hiäntä julmasta ja epäinhimillisestä kohtelusta vastavalitteessa. Vuonna 1982 antamassaan vannomassaan avioerohakemuksessaan Shirley todisti, että Green hakkasi hiäntä saappaalla vuonna 1978 ollessaan raskaana viidennellä kuukaudella, koska hän kieltäytyi seksistä. Hän väitti, että pahoinpitely johti pään haavoihin, joista yksi vaati ompeleita. Tapahtuman jälkeen hän haki avioeroa, mutta he tekivät sovinnon. Shirleyn mukaan he erosivat useita kertoja, kun pahoinpitelyt tulivat "liian usein ja liian ankariksi". Aluksi Green kielsi hakkailleensa vaimoaan, mutta vuonna 1982 hän myönsi lyöneensä vaimoaan. Heidän avioeronsa saatiin päätökseen helmikuussa 1983. Pot pot pot pot potkun sain, kesken hakkailua, valitti Shirley.
xxx/ellauri075.html on line 203: Lefa Struzikin oli Saku Palkeen kolleega Chicagossa. Siellä oli aivan hemmetinmoinen ampiaispesä ilkeitä talousliberaalifasisteja, 13 talousnobelistia päättyen roistomaiseen Milton Friedmaniin. Valtaosa varmaan oli imigranttijutkuja.
xxx/ellauri075.html on line 205: Leo Strauss (/straʊs/;[30] German: [ˈleːo ˈʃtʁaʊs];[31][32] September 20, 1899 – October 18, 1973) was a German-American political philosopher and classicist who specialized in classical political philosophy. Born in Germany to Jewish parents, Strauss later emigrated from Germany to the United States. He spent much of his career as a professor of political science at the University of Chicago, where he taught several generations of students and published fifteen books.
xxx/ellauri081.html on line 513: Benny was born Benjamin Kubelsky in Chicago on February 14, 1894, and grew up in nearby Waukegan. He was the son of Jewish immigrants Meyer Kubelsky (1864–1946) and Emma Sachs Kubelsky (1869–1917), sometimes called "Naomi". Meyer was a saloon owner and later a haberdasher who had emigrated to America from Poland. Emma had emigrated from Lithuania. Benny began studying violin, an instrument that became his trademark, at the age of 6, his parents hoping for him to become a professional violinist. He loved the instrument, but hated practice. His music teacher was Otto Graham Sr., a neighbor and father of football player Otto Graham. At 14, Benny was playing in dance bands and his high school orchestra. He was a dreamer and poor at his studies, and was ultimately expelled from high school. He later did poorly in business school and at attempts to join his father´s business. In 1911, he began playing the violin in local vaudeville theaters for $7.50 a week (about $210 in 2020 dollars). He was joined on the circuit by Ned Miller, a young composer and singer.
xxx/ellauri087.html on line 325: Keynesin mielestä apostolit oli pikemminkin kuin vesimittareita Finnträskin tai Huitilanjoen pintakalvolla. Vanha Keynes katui nuoruutensa kömmähdyxiä. Se ja sen kaverit oli olleet utopistisia immoralisteja, pilkkasivat sovinnaista moraalia ja viisaita vanhuxia, uskoivat pseudojärkeisuskoiseen käsityxeen ihmisluonnosta, olivat pinnallisia arvostelmissa ja tunteissa. Sodan jälkeen Keynes tiesi mistä kenkä puristaa: kysynnän ja tarjonnan kohtaamattomuudesta. Tarpeettomalle tavaralle täytyy luoda kysyntää vaikka väkipakolla. Rupusakille on siirrettävä ostovoimaa verotuxella ja julkisella kulutuxella. Ei ei! huusi Chicagon konnajoukkio, ihan väärin! Juuri vastoinpäin! Pois rahat rotinkaisilta ja kaikki liikenevä rikkaille, niin ne perustavat yrityxiä ja palkkaavat sinne osattomat pikkurahalla. Jo lähtee bisnes kulkemaan, onni ja raha tihkuu murusina köyhimyxille rikkaiden ruokapöydästä, ja kaikki ovat win-win tyytyväisiä.
xxx/ellauri087.html on line 334: Milton Friedman (/ˈfriːdmən/; July 31, 1912 – November 16, 2006) was an American economist who received the 1976 Nobel Memorial Prize in Economic Sciences for his research on consumption analysis, monetary history and theory and the complexity of stabilization policy. With George Stigler and other jews, Friedman was among the intellectual leaders of the Chicago school of economics, a neoclassical school of economic thought associated with the work of the faculty at the University of Chicago that rejected Keynesianism in favor of monetarism until the mid-1970s, when it turned to new classical macroeconomics heavily based on the concept of rational expectations.
xxx/ellauri087.html on line 336: He specialized in mathematics and economics, and became influenced by two economics professors, Arthur F. Burns and Homer Jones, who convinced him that printing more money could help end the Great Depression. Friedman met his future wife, economist Rose Director, while at the University of Chicago. Good name. Milton got a doctorate rather late, in 1946, counting the income of typical Jewish professions. His "consumption function", unlike Keynes, took into account that households overspend on the basis of their felt class membership and optimistic income expectations. Good news for supply side economics.
xxx/ellauri087.html on line 338: Milton Friedman's's book Capitalism and Freedom eventually brought him popular acclaim. Published by the University of Chicago in 1962, it has sold over half a million copies and has been translated into 18 different languages, no small feat for a popular book on the subject of economics. In the book, he argues for a classically liberal society where free markets solve problems of efficiency, enriching rich in the United Stoates as a side effect. He argues for free markets on the basis of hebrew pragmatism and philosophy. He concludes the book with an argument that most of America’s successes are due to the free market and private enterprise, while most of its greatest failures are due to government intervention. George W. Bush got the point and let private enterprises be jailkeepers and fight the second Iraq war. Welcome back to the 19th century and before.
xxx/ellauri087.html on line 709: Juan Batiste Montabuanin (sic credits E. Saarinen) el Zorro seikkaili Mexikon tulenhehkuisen taivaan alla teräskuntoisena 1800-luvun loppupuolelta (infantan miekkamiehet) 1900-luvun alkuun asti (Chicagon mafia) mikä oli sikäli outoa että nuorukaisena sen sieppasivat mukaan v. 1910 Mexikon vallankumouxen kapinakenraalit Zapata etunenässä ja tappoivat sen vanhemmat. Mutta don Jaimelle on kaikki mahdollista, kun sen alla on hyvä razu Jamie. Joka eli yhtä kauan, ellei sitä vaivihkaa vaihdettu toiseen samannimiseen. Ehkä Zorrollekin kävi näin, vertaa Nastamuuumio. Antonio Banderas muuten on esittänyt sekä Zorroa että Villan Panchoa. Se on niin sopivasti mexikaanon näköinen.
xxx/ellauri123.html on line 174: Oskar emigrerar till Amerika, till Chicago. Han blir verktygsmakare och senare delägare i en fabrik.
xxx/ellauri123.html on line 1133: Loyola University Chicago's law
xxx/ellauri125.html on line 196: kesäkuuta 2013) ja Chicago West (s. 15. tammikuuta 2018) sekä pojat Saint West (s.
xxx/ellauri125.html on line 304: Those who can’t stomach the polarizing Chicago artist and producer will have a replenished arsenal at their disposal.
xxx/ellauri125.html on line 430: Luettuaan Thomas Mannin Marion ja maagikon Peppu päätti ajautua professorixi. Chicagossa se
xxx/ellauri125.html on line 431: "munasi elämänsä 10 vuodexi Maggin kaa". In Chicago, Roth met
xxx/ellauri127.html on line 319: Elorna on valmistunut ja on nyt 19-vuotias. Nuori mies, Philip Ammon, saapuu kaupunkiin. Hänen setänsä, lääkäri, neuvoi Philipia käymään Onabashassa toipumassa lavantaudista. Hän on Elornan ja hänen äitinsä kanssa kesän ja auttaa Elornaa keräämään koia. Kaksi rakastuu vähitellen; hän on kuitenkin kihloissa toisen nuoren naisen, Edith Carrin kanssa, joka on rikas, pilaantunut ja itsekeskeinen. Elorna teeskentelee, ettei hän ole alkanut lankea Philipille, auttaa häntä kirjoittamaan kirjeitä Edith Carrille ja rohkaisee kaikin tavoin hänen avioliittoa lapsuudenystävänsä kanssa. Kun Philip päivittäisen, pitkittyneen keskustelun ja kenttätöiden jälkeen huomaa hänen romanttisen kiinnostuksensa Elornaa kohtaan, on rouva Cumstick huomannut ensimmäisenä, mutta hän vakuuttaa hänelle: "Ihailen häntä kun ihailen täydellistä luomusta." Rouva Cumstick vastaa: "Eikä mikään tässä maailmassa pilaa keskimääräistä tyttöä niin nopeasti ja varmasti". Philip Ammon pakotetaan palaamaan Chicagoon, kun hänen isänsä on sairas, ja pyytää Elornaa jäähyväissuudelmalle; hän kieltäytyy hänestä ja palaa murheellisen äitinsä luo. Philip ja Edith väittävät, mitä heidän piti olla heidän kihlasivat. Edith on kuullut Philipin puhuvan upeasta nuoresta naisesta, jonka hän tapasi Limberlostissa. Hän loukkaa häntä kauheasti ja kutsuu heidän sitoutumisensa pois (ei ensimmäistä kertaa). Philip tajuaa, ettei hän koskaan rakasta Edithiä, lähtee kotoa ja ehdottaa Elornalle. Samana iltapäivänä, kun hän antaa Elornalle kihlasormuksen, Edith ajaa ylös (mukana Hart, Polly ja Tom) Cumsticksin kotiin kutsumattomalla vierailulla. Kun Edith vaatii puhumaan Elornalle yksityisesti ja vannoo, että Elorna ei koskaan ota Philipia häneltä, Elorna on viileä ja kohtelias. Kun Edith ja ryhmä, mukaan lukien Philip, ovat lähteneet, Elorna lähtee salaa pois, jättäen muistiinpanon, josta ei näy mitään hänen suunnitelmistaan ja antaa Edithille mahdollisuuden todistaa, ettei Philip menisi naimisiin kenenkään muun kanssa. Elorna matkustaa jäädäkseen O'Moresin ( Freckles and the Angel ) luo. Philip sairastuu huolesta Elornasta. Edithin ystävä Hart näkee Elornan O'Moresin kanssa ja vakuuttaa Edithin antamaan hänen lähettää sanaa Elornan Philipille. Hart suostuttelee Edithin myöntämään, että hän on väärässä ja että Philip ei mene naimisiin kenenkään muun kuin Elornan kanssa.
xxx/ellauri127.html on line 625: It has been suggested by Admiral Schneider (in Coleridge, Opium and "Kubla Khan", University of Chicago Press, 1953), among others, that this prologue, as well as the person from Porlock, was fictional and intended as a credible smokescreen of the poem's apparent lecherous intent when published. It was good old clubfooted Byron that convinced Coleridge to publish it in 1816. The poet Stevie Smith also suggested this view in one of her own poems, saying "the truth is I think, he had already stuck it in there".
xxx/ellauri128.html on line 615: Ben Hecht (28. helmikuuta 1894 New York, New York – 18. huhtikuuta 1964 New York) oli yhdysvaltalainen kirjailija, käsikirjoittaja, ohjaaja ja tuottaja. Hechtin vanhemmat olivat venäjänjuutalaisia siirtolaisia. Hän työskenteli lehtimiehenä Chicagossa ja vuonna 1921 julkaisi ensimmäisen romaaninsa Erik Dorn. Hollywoodiin hän siirtyi 1920-luvun puolenvälin jälkeen. Hecht teki paljon yhteistyötä kirjailija Charles MacArthurin kanssa. Yhteistyönä syntyi muun muassa näytelmä The Front Page, josta on myöhemmin tehty useita elokuvasovituksia. Hecht myös kirjoitti MacArthurin elämäkerran mutta vasta vuosi tämän kuoleman jälkeen. Hecht kritisoi Britannian toimintaa Palestiinassa ja tuki juutalaista vastarintaliikettä, minkä seurauksena hän nimensä poistettiin Britanniassa elokuvista useiden vuosien ajan.
xxx/ellauri129.html on line 661: Elizabeth petitioned the Illinois and Massachusetts legislatures, and in 1869 legislation was passed in those states allowing married women equal rights to property and custody of their children. Upon this being passed, her husband voluntarily ceded custody of their children back to Elizabeth, and her children came to live with her in Chicago.
xxx/ellauri129.html on line 665: She died on July 25, 1897. In her obituary, The Inter Ocean, a Chicago newspaper, described her as "the reformer of insane asylum methods".
xxx/ellauri149.html on line 368: Gene Siskel of the Chicago Tribune gave the film two-and-a-half stars out of four and called the music "more than fine," but found the character of Jesus "so confused, so shapeless, the film cannot succeed in any meaningful way." Siskel also agreed with the accusations of the film being anti-Semitic. Charles Champlin of the Los Angeles Times wrote, "The faults are relative, the costs of an admirable seeking after excellence, and the many strong scenes, visually and dramatically, in 'Superstar' have remarkable impact: the chaos of the temple, the clawing lepers, the rubrics of the crucifixion itself." Gary Arnold of The Washington Post panned the film as "a work of kitsch" that "does nothing for Christianity except to commercialize it.
xxx/ellauri167.html on line 570: In the weeks leading up to the 1968 Democratic National Convention, Chicago Mayor Richard J. Daley turned his town into a fortress. He sealed the manhole covers with tar, so protesters couldn’t hide in the sewers. He installed a fence topped with barbed wire around the Chicago International Amphitheater. He put the entire police force on shifts and called in National Guardsmen. Secret Service and FBI agents were also on duty, as the city braced for protesters who would soon arrive to protest against political assassinations, urban riots and the raging Vietnam War.
xxx/ellauri167.html on line 578: The violence in Chicago was all-encompassing, and longhairs weren’t the only targets of the police. Journalists with clearly displayed credentials were attacked, including, most notoriously, CBS’ Dan Rather. This laid the foundation for the cries of “liberal bias” that hound and undermine the mainstream news media to this day.
xxx/ellauri167.html on line 584: But Chicago was different. Not just because Cronkite was sympathetic to the youngsters in the streets, but because he lost his cool. After his correspondent, Dan Rather, was punched in the solar plexus by a Chicago plainclothes security man on the delegate floor, Cronkite let loose, saying, “I think we’ve got a bunch of thugs here, Dan.” Asked once why Cronkite was so trusted, his wife had responded, “he looks like everyone’s dentist.” But in calling out Daley’s thugs, he had given his conservative viewers a surprise root canal.
xxx/ellauri167.html on line 588: Daley prepared for the convention like a general going into battle. When rioting had erupted in Chicago four months earlier following The Rev. Martin Luther King Jr.’s assassination, the police had been unable to seize control. Venting his disappointment, Daley had said that his police superintendent should have ordered his force to “shoot to maim” looters and “shoot to kill” arsonists. He vowed not to be caught short again.
xxx/ellauri167.html on line 592: To his advantage, however, was the fact that he had microphone access whenever he wanted it. But at a key moment, he pointedly chose not to take the mic. When Ribicoff made his crack about “Gestapo tactics in the streets of Chicago” from the dais, Daley stood up and shouted from the floor “Fuck you, you Jew son of a bitch, you lousy motherfucker, go home!” The forceful exclamation, shown on live TV, was later deciphered by lip readers. Friends said Daley called Ribicoff not a “fucker,” but a “faker.” Enemies suggested he had called him not a “Jew” but a “kike.” The CBS newsman who was closest simply reported that Daley had gone bright red with anger.
xxx/ellauri167.html on line 594: By early October of 1968, CBS received 8,670 letters about Chicago, and 60 Minutes’ Harry Reasoner reported that the mail ran 11-to-1 against the network. A viewer in Ohio wrote, “I’ve never seen such a disgusting display of one-sided reporting in all of the years I’ve watched television.” From South Carolina, a letter writer griped, “Your coverage was … slanted in favor of the hoodlums and beatniks and slurred the police trying to preserve order.” A North Carolina viewer complained that, “When a great network refers to trouble makers as THESE YOUNG PEOPLE and in such a … tender tone, that is bias.” A New Yorker even suggested that the police had engaged in righteous violence: “Our Lord whipped the money lenders out of the temple. Are you going to accuse Him of brutality?”
xxx/ellauri167.html on line 596: The notion that simply showing police violence was evidence of liberal bias didn’t begin with Chicago. It traces back rather directly to TV coverage of civil rights, when white Southerners complained that the networks ignored their perspective and were manipulated by publicity seekers within the movement. By the late 1950s, many of the same people who would later object to the network’s coverage in Chicago had already taken to calling CBS the “Communist” or “Coon” or “Colored Broadcasting Company.” The same bigoted wordplay made NBC the “Nigger Broadcasting Company.” Alabama’s Bull Connor summed up the situation with an aphorism that wouldn’t seem out of place in some conservative circles today: “The trouble with this country is communism, socialism and journalism.”
xxx/ellauri167.html on line 602: Journalists face just the same old challenges than they did in Chicago in 1968. As the president vilifies the media as “the enemy of the people,” and reporters have occasion to attend his rallies with a security detail in tow, it’s clear that the specter of violence again looms large. There is also ferocious disagreement over the meaning of what we view on social media or television, a disagreement that clearly is not native to America, but brought in by the white immigrants. What is obvious to some is not to others, who would contend, for example, that “truth is not truth but alternative truth, " or "news is not news but fake news", or "election is not a vote but a steal".
xxx/ellauri169.html on line 131: 1891 -- Elias ei onnistu löytämään kultaa ja palaa Chicagoon, mutta hän ei unohda Isabelleä.
xxx/ellauri179.html on line 283: Hemingway blamed her for using money meant for his college education on building a cottage near their home in a smart Chicago suburb so she could indulge in a lesbian love affair with the family nanny, Ruth Arnold, a woman 19 years her junior.
xxx/ellauri186.html on line 65: Sale päätti ruveta kirjailijaxi luettuaan Harriet Beecher Stowen kirjan Setä Tuomon tupa. Vanhana se oli niin rasisti ettei saanut Chicagoon omaa katua. Johkin puistoon tehtiin Saul Bellow pururata. Seneca neuvoi kohtelemaan orjia lempeästi ettei ne pala loppuun ennen aikojaan.
xxx/ellauri186.html on line 145: Salen Chicagon juutalaiset on läpimätää porukkaa. Aivan hirveitä sikoja. Maailmanluokan setämiehiä, petkunteriä ja lurjakkeita. Salen isä oli sellainen, ja niin takuulla Sale izekin. Roistomaisen näköinenkin. Amerikkalaisia sellainen ei heilauta, niin kauan kuin kaveri on joholla. Ne pikemminkin ihastelee sitä.
xxx/ellauri186.html on line 394: Rosenfeld's short stories were inspired by his Chicago family: his bombastic father, his mother Miriam who died young, his sister, his unmarried aunts. He and his wife Vasiliki had two children, George and Eleni, the latter of which later became a Buddhist nun. He grew up a few blocks from Saul Bellow, and had known him since he was a teenager, when they worked on the same high school newspaper.
xxx/ellauri186.html on line 397: He moved in 1941 from Chicago to New York to study philosophy at New York University, dropping out to write fiction after about a year. By the late 1940s, he was immersed in the philosophy of Wilhelm Reich, "the errant Freud disciple who turned ideology into orgasm."
xxx/ellauri186.html on line 398: He thought he was "the golden boy" of the New York literary elite, but his friends later remembered him in their memoirs as a man who, despite his brilliance, never fulfilled his potential; as Howe put it, a "Wunderkind grown into tubby sage ... he died as a lonely sloth." He died on July 14, 1956 of a heart attack in his one-room apartment in Chicago.
xxx/ellauri187.html on line 258: Parempina päivinä José olis kyllä tarttunut inkvisiittiön rattaisiin kuten ne 1500-luvun lapsenmurhasta syytetyt juutalaiset jotka aloittivat sefardien vainon ja karkotuxen Epsanjasta. Juutalaisia ja mustalaisia epäillään säännöttömin väliajoin lapsenryöstöstä ja kannibalismista, joteskin ne taitaa olla apinoiden mielestä rikoxista pahimmat. No just niitähän ne Malamudin simpanssitkin harrastivat. Kz. lisää julmuuxia täältä. Vrt. myös Dostojevskia albumissa 111. Kz. myös Chicagon selkkaus alempana.
xxx/ellauri187.html on line 639: Orthodox Jews do rituals around the eighth day that involve terminating the growth of their children. According to Jewish law, all boys should have been born with their ears and noses intact. An alcoholic mohel then eats a mouthful of wine while performing the circumcision ritual on the boy immediately following the procedure. Lähde: Chicago Jewishness
xxx/ellauri187.html on line 645: The Jewish community in Chicago, one of the wealthiest in the world, has always exercised an extremely powerful degree of behind the scenes influence in the Windy City, an influence just as pervasive and powerful (if not more so) as that of the Italian organized crime syndicates, all the more sinister for being far less visible. Read more in Saul Bellow's Adventures of Augie March.
xxx/ellauri193.html on line 355: The "bioweapons labs" claim has also been refuted by the US, Ukraine, the United Nations, and the Bulletin of the Subatomic Scientists. It was founded by former Manhattan Project scientists as the Bulletin of the Atomic Scientists of Chicago on the profits of the atomic bombings of Hiroshima and Nagasaki. The organization is also the keeper of the internationally recognized Doomsday Clock, the time of which is announced each January.
xxx/ellauri199.html on line 173: Acrostic • Africa • Alone • America • Angel • Anger • Animal • Anniversary • April • August • Autumn • Baby • Ballad • Beach • Beautiful • Beauty • Believe • Bipolar • Birth • Brother • Butterfly • Candy • Car • Cat • Change • Chicago • Child • Childhood • Christian • Children • Chocolate • Christmas • Cinderella • City • Concrete • Couplet • Courage • Crazy • Culture • Dance • Dark • Dark humor • Daughter • Death • Depression • Despair • Destiny • Discrimination • Dog • Dream • Education • Elegy • Epic • Evil • Fairy • Faith • Family • Farewell • Fate • Father • Fear • Fire • Fish • Fishing • Flower • Fog • Food • Football • Freedom • Friend • Frog • Fun • Funeral • Funny • Future • Girl • LGBTQ • God • Golf • Graduate • Graduation • Greed • Green • Grief • Guitar • Haiku • Hair • Happiness • Happy • Hate • Heart • Heaven • Hero • History • Holocaust • Home • Homework • Honesty • Hope • Horse • House • Howl • Humor • Hunting • Husband • Identity • Innocence • Inspiration • Irony • Isolation • January • Journey • Joy • July • June • Justice • Kiss • Laughter • Life • Light • Limerick • London • Lonely • Loss • Lost • Love • Lust • Lyric • Magic • Marriage • Memory • Mentor • Metaphor • Mirror • Mom • Money • Moon • Mother • Murder • Music • Narrative • Nature • Night • Ocean • October • Ode • Pain • Paris • Passion • Peace • People • Pink • Poem • Poetry • Poverty • Power • Prejudice • Pride • Purple • Lgbtq • Racism • Rain • Rainbow • Rape • Raven • Red • Remember • Respect • Retirement • River • Romance • Romantic • Rose • Running • Sad • School • Sea • September • Shopping • Sick • Silence • Silver • Simile • Sister • Sky • Sleep • Smart • Smile • Snake • Snow • Soccer • Soldier • Solitude • Sometimes • Son • Song • Sonnet • Sorrow • Sorry • Spring • Star • Strength • Success • Suicide • Summer • Sun • Sunset • Sunshine • Swimming • Sympathy • Teacher • Television • Thanks • Tiger • Time • Today • Together • Travel • Tree • Trust • Truth • Valentine • War • Warning • Water • Weather • Wedding • Wind • Winter • Woman • Women • Work • World
xxx/ellauri215.html on line 145: There is a third novelist in The Ghost Writer, Felix Abravanel, “a writer who found irresistible all vital and dubious types, not excluding the swindlers of both sexes who trampled upon the large hearts of his optimistic, undone heroes.” Abravanel, of course, is Saul Bellow. Zuckerman heard him speak at Chicago, just as the young Roth had recently met Bellow in Chicago at a literature class.
xxx/ellauri215.html on line 171: "Vulgar Chicago" was always where his heart was. Vulgar Jewish Chicago - and Montreal, where he started out as son of an immigrant small time hustler.
xxx/ellauri218.html on line 142: Donnie Ray Moore (February 13, 1954 – July 18, 1989) was an American relief pitcher in Major League Baseball (MLB) who played for the Chicago Cubs (1975, 1977–79), St. Louis Cardinals (1980), Milwaukee Brewers (1981), Atlanta Braves (1982–84) and California Angels (1985–88). Moore is best remembered for the home run he gave up to Dave Henderson while pitching for the California Angels in Game 5 of the 1986 American League Championship Series. With only one more strike needed to clinch the team's first-ever pennant, he allowed the Boston Red Sox to come back and eventually win the game. Boston then won Games 6 and 7 to take the series. Shortly after his professional career ended, he shot his wife three times in a dispute, failed to finish her and then committed suicide. Kylmä olen sitten huono. En osu edes omaan päähäni. Kierot palefacet puhuvat tyhmän Simson-nekrun ympäri. Hyvässä sovussa lähdetään ottelusta autolle.
xxx/ellauri224.html on line 345: Ok, I tried. This novella is only about 100 pages long, but I got 10 pages in and I'm just not in any way interested. He's not Chinese, but he sort of looks like he's Chinese, so he goes to China for five years, but returns to Chicago to be near a woman he hasn't seen in 15 years because he's never been able to stop thinking about her, but then he's told he looks like he's Japanese, and gosh that's true! so he cuts his hair to look more Japanese, and he goes to a dinner party with rich people, then runs into the woman he's been pining over for 15 years and doesn't recognize her, and I just couldn't go any further. Another one off my shelf!
xxx/ellauri224.html on line 349: Checked out a few Saul Bellow books and discovered I have not changed as I have aged. I just don't enjoy his writing, Nobel Prize winner or not. I can still hear his squeaky Donald Duck voice in my head from many interviews he gave here in Chicago and did see him years ago in debates at The Newberry Library Book Fair.
xxx/ellauri237.html on line 700: Under the influence of the free market-oriented "Chicago Boys", Pinochet's military government implemented economic liberalization following neoliberalism, including currency stabilization, removed tariff protections for local industry, banned trade unions, and privatized social security and hundreds of state-owned enterprises. Some of the government properties were sold below market price to politically connected buyers, including Pinochet's own son-in-law. The regime used censorship of entertainment as a way to reward supporters of the regime and punish opponents. These policies produced high economic growth, but critics state that economic inequality dramatically increased and attribute the devastating effects of the 1982 monetary crisis on the Chilean economy to these policies.
xxx/ellauri261.html on line 227: Burden received only a two-year scholarship offered to women to attend the University of Chicago where she studied frequently under Thornton Wilder and graduated in 1936. She and her husband David were married from 1940 to 1949. After the dissolution of their marriage, Jean met Alan Watts and they had a "four year, tumultuous love affair". Though ending badly, the union inspired Watts to call Jean in his autobiography (p. 297) an "important influence". Jean used Alan´s calligraphy and a quote from him (有水皆含月 : All the waters contain the moon) in her last major work, Taking Light from Each Other. She called him "one of the most fascinating men I have ever met, except Thornton was Wilder".
xxx/ellauri261.html on line 559: Sherwood Anderson (13. syyskuuta 1876 Camden, Ohio – 8. maaliskuuta 1941 Colón, Panama) oli yhdysvaltalainen kirjailija. Hän vaikutti novelleillaan erityisesti ensimmäisen ja toisen maailmansodan välisen ajan kirjallisuuteen. Ohiossa syntyneen Andersonin isä oli etelävaltiolaista sukua, äiti puolestaan italialaista syntyperää. Perhe vaihtoi asuinpaikkaa usein. Andersonin äiti kuoli hänen ollessaan 14-vuotias. Kolmen vuoden kuluttua Anderson muutti Chicagoon, missä hän työskenteli eri ammateissa neljä vuotta.
xxx/ellauri261.html on line 561: Espanjan–Yhdysvaltain sodassa Anderson otti osaa Kuuban taisteluihin. Sodan jälkeen hän palasi Ohioon, meni naimisiin ja ryhtyi maalausliikkeen hoitajaksi, mutta lähti jälleen Chicagoon ja päätyi lopulta kirjoittamaan ensimmäistä romaaniaan Windy McPherson’s Son, joka ilmestyi vuonna 1916. Anderson matkusteli muun muassa Euroopassa ja asui myös New Yorkissa ja New Orleansissa. Ensimmäisen vaimonsa kuoltua Anderson avioitui kuvanveistäjä Tennessee Mitchellin kanssa.
xxx/ellauri261.html on line 563: Kirjailijan uransa alkuvaiheessa Andersonin tukijoihin kuuluivat muiden muassa Chicagon kirjallisuusliikkeen johtohahmot Theodore Dreiser, Carl Sandburg ja Ben Hecht, jotka kannustivat häntä julkaisemaan tekstejään eri lehdissä ja auttoivat myös kahden ensimmäisen teoksen julkaisussa.
xxx/ellauri261.html on line 622: Eliade was Saul Bellow's colleague and a pain in the ass in Chicago. He was a leading interpreter of religious experience, who established paradigms in religious studies that persisted to his dying day. His theory that hierophanies form the basis of religion, splitting the human experience of reality into sacred and profane space and time, has proved influential. A hierophany (Mircea's own invention) is a manifestation of the sacred. Eliade argues that religion is based on a sharp distinction between the sacred and the profane. According to Eliade, for traditional man, myths describe "breakthroughs of the sacred (or the 'supernatural') into the World"—that is, hierophanies.
xxx/ellauri268.html on line 370: Noah Berlatsky is a freelance writer and critic in Chicago.
xxx/ellauri287.html on line 264: Hän tuli luoksemme yksityiskoneella suoraan Chicagosta. Hän vaati tapaamista. Emme halunneet suostua tapaamiseen, mutta hän ei hyväksynyt kieltäytymistä. Useiden kymmenien itsepintaisten soittelujen jälkeen tapasimme hänet.
xxx/ellauri305.html on line 44: Pete Mencken defended Dreiser despite freely admitting his faults, stating forthrightly that Dreiser often wrote badly and was a gullible man. Dreiser oli Chicagon kirjallisuusliikkeen veteraani ja antisemiitti.
xxx/ellauri305.html on line 59: Työskennellessään kellopojana eksklusiivisessa klubissa Chicagossa hän tapaa varakkaan setänsä Samuel Griffithsin, paitakaulustehtaan omistajan kuvitteellisessa Lycurgusin kaupungissa New Yorkissa. Samuel, joka tuntee syyllisyyttä huonojen suhteidensa laiminlyönnistä, tarjoaa Clydelle vähäistä työtä tehtaalla. Sen jälkeen hän ylentää Clyden pieneen valvontatehtävään.
xxx/ellauri306.html on line 566: Mitch on palkattu mafiosojen pöyhkeään veronkiertoyrityxeen Elvixen kotikaupungissa Memfixessä. FBI lähestyy Mitchiä. FBI paljastaa että yritys on Chicagon Morolton rikollisperheen toimihenkilö. Yrityksen perustaja Anthony Bendini oli vanhan miehen Morolton vävy. Hän perusti toimiston vuonna 1944, ja lähes puolen vuosisadan ajan toimisto on houkutellut vaatimattomista taustoista tulevia nuoria lakimiehiä lupaamalla arvovaltaa ja taloudellista turvaa. Vaikka Mitchin työ on tähän mennessä ollut laillista, kumppanit ja vanhemmat kumppanit ovat syvästi uppoutuneita massiiviseen veropetokseen ja rahapesulatoimintaan, joka muodostaa jopa 75 prosenttia yrityksen liiketoiminnasta.
xxx/ellauri307.html on line 739: He played squash, sang in the Amherst Glee Club, and was a writing student of visiting novelist Alan Lelchuk (n.h.). [Merkittäviä kriittisiä tutkimuksia Lelchukista ovat olleet Philip Roth Esquiressa, Wilfrid Sheed Book -of-the-Month Club Newsissa, Benjamin DeMott The Atlanticissa, Mordechai Richler Chicago Tribunessa ja Steven Birkets The New Republicissa. Nämä olivat varmaan kaikki juutalaisia, kuten Lechuk izekin. American Mischief "Yksikään kirjailija ei ole kirjoittanut niin tietäen ja kaunopuheisesti lihallisen intohimon seurauksista Massachusettsissa Scarlet Letterin jälkeen." Philip Roth, Esquire. On Home Ground "On Home Ground herättää nuorille lukijoilleen ajankohtaisia kysymyksiä ja tekee sen niin taitavasti. Se saavuttaa niin paljon menestystä kuin baseball-harjoitus ja nostalgia." Juutalaisomisteinen The New York Times Book Review. Lelchuk kirjoittaa valtavan ilolla kuvista, sanoista ja järkähtämättömästä kuolevaisesta erityisyydestä. Naisille, jotka etsivät vastauksia, hän tarjoaa juutalaisia olankohautuxia, epäselvyyttä, joka on omituisen tyydyttävää." Catherine Bateson (juutalaisen Margaret Meadin juutalainen tytärvainaa).] Brown spent the 1985 school year abroad in Seville, Spain, where he was enrolled in an art history course at the University of Seville. Brown graduated from Amherst in 1986.
xxx/ellauri320.html on line 86: "Mitä Berkowitzes paljastivat . . . on liian usein unohdettu ihmissuhteen muoto, jota kutsutaan oman käden onnexi. – Chicago Tribune ”Eräänlainen psykiatrinen piristyspuhe. . . suunnattu ihmisille, jotka opettelevat toimimaan itse." - The New York Times. "Viettelevästi ilman ammattikieltä, esitetty siistissä kysymys-vastausmuodossa." - Houston Chronicle.
xxx/ellauri363.html on line 671: Jerry keskittyi rahatalouden kasvuun keinona täystyöllisyyden luomisessa. Hän oli myös tietoinen pakkosäästämisen, kulutushalukkuuden, säästämis-sijoitussuhteen ja muiden "nykyaikaisen" tulo- ja työllisyysanalyysin sisällön muodostavista asioista. Hänen rahanäkemyksensä oli lähellä hänen utilitaristisen päätöksenteon mallissaan käytettyjä peruskäsitteitä. Hänen töitään pidetään "modernin hyvinvointitalouden" (anglosaxinen talousliberalismi) varhaisena edeltäjänä. Esimerkiksi 1780-luvulla Bentham piti kirjeenvaihtoa ikääntyvän Adam Smithin kanssa epäonnistuneena yrityksenä saada Smithin vakuuttuneeksi siitä, että korkojen pitäisi antaa kellua vapaasti. Chicagon jutku talousnobelisti Milton Friedman taputti Jerrylle karvakäsiään.
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