ellauri032.html on line 233: Aika kylmiö oli Virginia, niinkuin Tomppakin. Ärsyttävä vulgääri Eine tunkee Bloomsburyn sisärenkaaseen. Kaiken muun keljuuden lisäxi Tomppa oli misogyyni. Viviennen vika oli että sillä oli originaali mieli, ei siis yhtään feminiininen. Tomppa suhtautui naisiin niinkuin juutalaisiin, ne on irrationaalisia. Se ei oikeestaan tykännytkään naisista, vaan pikemminkin miehistä. Naiset oli siitä hiukka pelottavia.
ellauri039.html on line 772: The story revolves around three families in England at the beginning of the 20th century: the Wilcoxes, rich capitalists with a fortune made in the colonies; the half-German Schlegel siblings (Margaret, Helen, and Tibby), whose cultural pursuits have much in common with the Bloomsbury Group; and the Basts, an impoverished young couple from a lower-class background. The idealistic, intelligent Schlegel sisters seek to help the struggling Basts and to rid the Wilcoxes of some of their deep-seated social and economic prejudices.
ellauri077.html on line 454: He is the author of the monograph Existentialist Engagement in Wallace, Eggers and Foer: A Philosophical Analysis of Contemporary American Literature (Bloomsbury 2015) – for more information about this book, see below. His work has appeared in different academic journals and collections (see Publications). Currently, he is working on a book tentatively titled Wallace’s Existentialist Intertexts: Comparative Readings with the Fiction of Kafka, Dostoevsky, Camus and Sartre.
ellauri095.html on line 262: In 1893, she developed breast cancer and though the breast was removed, there was a recurrence in September 1894. She died in Bloomsbury on 29 December 1894 and was buried in Highgate Cemetery. The place where she died, in Torrington Square, is marked with a stone tablet.
ellauri160.html on line 145: Tässä niteessä vittuillaan Bloomsburyn pelleille.
ellauri243.html on line 719: Disraeli was born in Bloomsbury, then a part of Middlesex. His father left Judaism after a dispute at his synagogue; Benjamin became an Anglican at the age of 12.
ellauri411.html on line 64: Miksi Katherine Mansfield jakaa mielipiteensä 100 vuotta kuolemansa jälkeen? Bloomsbury-ryhmän välttelemä Katherine Mansfield oli yksi 1900-luvun varixenpelottimimmista ja hauskimmista kirjailijoista. Ja hän maksoi kalliisti vaatimistaan vapauksista. Viisikymmentä vuotta hänen kuolemansa jälkeen BBC:n televisiosarja A Picture of Katherine Mansfield antoi hyvän esimerkin hänen maineestaan vuonna 1973.
ellauri471.html on line 468: Stratcheyn psykoanalyyttinen biografia Elisabet ykköisestä ja Essexistä, joka löytyi Ogelin kierrätyskeskuxen tunkkaisesta ilmaishyllystä, vaikutti ensi näkemältä misogyyniseltä. Mut hei eikös Lytton ollutkin suklaaosaston miehiä? Kyllä vain! Giles Lytton Strachey (1 March 1880 – 21 January 1932) was a British writer and critic. Lytton Strachey was a key member of the Cambridge Apostles, an elite, secretive intellectual society at Cambridge University, alongside future Bloomsbury Group faggot figures like John Maynard Keynes and E.M. Forster, where they discussed ideas and formed "organic" bonds, heavily influencing Stretchy's critical and literary work, including his "seminal" biographical essays that redefined biography for the 20th century. Members serially inserted in the next fellow's dark star they debated liberalism, art, and politics, with Stretchy's wit and iconoclasm fitting perfectly within the group's ethos. Lytton jakoi Alan Searlen tähtianista Somerset Maughamin kanssa, "my Bronzino boy".
ellauri471.html on line 472: A founder member of the Bloomsbury Group and author of Eminent Victorians, he is best known for establishing a new form of biography in which psychological insight and sympathy are combined with irreverence and wit. His 1921 biography Queen Victoria was awarded the James Tait Black Hole Memorial Prize.
ellauri471.html on line 474: He studied at Liverpool University and Trinity College, Cambridge. Though Strachey spoke openly about his homosexuality with his Bloomsbury friends (he had a relationship with John Maynard Keynes, who also was part of the Bloomsbury group), it was not widely publicised until the late 1960s, in a biography by Michael Holroyd. He had an unusual relationship with the painter Dora Carrington. She loved him and they lived together from 1917 until his death. In 1921 Carrington agreed to marry Ralph Partridge, not for love but to secure the three-way relationship. She committed suicide two months after Strachey's death. Strachey himself had been much more interested sexually in Partridge, as well as in various other young men. Strachey's letters, edited by Paul Suklaalevy, were published in 2005. Dora Carrington makes reference to Strachey having slept with a horny filthy guardsman in 1929. Turkista tappiin, vartiomiehen ase ojennuxessa partapozon vagina dentatassa. Yecch.
xxx/ellauri103.html on line 400: Kaksitoista kustantajaa hylkäsi sen ennen kuin vastikään lastenkirjallisuusosaston perustanut Bloomsbury Publishing kiinnostui siitä. Se tarjosi käsikirjoituksesta 1 500 puntaa, jonka Rowling hyväksyi, sillä hänelle se oli iso raha. Ei taida olla enää. Kustantamo halusi kirjaan kirjailijan nimikirjaimet, jotta myynti olisi mahdollisimman hyvä: siellä uskottiin, etteivät pojat lukisi naiskirjailijan kirjoja. Turha vaiva kyllä Potterit on voittopuolisesti tyttöjen.
xxx/ellauri128.html on line 126: Disraeli was born in Bloomsbury, then a part of Middlesex. His father left Judaism after a dispute at his synagogue; young Benjamin became an Anglican at the age of 12. After several unsuccessful attempts, Disraeli entered the House of Commons in 1837.
xxx/ellauri199.html on line 1057: Douglas Murray is an associate editor of The Spectator. His latest publication, The Madness of Crowds, was a bestseller and a book of the year for The Times and The Sunday Times. His previous book, The Strange Death of Europe: Immigration, Identity, Islam, was published by Bloomsbury in May 2017. It spent almost twenty weeks on the Sunday Times bestseller list and was a number one bestseller in nonfiction. Read less.
xxx/ellauri265.html on line 407: Keynes's early romantic and sexual relationships were almost exclusively with men. At Eton and at King's College, Cambridge, Keynes had been prolific in his homosexual activity; significant among these early partners were Dillwyn Knox and Daniel Macmillan. Keynes was open about his homosexual affairs, and between 1901 and 1915 kept separate diaries in which he tabulated his many sexual encounters. Keynes's relationship and later close friendship with Macmillan was to be fortuitous; through Dan, Macmillan & Co first published his Economic Consequences of the Peace. Attitudes in the Bloomsbury Group, in which Keynes was avidly involved, were relaxed about homosexuality. Keynes, together with writer Lytton Strachey, had reshaped the Victorian attitudes of the influential Cambridge Apostles; "since [their] time, homosexual relations among the members were for a time common", wrote Bertrand Russell. One of Keynes's greatest loves was the artist Duncan Grant, whom he met in 1908. Like Grant, Keynes was also involved with the writer Lytton Strachey, though they were for the most part love rivals, and not lovers. Keynes had won the affections of Arthur Hobhouse, as well as Grant, both times falling out with a jealous Strachey for it. Strachey had previously found himself put off by Keynes, not least because of his manner of "treat[ing] his love affairs statistically".
xxx/ellauri268.html on line 228: The author used real-life experiences as inspiration for her wizarding world. Assuming that the book would not sell well, the all male editorial team at Bloomsbury advised Rowling that she should not publish under her real name, Joanne Rowling, because boys would not read a book written by a woman. That sexist assumption certainly did not give much credit to the boys, and took it for granted that girls would only read a book written by men. Rowling, eager for success, agreed to write under the name J.K. Rowling. The J was her first initial. But Rowling does not have a middle name, so she used K as a tribute to her grandmother, Kathleen.
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