ellauri090.html on line 120: Rubião becomes friends with Dr. Camacho, a lawyer and the editor of a politically oriented newspaper called Atalaia. On his way to meet Dr. Camacho, Rubião rescues a small child, Deolindo, in danger of being run over by a carriage and horses. Rubião then goes on to Dr. Camacho’s office, where he subscribes generously to the capital fund for Atalaia. Dr. Camacho flatters Rubião by publishing an account of Rubião’s heroism in saving Deolindo. Although Rubião is at first modest and dismissive about his heroism, as he reads Camacho’s account he becomes increasingly self-important.
ellauri090.html on line 122: Maria Benedicta, Sophia’s young cousin, is another potential wife for Rubião, but Rubião is too infatuated with Sophia to be interested in Maria Benedicta. After the incident at Santa Thereza, Rubião appears more cosmopolitan and confident. He spends his inherited money freely, often in support of others in addition to Palha and Dr. Camacho. When his impoverished friend, Freitas, falls ill, Rubião generously gives Freitas’s mother a substantial sum of money. Later, he pays Freitas’s funeral expenses.
ellauri210.html on line 1380: In 1954, Joyce Mansour became involved with the surrealist movement after Jean-Louise Bédouin wrote a review praising Cris in Médium: Communication surréaliste that May. Joyce Mansour actively participated in the second wave of surrealism in Paris. Her apartment was a popular meeting place for members of the surrealist group. L'exécution du testament du Marquis de Sade, the performance piece by Jean Benoît took place in Mansour’s apartment, where she "collaborated" with obscure minor representatives such as Pierre Alechinsky, Enrico Baj, Hans Bellmer, Gerardo Chávez, Jorge Camacho, Ted Joans, Pierre Molinier, Reinhoud d'Haese and Max Walter Svanberg.
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