ellauri042.html on line 570: Vuonna 1965 Sacks nimitettiin Albert Einstein College of Medicinen kliinisen neurologian professoriksi. Tutkiessaan migreeniä hän tapasi New Yorkin Bronxissa olevassa Beth Abraham -sairaalassa potilaita, jotka olivat eläneet jo noin 40 vuotta täysin jähmettyneessä tilassa. He olivat selvinneet hengissä vuosina 1916–27 riehuneesta maailmanlaajuisesta unitautiepidemiasta (kyseessä oli ns. eurooppalainen unitauti eli encephalitis lethargica). Saatuaan migreenitutkimuksen valmiiksi Sacks omistautui tämän potilasryhmän tutkimiseen. Nekin oli varmaan varakkaita juutalaisia.
ellauri107.html on line 254: Roy Marcus Cohn (20. helmikuuta 1927 Bronx, New York – 2. elokuuta 1986 Bethesda, Maryland) oli yhdysvaltalainen lakimies. Hän toimi senaattori Joseph McCarthyn pääneuvonantajana toisen punapelon aikana ja sai erityistä merkittävyyttä Army-McCarthy -kuulemisissa.
ellauri152.html on line 613: “Miss Streisand [made] Yentl, whose greatest passion was the Torah, go on a ship to America, singing at the top of her lungs. Why would she decide to go to America? Weren’t there enough yeshivas in Poland or in Lithuania where she could continue to study? Was going to America Miss Streisand’s idea of a happy ending for Yentl? What would Yentl have done in America? Worked in a sweatshop 12 hours a day where there is no time for learning? Would she try to marry a salesman in New York, move to the Bronx or to Brooklyn and rent an apartment with an ice box and a dumbwaiter? This kitsch ending summarizes all the faults of the adaptation. It was done without any kinship to Yentl’s character, her ideals, her sacrifice, her great passion for spiritual achievement. As it is, the whole splashy production has nothing but a commercial value.”
ellauri219.html on line 303: of the door”. Tony oli pikku kikke Bronxista, oik. Bernard Schwartz jonka porukat oli Unkarista.
ellauri219.html on line 1016: Moonman 157, a Bronx graffiti artist, and the Texas Highway Killer: what do they have in common? One wields spray cans, the other a .38 with a gloved left hand. Moonman paints subway cars, and the Texas Highway Killer shoots random lone drivers? Get it? Okay I'll tell you: They each create an artificial language like Klingon or Ido, that thickens the fog of American collective consciousness; each language is expressed by an individual who remains anonymous. As a natural consequence, they get a lot of copy cats, like de Lillo and myself.
ellauri220.html on line 589: Tän kaskun savurenkaat pössytellyt tyttö on kuin Marthe Richard, jonka rikas asiakas pelasti. Tai ei sittenkään, vaan se katulapsi joka juoxenteli yxin Bronxissa. Mihkähän Löllö on tällä tässä menossa? Mixhän tää Lenny oli sille aiheena niin mieluisa?
ellauri220.html on line 594: Saapasmaan matukatulapsia 50-luvulla Bronxissa treenaamassa MANGIA! FOTTI! MAZZA! leikkejä takapihalla ennen autoistumista. Ämmä kaataa niskaan jätteitä.
ellauri220.html on line 599: Nää Bronxin saapasaffet ovat eri kiimaisia, pojat pillun perään ja tytöt kyrvän. Hinkataan ja lykitään vaatteet päällä, kaivellaan housuja, laitetaan sisään ja pois kumin kaa ja ilman, se on melkein yhtä hienoa kuin jäteastioiden tyhjennys. On se surkeeta.
ellauri220.html on line 633: Dagomatut vs. nokikepit Bronxissa
ellauri220.html on line 641: Dagot lähtee 2 mutiaisen perään karvat pystyssä kuin reviiriä vartioivat koirat. Koiraskoirat. Sitähän ne ovatkin. Tizzone tarkoittaa nokikeppi. Lillolla on jotain pöljiä sananjohtoyrityxiä, turha vaiva, kylse vaan tarkoittaa savunaamoja. Ne alkoi vallata slummeja dagoilta niiden vetäytyessä jonnekin vihreämmille laitumille tai autuaammille mezästysmaille. Ensin pakenivat palefacet, sitten lakukepit. Tänä päivänä koko Bronx on täynnä märkäselkiä.
ellauri220.html on line 661: Eiku hetkinen, stop press, täältä tulee vielä loppuvizien jälkeen pikku tunnelmapalanen, vähän kuin jenkkijännäreissä loppukättelyiden jälkeen pahis pääsee karkuun häkistä ja sitä pitää vielä kerran vähän nujuuttaa. Ja se vizi koskee sitä Bronxissa kirmaillutta katutyttöä, joka on vihdoin löytynyt jostain ruumiina, ja aiheuttaa nyt katolisille ihmeitä. Lapset rakastavat kun jätekasoista nousee metaanihöyryä kuin karjalauman perseestä, aiheuttaen kasvihuoneilmiötä. Ai mitä ilmiötä? Siitä ei 1997 ollut mitään puhetta.
ellauri226.html on line 208: While local demographics and neighborhoods are undeniably subject to change, it is rare for a location to experience a major transformation in racial demographics in less than 50 years. Yet this is exactly what has happened in The Bronx between 1950 and 1980. As indicated by the 1950 the ethnic makeupof The Bronx was predominantly white. The census for 2000 indicates that whites (that is, what the U.S. Census labels “white, non-Hispanic”) now compose a distinct minority in The Bronx. The explanations for this remarkable change are complex. LOL actually they aren't, as we shall see.
ellauri226.html on line 211: Of the roughly 1.45 million Bronx residents counted in the 1950 census,
ellauri226.html on line 213: Of approximately 1.30 million people, over 90% of the population of The Bronx,
ellauri226.html on line 216: Even as early as 1960, just ten years and one census removed from 1950, approximately 164,000 of the 1.42 million Bronx residents were sooty black.
ellauri226.html on line 217: Black residents in The Bronx nearly doubled in 10 years,
ellauri226.html on line 218: increasing from roughly 7% of the total population of The Bronx in 1950 to approximately 12% of the total population in 1960, that is no less than 357,000 black residents!
ellauri226.html on line 222: migration of the white population that had called The Bronx its home for
ellauri226.html on line 226: thing that is clear is that by the end of the 1970s, The Bronx was no longer
ellauri226.html on line 228: reveals that the white population in The Bronx dropped nearly 50% from 1.08
ellauri226.html on line 231: Bronx census, such as Japanese, Koreans, Vietnamese, Cubans,
ellauri226.html on line 236: former white residents of The Bronx who witnessed
ellauri226.html on line 238: only one, Derrick, still resides in The Bronx today.
ellauri226.html on line 239: When asked to describe The Bronx during his childhood, Derrick recited a poem by writer Ogden Nash: “The Bronx? No, thonx!” When Nash
ellauri226.html on line 240: composed that poem in 1930 (and lasting into the 1960s), The Bronx was
ellauri226.html on line 245: While Nash criticized the apparent tranquility and peace of The Bronx,
ellauri226.html on line 246: it was celebrated by its inhabitants. When asked to describe The Bronx of the 1950s and 1960s, every whitey lauded the safety of their neighborhood.
ellauri226.html on line 273: safety of The Bronx in the 1950s and 1960s.
ellauri226.html on line 276: safety of The Bronx of the 1950s and 1960s began to fade away in the late
ellauri226.html on line 277: 1960s and 1970s. For many white residents of The Bronx, the end of the
ellauri226.html on line 281: Research has indicated that The Bronx began changing demographically right after World War II. The first influx of black and Hispanic residents was into the South Bronx after World War II, as former residents of Harlem were attracted to The Bronx because of its rent controlled apartments. Many of these blacks and Hispanics moved into neighborhoods following the subway and elevated trains transportation. Pre-cisely! This is just why Grankulla does not want subway nor high-rise apartment housing. Let the cleaners and station attendants sleep i Mattby i stället.
ellauri226.html on line 283: The arrival of many of these lower income construction of public housing projects throughout The Bronx, first began during the Great Depression. Relatively soon
ellauri226.html on line 290: As black and Hispanic residents slowly trickled into the South Bronx
ellauri226.html on line 293: The off-color residents in The Bronx created a very segregated community,
ellauri226.html on line 303: The changing racial make-up of the community of the South Bronx
ellauri226.html on line 321: The rise in crime in the South Bronx began in the early 1950s, but by
ellauri226.html on line 329: While crime was on the rise throughout the city, the increasing numbers in The Bronx were astounding. For example, the number of
ellauri226.html on line 333: seemed to have complete control of the South Bronx and the crummy
ellauri226.html on line 335: the gangs seemed to control of the South Bronx both day and night,
ellauri226.html on line 344: had been an estimated 33,465 fires in the South Bronx. Whole areas of the
ellauri226.html on line 345: South Bronx had essentially been burned to the ground and residents were
ellauri226.html on line 347: city officials in the Bronx Arson Task Force in 1974 confirmed that the fires were being set by the white owners, but it was difficult to hold any one person responsible because the paid arsonists often refused to name the white customers.
ellauri226.html on line 357: Her friends and family began to worry even more when she graduated from New York University with a degree in physical therapy and was hired at Misericordia Hospital on 233d Street in the Northeast Bronx. While at the time Misericordia
ellauri226.html on line 358: was in a section that was considered extremely dangerous, Roby was quickly sent down to Lincoln Hospital in the South Bronx, because of labor shortages.
ellauri226.html on line 361: suffered gunshot wounds. For her, the violence of the South Bronx was
ellauri226.html on line 372: changing. In the 1970s, many of the neighborhoods beyond the South Bronx
ellauri226.html on line 380: of The Bronx. Additionally troubling for Derrick and his family was
ellauri226.html on line 404: The deterioration of building quality in apartments of The Bronx is seen to be a cause of the increased rates of crime in the eyes of many residents.
ellauri226.html on line 407: The arson trend first began in the South Bronx and is often seen as the in thing
ellauri226.html on line 426: While these changes in buildings may seem small, when joined by the weakened structure of the buildings and rising drug use and crime rates, many white long-term residents of The Bronx began to feel as though their neighborhoods had changed from bad to worse.
ellauri226.html on line 428: It was a downward spiral that many of the white ethnic residents who had called The Bronx home in the 1950s and watched it change for the worse in the 1960s and 70s were quick to blame on the Hispanics and blacks.
ellauri226.html on line 432: as early as 1970. Many of these nigrate individuals had called this area home for almost 20 years. Meanwhile white families began to migrate north within The Bronx, particularly Jewish, Irish, and Italian families.
ellauri226.html on line 434: That the migrations of old and new minority groups was the cause for The Bronx’s many problems was obvious. Many whites began to blame
ellauri226.html on line 438: The 1970s was a rough economic time for the U.S, including the city of New York and The Bronx in particular. The economic problems began early after World War
ellauri226.html on line 443: influx of poor minority families in the 1950s and 1960s was thus cleverly met with a deteriorating and poor job market and limited employment opportunities. The declining job market continued into the 1970s when approximately 300 companies employing 10,000 workers went out of business or moved out of The Bronx between 1970 and 1977. Many of these businesses used low income and unskilled workers. By 1976 the long-term economic problems had taken their toll and the mayor's office estimated that between 25-30% of the city’s eligible work force was unemployed.
ellauri226.html on line 445: The economic problems seen in The Bronx were not industrially based but rather, the work force was dominated by totally clueless colorful minorities. By 1975 the entire city was engulfed in an economic crisis.
ellauri226.html on line 452: turned to welfare after businesses left The Bronx or closed causing unemployment. Fucking damn immigrants.
ellauri226.html on line 455: living on welfare in The Bronx was
ellauri226.html on line 457: projected that approximately one in every three residents in The Bronx was on welfare.
ellauri226.html on line 459: As the economic crisis worsened and city residents applied for welfare, particularly in The Bronx, the city simply reached its financial breaking point, with most of the welfare payments going to buy drugs. No wonder the poor turned to crime to solve their economic problems, seeing as the filthy rich seemed to be rolling in the dough. At the time the assumption was made by many older white residents
ellauri226.html on line 468: beyond the South Bronx. Many of the white ethnic groups
ellauri226.html on line 469: living in The Bronx in the 1960s had been there for years and seemed to
ellauri226.html on line 470: enjoy similar all-American white immigrant lifestyles. When new Hispanic groups and African Americans moved beyond the South Bronx, seeking to avoid the crime and drug use that had already seized the South Bronx, however, they brought their crummy lifestyles along. These cultural peculiarities seemed to clash with those that were in place with the older white immigrants, which only exacerbated the suspicions many whites already had regarding the perceived connection between race and crime rates.
ellauri226.html on line 482: The suspicions regarding the connection between being a social pariah, poverty, crime, drug use and cultural clash that developed between the new minority residents and the old white residents drove many whites to leave The Bronx as the borough was in the 1970s. Nearly half a million white residents left The Bronx between 1970 and 1980, as indicated by the 1980 U. S. Census. Many of those interviewed
ellauri226.html on line 484: prime motivating factor for their departure. What they really meant were the fucking 2nd wave immigrants. Brian Werner, Elvira Werner, and Kathleen Roby all moved out of The Bronx during the 1960s and 1970s, and describe crime and the changing neighborhood as the major influence in their decision. My mom herself, she began running red lights because she was afraid of being raped if stopping too long in certain intersections. After her tires were stolen repeatedly while waiting for the traffic lights to change Mrs. Roby moved to Long Island in 1980, where her better-off sister already resided.
ellauri226.html on line 487: large numbers of whites that fled The Bronx in the 1970s, there was also
ellauri226.html on line 503: Bronx and other boroughs. According to a 1961 study on the New York
ellauri226.html on line 507: For many white residents of The Bronx, Co-op City offered a solution to their problems. It provided private ownership and was a protected enclave within The Bronx. The opening of Co-op City prompted thousands of white families
ellauri226.html on line 508: to leave other areas of The Bronx, particularly the South Bronx, where white residents were desperate to leave the deteriorating neighborhoods smelling of pot and enchiladas.
ellauri226.html on line 509: Nearly half of the white population of the South Bronx moved into Co-op City and
ellauri226.html on line 517: the white immigrant strongholdof the South Bronx began to rapidly deteriorate.
ellauri226.html on line 522: Jacque Smith Bonneau moved to the South Bronx in the mid-1940s as part of the first major migration of African Americans to the borough and, like many of the white residents interviewed, commented on the safety of The Bronx in the 1950s and spoke of leaving the apartment door open on warm days, which created fine opportunities for petty crime for the sootyfaced poorer folks.
ellauri226.html on line 524: The notmees who wanted to move out of the worst areas of The Bronx "chose" to stay in Bronx and just moved to the places vacated by the suburban migration of the whites. The same push is now being felt in Nassau County and New Jersey, where white homeowners are pressured to only sell to whites to prevent another wave of immigrants with their smelly dishes and noisy habits, not to mention the sex, drugs, and rap "music".
ellauri243.html on line 611: His father, David Mahoney Sr., was an Irish immigrant construction crane operator in Bronx. Mahoney´s mother, Loretta Cahill, was a telephone operator with New York Bell.
ellauri267.html on line 56: Walter Herman Wager (September 4, 1924 - July 11, 2004) was an American novelist. Walter Wager grew up in the East Tremont section of The Bronx, the son of Russian Jewish immigrants; his father, Max, was a doctor, and his mother, Jessie, was a nurse. But was he an emigrant or an immigrant? Depends how rich his parents were. Some sources say emigrant, others immigrant.
ellauri332.html on line 276: Elokuva seuraa Teemu Keskisarjan nyrkkeilijän nousua (johon on lisätty rakkaus Bronxista), joka pääsee niin pitkälle ja huomaa sitten, että hänen tunnepitoisuuden puute on este kehässä ja hänen elämässään. Ohjaaja Martin Scorcesen ja Robert De Niron johdolla sitä pidetään klassikkona. Automerkistä tutun De Niron "menetelmänäyttelijä" -lähestymistapa väkivaltaisen Jake LaMottan hahmoon aiheutti kuitenkin paljon epämukavuutta näyttelijöille ja miehistölle. Tämä sisälsi suunnittelemattoman todellisen fyysisen nokkapokan, joka tapahtui yhdessä De Niron ja Cathy Moriartyn kohtauksista. Yleisö repesi. Kärpässarjan nyrkkeilijä näyttää urpolta ruipelolta, vetäiskö turpaan edes Sauli Niinistölle. No sille kyllä.
xxx/ellauri125.html on line 411: Vanessa Lynn Williams (s. 18. maaliskuuta 1963 Bronx, New York) on yhdysvaltalainen laulaja ja näyttelijä. Williams teki historiaa, kun hänet kruunattiin ensimmäisenä afroamerikkalaisena naisena vuoden 1984 Miss Americaksi. Hän joutui luopumaan tittelistään alastonkuvaskandaalin seurauksena, mutta aloitti sen jälkeen menestyksekkään uran laulajana sekä (khrm) näyttelijänä.
xxx/ellauri167.html on line 564: Abraham Alexander Ribicoff (April 9, 1910 – February 22, 1998) was an American Democratic Party politician from the state of Connecticut. He represented Connecticut in the United States House of Representatives and Senate and was the 80th Governor of Connecticut and Secretary of Health, Education, and Welfare in President John F. Kennedy's cabinet. He was Connecticut's first and to date only Jewish governor. Having suffered in his later years from the effects of Alzheimer´s disease, he died in 1998 at the Hebrew Home for the Aged in Riverdale in The Bronx, New York City, and is interred at Cornwall Cemetery in Cornwall, Connecticut.
xxx/ellauri218.html on line 87: Don DeLillo (s. 20. marraskuuta 1936 Bronx, New York, New York, Yhdysvallat) on yhdysvaltalainen kirjailija. Hän käsittelee teoksissaan kulttuurisia traumoja ja kuvaa niissä amerikkalaista elämää vuosituhannen vaihteen molemmin puolin 1970-luvulta alkaen V. 1992 se oli aivan oikein 57-vuotias. Ei pigment ole tehty sianihrasta, Lillo hölmöpää! Iloiset taideopiskelijat tietää tuoretta pillua! Sinne siis! He currently lives outside of New York City. Mitä enemmän Lilloa alkoi inhottaa koota liian takaa ääntävä ja homssuinen taideopiskelija, sitä pakottavampi tarve sille tuli päästä heti ko. mirkun pöxyihin. Mixi näin? No kaise on misogyyni, äidin poika kuten monet muutkin sellaiset, esim. 3v vanhempi syöpään menehtynyt Philip Roth. Jättämällä lastin nuijapäitä mirkun lörppävittuun se voisi tavallaan ikäänkuin päihittää sen. No se jäi suunnitelman asteelle, Lollo ei halunnut olla uskoton Klaara Kotkolle.
xxx/ellauri218.html on line 275: Tää on kyllä paikoitellen hyvää ajankuvaa, suht tuoreita klisheitä. Kun Matty oli hyvin pieni, hänen veljellään oli tapana istua pytyllä ja lukea sarjakuvia tenavayleisölleen, naapurin neljä ja viisivuotiaille lapsille, joita jonkun lähistöllä olevan aikuisen olisi kuulunut pitää silmällä, ja Matty seisoi ovensuussa valmiina huutamaan varoitussanan tulee, ja Nick istuu pytyllä ja lukee Captain Marvelia tai Targeteersia housut polvien varassa roikkuen, ja hän esitti vuoropuhelun elävästi, paasaten ja elehtien, matkien uskottavasti rosvojen ja naisten ääntä ja päästäen lyhyen vihlovan kiljaisun kuvatessaan, miten gangsteriautot vetivät kaarteet tiukasti öisillä ajomatkoillaan, säikäytti joskus lapset eläytyvällä tyylillään, vaikeni päästääkseen paskapökäleen joka putosi loiskahtaen, molskahti veteen, se oli maailman hulluin ääni ja nostatti hänen kuulijoidensa kasvoille onnellisen kunnioittavan ilmeen - se oli kaikkein värisyttävin ilonaihe, parempi kuin mikään mitä hän sai sarjakuvasivuilta irti. Jepjep italialaiskortteleita Bronxissa 50-luvulla. Tiina ja Jössi kasteli maalla pakettinappuloita posliiniseen pissapottaan ja käskivät mun maistella ja imuskella, tämo hyvvee!
xxx/ellauri218.html on line 310: Bronxissa on romanttista laahusta. Katulapsia. Postneukku Leningradissakin oli niitä. Edgar on anaalis-retentiivinen kylmän sodan nunna. Se ei ole aappa-arvon puolesta taistelija kuten Gracie vaan paatunut pieni korppi.
xxx/ellauri218.html on line 312: Että viizivätkin syyttää neuvostolaisia kun Bronxin kurjuus on kapitalistien ihan omaa aikaansaannosta. Jos apina tietää ettei ole minkään arvoinen, uhkapeli likaisilla huumepiikeillä tyydyttää sen narsistista egoa.
xxx/ellauri218.html on line 316: Mitä täällä on tapahtunut kyselevät järkyttyneet EU-turistit Bronxissa. Miten niin tapahtunut, tällästähän täällä aina on. Kuolema lyö kunnarin ja luurangot rynnistävät kentälle.
xxx/ellauri225.html on line 349: Bloom was born in 1930 to a poor Orthodox Jewish household in the East Bronx, one of five children. He lost faith early in the Jewish God when he accidentally stumbled on the poetry of Hart Crane. He fell in love with Crane’s enthusiasm for life, his belief in the possibility of ecstatic pleasure, and his overall exuberance. This was in stark contrast to Bloom’s childhood, which he confesses was a lonely time.
xxx/ellauri268.html on line 149: Emmauxen käynnillä haaviin sattui Irwin Shawin, kommunistivainotun venäläisexpatriaatin novellikokoelma (1967) jonka niminovelli on "God was here but he left early". Nimi oli hauska, sixi ostin sen. Shawin oma nimikin oli ennen hauskempi. Shaw was born Irwin Gilbert Shamforoff in the South Bronx, New York City, to Jewish immigrants from Russia. Svetlana Moskovasta (venakko) sanoi goodreadseissa novelleista näin:
xxx/ellauri296.html on line 307: Seemore Butts or Adam Glasser, take your pick – was born in the Bronx to Jewish parents, whom he has said were involved in the “shmattah business.” Talk about rags to riches! Seemore Butt's net worth 2022 was between $501.1K - $1.8M. Not penniless nor worthless, nossir. His mother Lila has also been involved with the production and distribution of some of his films.
xxx/ellauri298.html on line 329: Ennen NYU:hun liittymistään Seinfeld oli kliininen sosiaalityöntekijä ja kliininen valvoja Juutalaisten perhe- ja lastenpalveluiden hallituksessa (Bronxin toimisto) vuosina 1976–1987. Myöhemmin hän toimi organisaation konsulttina. Hän toimi myös perheväkivaltatyöryhmän puheenjohtajana ja jäsenenä ja johti seminaareja ja täydennyskoulutusohjelmia lasten terapiasta, masennuksesta ja moniongelmaisesta perheestä.
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