Miesmäinen Lauren Bacall (born Betty Joan Perske; September 16, 1924 – August 12, 2014) was an American Jewess. She was born in the Bronx, New York City as the only child of William Perske (1889–1982), who sold medical instruments, and Natalie (née Weinstein-Bacal; 1901–1969), a secretary who later legally changed her surname to Bacal. Both of her parents were Jewish. Her mother emigrated from Iași, Romania, through Ellis Island. Her father was born in New Jersey to parents who were born in Valozhyn, at that time a predominantly Jewish community in present-day Belarus. Wealthy uncles funded Bacall's education. Through her father, Bacall was related to Shimon Peres (born Szymon Perski), the eighth prime minister and ninth president of Israel. A 1948 article in Life magazine referred to her "cat-like grace, tawny blonde hair and blue-green eyes." Oikeasti se oli suht perseen näköinen. In his 1995 memoir, Stephen Bogart wrote, "My mother was a lapsed Jew and my father was a lapsed Episcopalian" and that he and his sister were raised Episcopalian "because my mother felt that would make life easier."
ellauri310.html on line 573: kirjailijoiden teoksia, mukaan lukien Betty Smith kirjassa A Tree Grows in
ellauri365.html on line 594: Elisabet Gyllenkrok, som var 13 år äldre än Verner, vistades i flera omgångar som ett slags sällskapsdam i änkefriherrinnan Didrica Beata Sophia Rütterskjölds, f. v. Vegesack hem. Denna dam (1802—84) var Verner von Heidenstams mormor, och han hyste för Betty »en hängivenhet utan gräns», efter vad han själv berättar i memoarboken. Det var under de täta besöken hos mormodern, som Verner von Heidenstam lärde känna Betty Gyllenkrok. I sina brev till henne anslår han stundom en ton av Don Juan, men en tanke på åldersskillnaden och en blick på Betty Gyllenkroks konterfej skingrar alla misstankar om någon häftigare passion. Eller hur? Stavningsfelen är redan uppenbara. Fantastiskt illa stavat för en pojke. Vernerin piirustuxet oli kehnoja. Entä runot? Selasin läpi kokoelman Dikter: aika heikkoja, täynnä klischeitä.
ellauri365.html on line 602: och ro fru Bettys eka.
ellauri426.html on line 654: Stinney oli afroamerikkalainen. Häntä syytettiin kahden valkoisen tytön, Betty June Binnickerin (11) ja Mary Emma Thamesin (8) surmista Etelä-Carolinassa. Tuomion kerrotaan pohjautuneen hänen omaan kiristettyyn tunnustukseensa. Stinneyn oikeudenkäynti alkoi 24. huhtikuuta 1944. Hänet tuomittiin muitta mutkitta kuolemaan ja teloitettiin sähkötuolissa 1944. Teloituksen aikana side putosi Stinneyn kasvoilta hänen pienen kokonsa johdosta.
ellauri456.html on line 497: oli täydellinen Betty Hutton pääosassa
ellauri475.html on line 116: Many women had sexual interest in the war effort. They worked on black propaganda in the MO department. Some gained internal renown as "glamour girls", such as Virginia Hall, singer Marlene Dietrich, Betty McIntosh, and Barbara Lauwers. In Sisterhood of Spies, McIntosh reflects on the women's ability to "understand gossip in a way men never could". Lauwers worked on Operation Sauerkraut, which dispatched OSS to Allied prisoner-of-war camps to find and train German and Czech POWs to travel back across enemy lines to spread black propaganda meant to dismay Axis troops.
xxx/ellauri128.html on line 639: As an undergraduate, Atkinson read Simone de Beauvoir´s The Second Sex, and struck up a correspondence with de Beauvoir, who suggested that she contact Betty Friedan. Atkinson became an early member of Friedan´s National Organization for Women. Atkinson´s time with the organization was tumultuous, including a row with the national leadership over her attempts to defend and promote Valerie Solanas and her SCUM Manifesto in the wake of the Andy Warhol shooting. In 1968 she left the organization because it would not confront issues like abortion and marriage inequalities. She founded the October 17th Movement, which later became The Feminists, a radical feminist group active until 1973. By 1971 she had written several pamphlets on feminism, was a member of the Daughters of Bilitis and was advocating specifically political lesbianism. "Sisterhood," Atkinson famously said, "is powerful. It kills mostly sisters." The Daughters of Bilitis / b ɪ ˈ l iː t ɪ s /, also called the DOB or the Daughters, was the first lesbian civil and political rights organization in the United States. Bilitis is not cholitis nor Kari Matihaldi disease, but a fictional companion of Sappho.
xxx/ellauri169.html on line 328: Tarkastellaanpa kolmea uhria jotka kärsivät miehenhallinnan & ruumiinhallinnan implanteista ja jotka tämä kirjailija (Fritz the Cat) tuntee. Me voimme viitata heihin termillä "Amy", uhri Nro. 1001..., "Betty", uhri Nro. 1002..., ja "Cathy", uhri Nro. 1003.... -- "Amy" löydettiin kun käytettiin spektri-analyysilaitetta joka havaitsi että 750 MHz:n aallot olivat kohdistuneet häneen. "Betty" päätteli että häntä vastaan hyökättiin kokonaisella radio-mikroaaltojen spektrillä jotka pommittivat häntä Morsen kaavan mukaan. Tämä signaalien vastaanotin oli kuituoptinen ja se oli naamioitu näyttämään tavalliselta häpykarvalta joka jatkuvasti poltti reikiä hänen alusvaatteisiinsa. Luultavasti, tämä sivuvaikutus oli virhe jota he eivät olleet saaneet korjattua. Cathya pommitettiin ELF & VLF -aalloilla joiden taajuudet olivat 435 & 1080 MHz. Nämä taajuudet ovat ikkunoita ihmisen tajuntaan. He käyttivät myös typen partikkelien säteitä joka tuottaa "typpi-narkoosin" uhrille. Xenon-lamput voivat myös vaikuttaa miehen ruumiiseen. 1.000 - 1.200 MHz:n taajuus voi vaikuttaa geeneihin. Implanttien RF-taajuudet ovat vahingoittaneet uhrien silmiä. Vaikka tämä antaa meille lähtökohdan keskusteluumme, nämä eivät ole ainoita taajuuksia jotka uhkaavat miehenhallinnan uhreja.
xxx/ellauri215.html on line 310: Betty är en speciell sorts ko.
xxx/ellauri218.html on line 180: Thelma "Trixie" Norton, played most famously by Joyce Randolph; Ed's wife and Alice's best friend. She did not appear in every episode and had a less developed character, though she is shown to be somewhat bossy toward her husband. Trixie is the inspiration for Betty Rubble in The Flintstones.
xxx/ellauri224.html on line 516: Best friends Fred and Barney awaken with hangovers and no memory of the previous night. Their television is on, showing a program about animals using rubble and flintstones as currency to get food. In the program is a monkey nicknamed Andrew. It's the best actor of the film. Pity it only has a cameo role. Their refrigerator is filled with containers of chocolate pudding, and the answering machine contains an angry message from their twin girlfriends Wilma and Betty as to their whereabouts. The two also learn they have almost been fired from their jobs at the quarry. They emerge from their home to find Fred's car missing, and with it their baby girlfriends' first-anniversary presents. This prompts Fred to ask the film's titular question: "Dude, where's my car?"
xxx/ellauri224.html on line 524: After Pierre releases the duo for correctly answering a question about ostriches, Fred and Barney head over to a local arcade named Captain Stu's Space-O-Rama. Once inside, they encounter Zoltan and his cultists who give them Wilma and Betty in exchange for a toy that Fred and Barney later on (see below) try to pass off as the Transfunctioner. Tommy, Christie, and the jocks arrive along with Nelson and his dog, whom they release after Tommy snatches the fake Transfunctioner from Zoltan. The two sets of aliens arrive and notify everyone of the real Continuum Transfunctioner: a Rubik's Cube that Barney has been working hard to solve. He then solves it on the spot, causing the device to shapeshift into its true form. The boys are warned that once the five girls stop flashing, the universe will be destroyed.
xxx/ellauri252.html on line 287: Betty">Betty Friedan (/ˈfriːdən, friːˈdæn, frɪ-/February 4, 1921 – February 4, 2006) was an American feminist writer and activist. A leading figure in the women's movement in the United States, her 1963 book The Feminine Mystique is often credited with sparking the second wave of American feminism in the 20th century. In 1966, Friedan co-founded and was elected the first president of the National Organization for Women (NOW), which aimed to bring women "into the mainstream of American society now in fully equal partnership with men".
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