ellauri002.html on line 636: Tykkäs sydänkäpyni Beatlesista.
ellauri002.html on line 960: Beatles">Beatles: Abbey Road 1969
ellauri011.html on line 763: Pääshäs sitten Paulo maagikin lopulta Bridan päälle panohommiin. Siinä välkky sateenkaaret kuin Beatles levyn kannessa.
ellauri014.html on line 74: I started going to see The Beatles in 1961 when I was 14 and I got quite friendly with them. If they were playing out of town they’d give me a lift back home in their van. It was about the same time that I started getting called Polythene Pat. It’s embarrassing really. I just used to eat polythene all the time. I’d tie it in knots and then eat it.
ellauri020.html on line 472: Gaalaruuan kokkaa kestojulkkixet pienissä kojuissa essut eessä ja kokinhatut päässä. Siinä oli meitä poikia, siinä oli sanos nyt, niin Oprah Winfrey, Sylvester Cat, Roger Moore, Liz Taylor, Joan Collins, Julia Child, Patrick Suppes, the Beatles, Eput, Eino Gröhn ja Veli Vesselin Volvon vasen etulokasuoja. Niin ja Huuhkajat. Kiveshuoneessa (ballroom) rikkaat hytkyy rokkia rehupiiklesien tahdissa. Paikalle tuli mm. Goodmanit, Jensenit, Suikkaset ja jansenistejakin puolijoukke.
ellauri082.html on line 446: k) Beatlesit">Polythene Pam ellauri119.html on line 430: In addition to cross-cultural differences in understanding love, ideas about love have also changed greatly over time. Some historians date modern conceptions of romantic love to courtly Europe during or after the Middle Ages, although the prior existence of romantic attachments is attested by ancient love poetry. The complex and abstract nature of love often reduces discourse of love to a thought-terminating cliché. Several common proverbs regard love, from Virgil's "Love conquers all" to The Beatles' "All You Need Is Love". St. Thomas Aquinas, following Aristotle, defines love as "to will the good of another." Bertrand Russell describes love as a condition of "absolute value," as opposed to relative value.[citation needed] Philosopher Gottfried Leibniz said that love is "to be delighted by the happiness of another." Meher Baba stated that in love there is a "feeling of unity" and an "active appreciation of the intrinsic worth of the object of love." But who the fuck is Meher Baba? Biologist Jeremy Griffith defines love as "unconditional selflessness". In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. In Hebrew, אהבה (ahava) is the most commonly used term for both interpersonal love and love between God and God's creations. Chesed, often translated as loving-kindness, is used to describe many forms of love between human beings. The 20th-century rabbi Eliyahu Eliezer Dessler is frequently quoted as defining love from the Jewish point of view as "giving without expecting to take" (from his Michtav me-Eliyahu, Vol. 1). Rakkaus on siis ekonomisesti sulaa hulluutta!
ellauri131.html on line 754: During the peak of the Britpop era, Noel Gallagher was deemed by many — including Prime Minister Tony Blair (another nasty Tony) — to be the voice of his generation. Indeed, even if you weren't a fan of Oasis' Beatles-aping indie-rock, you could always appreciate a snappy one-liner from their raconteur guitarist. But a quarter of a century on and the older Gallagher brother is sounding like the kind of dinosaur he used to rally against.
ellauri147.html on line 369: Phil Collins told The Sunday Times that he’s had some bust-ups with fellow celebrities – most notably, Paul McCartney. Apparently, in 2002, the Beatles legend made fun of Collins, asking him to SIGN something during a party at Buckingham Palace.
ellauri156.html on line 127: Who is Gideon? Are we supposed to know? All I know is Gideon's bible, which the Beatles found in the bottom drawer of a bedside table in hotel room in a song whose name can't remember just now. "Only to find, Gideon's bible." Se oli Rocky Raccoon valkoiselta albumilta. Ai niin, ja sitten on Onni Gideon!
ellauri156.html on line 142: According to Beatles historian Kenneth Womack, McCartney drew his inspiration for the song from Robert Service’s poem “The Shooting of Dan McGrew.” The Old West-style honky-tonk piano was played by producer George Martin. "Rocky Raccoon" is also the last Beatles song to feature John Lennon's harmonica playing.
ellauri219.html on line 56: Levykannen pointtina lie ollut Lennonin läppä että kuoriaiset olivat hetken kuuluisampia kuin J. Nasaretilainen. Jee-suxen piti olla levyn kannessa mutta se sensuroitiin loppupeleissä. Nää muut julkkixet olis niikö Beatles-fänejä. Tykkäsin kyllä poikasena levystä mutten tullut koskaan kazoneexi kenen lätyt oli päässeet kuoriaisten hall of fameen. Nyt on aika korjata se haxahdus.
ellauri219.html on line 150: 1-4 noista ozatukkaisista pojista oli takuulla pedofiilejä. The Beatles were surrounded by gays and pedophiles. Pojat ojensivat Shirleylle nuoltavaxi jättitikkareita. Mullakin oli keskikoulussa aika söpö piirustus pikku Lucystä in the sky with diamonds.
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ellauri219.html on line 156: The author of the 1894 book The Holy Science, which attempted “to show as clearly as possible that there is an essential unity in all religions,” Sir Yukteswar Girl was guru to both Sir Mahatavara Babaji (No.27) and Paramahansa Yogananda (No.33). His prominent position in the top left-hand corner reflects George Harrison’s (No.65) growing interest in Indian philosophy. In August 1967, two months after the album’s release, The Beatles had their first meeting with the Maharashi Mahesh Yogi, at the Hilton Hotel on London’s Park Lane, where they were invited to study Transcendental Meditation in Bangor, North Wales.
ellauri219.html on line 187: Mae West initially refused to allow her image to appear on the artwork. She was, after all, one of the most famous bombshells from Hollywood’s Golden Age and felt that she would never be in a lonely hearts club. However, after The Beatles personally wrote to her explaining that they were all fans, she agreed to let them use her image. In 1978, Ringo Starr (No.63) returned the favor when he appeared in West’s final movie, 1978’s Sextette. The film also featured a cover version of the “White Album” song “Honey Pie.” P.S. Mae Westillä oli melko mahtavat maitomunat ja varmaan herkullinen mesipiiras. Vaikka jäävät kyllä 2:si Savonlinnan Paskalle.
ellauri219.html on line 192: Lenny Bruce revolutionized comedy in the 50s and 60s, ushering in a personalized style that influenced many later comedians. By the time he appeared on the Sgt. Pepper’s cover, he had been arrested for obscenity, further making him a countercultural hero not only for The Beatles, but also the Beatniks and Bob Dylan (No.15). He died of a drug overdose in August 1966.
ellauri219.html on line 215: A German composer who pioneered the use of electronic music in the 50s and 60s, Stockhausen remains a godfather of the avant-garde, whose boundary-pushing music influenced The Beatles’ own groundbreaking experiments in the studio, starting with their tape experiments of Revolver’s “Tomorrow Never Knows.” Paul McCartney (No.64) introduced Stockhausen’s work to the group, turning John Lennon (No.62) into a fan; Lennon and Yoko Ono even sent the composer a Christmas card in 1969.
ellauri219.html on line 219: An American writer, comedian, and actor, WC Fields was the epitome of the all-around entertainer, whose career spanned both the silent film era and the talkies. His humor seeped into The Beatles’ own, while the vaudeville world he came from would also go on to influence songs the likes of “Your Mother Should Know.” W. C. Fields oli yhdysvaltalainen koomikko, joka esiintyi ensin vaudevillessa ja teatterissa, ja vuodesta 1930 alkaen äänielokuvissa. Fields oli yksi aikansa suosituimmista elokuvakoomikoista. Hänen todellisuutta vastaava roolihahmonsa tunnetaan nasaaliäänestään, epäsosiaalisuudestaan ja persoudestaan alkoholille. Hän esitti joko leuhkaa huijarityyppiä tai vaimonsa nalkutuksesta kärsivää aviomiestä. Hänen hahmonsa olivat persoja alkoholille, puhuivat karkeuksia eivätkä voineet sietää lapsia tai koiria.The oft-repeated anecdote that Fields refused to drink water "because fish fuck in it" is unsubstantiated. Vastenmielinen.
ellauri219.html on line 250: Along with Huntz Hall (No.13), Leo Gorcey was one of The Bowery Boys, a group of on-screen hoodlums who grew out of The Dead End Kids and The East Side Kids. Their movie franchise ran throughout the 40s and 50s, and totaled 48 films. As the gang’s leader, Gorcey was a prototype street thug who set the template for many to follow, though he refused to let The Beatles use his image unless they paid him a fee, which was declined.
ellauri219.html on line 265: Dylan and The Beatles influenced each other throughout the 60s, each spurring the other on to making music that pushed boundaries and reshaped what was thought possible of the simple “pop song.” It was Dylan who convinced John Lennon (No.62) to write more personal songs in the shape of “Help!,” while The Beatles showed Bob what could be achieved with a full band behind him, helping the latter “go electric” in 1965. It was with George Harrison (No.65), however, that Dylan struck up the longest-lasting friendship; the two played together often in the years that followed, forming The Traveling Wilburys and guesting on each other’s projects.
ellauri219.html on line 280: Published in 1954, Aldous Huxley’s work, The Doors Of Perception, was required reading for the countercultural elite in the 60s. Detailing the author’s own experience of taking mescaline, it chimed with the consciousness-expanding ethos of the decade, and even gave The Doors their name. He was nominated for the Nobel Prize for Literature in seven different years and died on November 22, 1963, the same day that both With The Beatles was released and President John F Kennedy was assassinated. Aldousin veli oli Sir Julian Sorell Huxley (22. kesäkuuta 1887 - 14. helmikuuta 1975) oli brittiläinen biologi, joka kannusti pelagiolaista Teilhard de Chardinia. Huxleyt oli kaiken kaikkiaan hyvin suspekteja.
ellauri219.html on line 285: A beloved Welsh poet who died in 1953, The Beatles had all been fans of Dylan Thomas’ poetry by the time it came to creating the Sgt. Pepper’s artwork. “We all used to like Dylan Thomas,” Paul McCartney (No.64) later recalled. “I read him a lot. I think that John started writing because of him.” The late producer George Martin was also a fan, and even created a musical version of Thomas’ radio play, Under Milk Wood, in 1988.
ellauri219.html on line 290: A satirical novelist and screenwriter, Terry Southern bridged the gap between the Beat Generation and The Beatles; he hung out with the former in Greenwich Village, and befriended the latter after moving to London in 1966. His dialogue was used in some of the most era-defining movies of the 60s, including Dr. Strangelove Or: How I Learned To Stop Worrying And Love The Bomb and Easy Rider.
ellauri219.html on line 295: Originally the leader of Dion And The Belmonts, Dion DiMucci established a successful solo career with hits such as “The Wanderer” and “Runaround Sue” – doo-wop songs that characterized the rock’n’roll era that so influenced The Beatles.
ellauri219.html on line 314: Like Max Miller (No.37), Tommy Handley was another British wartime comedian. Born in Liverpool, he would have been a local hero for The Beatles, and his BBC radio show, ITMA (“It’s That Man Again”) ran for ten years, from 1939 to 1949, until Handley’s sudden death from a brain hemorrhage.
ellauri219.html on line 324: From Bob Dylan (No.15) to David Bowie, Tom Waits to Steely Dan, Beat Generation author Burroughs has influenced many a songwriter over the decades. Less known is that, according to Burroughs himself, he witnessed Paul McCartney (No.64) working on “Eleanor Rigby.” As quoted in A Report From The Bunker, a collection of conversations with author Victor Bockris, Burroughs recalled McCartney putting him up in The Beatles’ flat on 34 Montagu Square: “I saw the song taking shape. Once again, not knowing much about music, I could see that he knew what he was doing.”
ellauri219.html on line 369: A friend of John Lennon’s (No.62) dating back to their time studying at Liverpool College Of Art, Stuart Sutcliffe was The Beatles’ original bassist. While the group were living in Hamburg and playing around the city’s clubs, Sutcliffe met photographer Astrid Kirchherr, who gave The Beatles their distinctive early 60s haircuts. Sutcliffe left the group in order to enroll in the Hamburg College Of Art, but his career was tragically cut short when he died, aged 21, from a brain aneurysm.
ellauri219.html on line 389: In his iconic role of Johnny Strabler in the 1953 movie The Wild One, Marlon Brando captured the growing frustrations of the generation that gave birth rock’n’roll. Hailed as one of the greatest actors of all time, it’s also notable that Brando’s rivals in The Wild One, The Beetles, were almost-namesakes of The Beatles.
ellauri219.html on line 414: It’s probably fair to say that Dr. Livingstone was to geographic exploration what The Beatles were to sonic innovation: fearless, ever questing, and mapping out new territories for the world. The famous “Dr. Livingstone, I presume?” saying remains in common use today, and can be traced back to a meeting between Livingstone and explorer Henry Morton Stanley, who’d been sent on an expedition to find the former, who had been missing for six years. Livingstone was discovered in the town of Ujiji, in what is now known as Tanzania.
ellauri219.html on line 464: The Beatles were famously photographed with boxing legend Cassius Clay in February 1964, in Miami, Florida. But it’s a wax model of boxer Sonny Liston, the man that Clay defeated later that month in order to become the heavyweight champion, who appears on the Sgt. Pepper cover. Liston had held the heavyweight title for two years, from 1962 to ’64, before losing it to Clay, who subsequently changed his name to Muhammad Ali.
ellauri219.html on line 470: 56, 57, 59 and 60: wax models of The Beatles ellauri219.html on line 472: In a perfectly postmodern touch, The Beatles included wax models of their former Beatlemania-era selves looking on at their modern incarnation in full military psychedelic regalia. The models of John (No.57), Paul (No.60), George (No.56), and Ringo (No.59) were borrowed from Madame Tussauds for the Sgt. Pepper’s photoshoot.
ellauri219.html on line 481: 62, 63, 64 and 65: The Beatles ellauri219.html on line 483: Resplendent in their military chic (or should that be military psych?) garb, John (No.62), Ringo (No.63), Paul (No.64), and George (No.65) presented themselves as Sgt. Pepper’s Lonely Hearts Club Band, looking like a psychedelic brass band brandishing a French horn, trumpet, cor anglais, and flute, respectively. Like the album cover itself, The Beatles’ Sgt Pepper costumes would become some of the most iconic band outfits ever, instantly recognizable and forever woven into the fabric of our culture.
ellauri219.html on line 493: Just as The Beatles did, Marlene Dietrich had continually reinvented herself, moving from silent movies filmed in 20s Berlin to high-profile Hollywood films of the 30s, before taking to the stage as a live performer later in her career. In November 1963 she appeared at the same Royal Variety Performance as The Beatles and was famously photographed with them.
ellauri219.html on line 572: Like the French horn, trumpet, cor anglais, and flute held by each of the individual Beatles (Nos.62, 63, 64, and 65), the tuba is a mainstay of brass band instrumentation.
ellauri284.html on line 493: Vuonna 1968 suositun englantilaisen popyhtyeen The Beatlesin jäsenet osallistuivat Intiassa Maharishin meditaatioretriitille, mikä toi Maharishille runsaasti julkisuutta lännessä.
ellauri284.html on line 494: Bändin jäsenet saapuivat Intiaan helmikuun puolivälissä 1968 yhdessä vaimojensa, tyttöystävänsä, avustajiensa ja lukuisten toimittajiensa kanssa. He liittyivät 60 hengen ryhmään TM-opettajiksi; muiden julkkismeditaattorien joukossa olivat muusikot Donovan, Mike Love ja Paul Horn sekä näyttelijä Mia Farrow. Siellä ollessaan Lennon, Paul McCartney ja Harrison kirjoittivat monia kappaleita, ja Ringo Starr viimeisteli ensimmäisen. Kahdeksantoista nauhoitettiin The Beatlesille ("The White Album"), kaksi muuta esiintyi Abbey Road -albumilla ja muita käytettiin erilaisiin sooloprojekteihin. Neljästä beatlesistä ainoana kiinnostuksensa meditaatioon retriitin jälkeenkin säilytti George Harrison. Sen sijaan John Lennon ilmaisi Maharishin rivon käytöksen ennenaikaisen lähtönsä syyksi. Harrison ja Lennon lähtivät äkillisesti 12. huhtikuuta huhujen jälkeen Maharishien sopimattomasta käytöksestä Farrowia ja toista hänen naisopiskelijaansa kohtaan. Harrison puolusti heidän opettajaansa sanoen: "Hän ei ole moderni ihminen. Hän ei vain ymmärrä näitä asioita. Hän ymmärtää kyllä pillun päälle. Hän on uskonnollinen samalla lailla kuin me muut."
ellauri284.html on line 499: Koska kiinnostus Beatlesin vuoden 1968 vetäytymispaikkaa kohtaan oli jatkuvaa, hylätty ashram avattiin yleisölle vuonna 2015, ja sen nimi on sittemmin muutettu Beatles Ashramiksi .
ellauri294.html on line 397: Kirja lienee syntynyt jossakin vaiheessa 60-luvulla, mahdollisesti jo vuonna 62, ennen Beatlesien pitkäsoittolevyjä, jolloin ei ollut vielä tietoa Paavalin marttyyrikuolemasta. Tätä ajoitusta puoltaa sekin, että kirjassa ei mainita mitään Jeesuksen veljen Jamexen teloituksesta, joka tapahtui vuonna 62 Jerusalemissa.
ellauri311.html on line 586: a lyric in the Beatles song "Lucy in the Sky with Diamonds": "The girl with
ellauri332.html on line 97: Törhösfarssi, osa 2: Lauri Törhösen väitöskirja on hylätty. Lähteinä oli käytetty Beatlesien lauluja, jääkaappimagneettia ja 80-luvun lukion psykankirjaa. Lauri Törhösen väitöskirjan arvioinnissa on tehty vakavia virheitä. Törhösen väitöskirjan esitarkastajat saattoivat olla jäävejä. Törhösen väitöskirjan esitarkastajat ovat psykologian professori (emeritus) Göte Nyman Helsingin yliopistosta ja dosentti Ilkka Huovio Lapin yliopistosta, joka on erikoistunut koulutushistoriaan. Vastaväittäjä on professori (emeritus) Esa Saarinen Aalto-yliopistosta, alanaan filosofia.
ellauri341.html on line 252: 6. helmikuuta 2008 New York Times julkaisi muistokirjoituksen suuresta uskonnollisesta hahmosta, jossa luki: Maharishi Mahesh Yogi, henkinen johtaja kuolee, mikä päätti poikkeuksellisen šarlataanin ja mystisen huijarin elämän ja ajat. Parhaiten Beatlesin ensimmäisenä guruna ja meditaatiomestarina tunnettu Maharishi sai mainetta, onnea, poliittista valtaa ja seksuaalisia hijinkkejä.
ellauri348.html on line 192: The Beatles 2 s. Beatlesillä oli keskeinen merkitys kylmän sodan aikana. Keskeinen? Mitä vittua. Vietnamin sodan 1 tunnetuimpia kappaleita oli "All you need is love". Make love not war. Or both.
ellauri348.html on line 193: Jopa Sammy Davis Jr. ei saanut käyttää kylpyhuonetta. Beatlesit saivat rotuerottelun loppumaan. Toivo pitää pitää elossa, rakkauden lahjaa ei saa unohtaa. Paul McCartney konsertoi Kiovan maidan-auikiolla 2008. Esiintymisellä oli symbolinen merkitys. Tapahtuma oli osallistujille ilmainen! Hyväntekeväisyyskonserttien lisäxi McCartney harjoittaa edelleen laajamittaista hyväntekeväisyyttä,
xxx/ellauri122.html on line 909: Along the way, his answer becomes that we pay too little attention to successful people's upbringing. He explains everything from the fascinating secrets of some of software's billionaires to the qualities that made the Beatles so iconic. This is sure to be a huge pile of shit, another stupid try to justify of the fucking "I am my own life's hero" philosophy.
xxx/ellauri125.html on line 201: West on yksi maailman myydyimmistä artisteista 21 miljoonalla myydyllä albumilla ja 66 miljoonalla digitaalisella latauksella. Only One on chicagolaisen hip-hop-artistin ja tuottajan Kanye Westin single, jonka julkaisi GOOD Music ja Def Jam 31. joulukuuta 2014. Single on ensimmäinen Yeezus-albumin (0 AD) jälkeen julkaistu kappale, ja sillä vierailee The Beatles -yhtyeen basisti Paul McCartney. Kappaleen tuottivat West itse, Mike Dean, Rick Rubin ja Paul McCartney. Kappaleen oli tarkoitus ilmestyä Westin The Life of Pablo -albumilla, joka tunnettiin vielä silloin nimellä So Help Me God. Kappale sai vaihtelevaa palautetta kriitikoilta. LA Timesin kirjoittaja Randall Roberts pitää kappaleen minimalistista tyyliä tylsänä ja epämääräisenä. Hän arvosti kappaleen tarkoitusta, muttei pitänyt ideasta laulaa kappale Kanyen mammavainaan Dondan perspektiivistä. Kanye on laulanut äidistään aiemmin Late Registration -albumin kappaleella Hey Mama.
xxx/ellauri136.html on line 693: Beatlesit">
xxx/ellauri208.html on line 916: Idström aloitti Yleisradiossa äänitarkkailijana kuten Milkan tärähtänyt äiti, teki sitten radio-ohjelmia ensin ruotsiksi ja vähitellen yhä enemmän suomeksi. Hänet muistetaan ohjelmista ”Valkokangas soi”, ”Äänilevyn vuosisata” ja ”Lauantain toivotut levyt”, jota hän kokosi vuodet 1954–1965. Hän esitteli suomalaisille saksalaista schlageria, amerikkalaista swingiä ja 1960-luvulle tultaessa myös The Beatlesia ja nousevaa poliittista laululiikettä.
xxx/ellauri208.html on line 923: Pieni suomenruotsalainen vivahdus toi oman eksoottisen lisänsä Cay Idströmin maagiseen ääneen ja huolelliseen suomenkieleen. Ohjelmansa hän käsikirjoitti huolellisesti etukäteen. Hän kulki maailmalla jo silloin, kun se ei ollut naisten tapa. Hän istui euroviisuraadeissa ja matkusti Laila Kinnusen mukana, kun Valoa ikkunassa edusti Suomea. Hän saattoi puhua "schlagereista", mutta oli myöhemmin Beatlesin suuri ihailija ja teki Suomeen Bruce Springsteenin ensimmäisen haastattelun.
xxx/ellauri233.html on line 261: Brittien ja hollantilaisten protestanttisen kaukoidän ryöstölaivaston laivat oli nimeltään Toivo, Hyväntekeväisyys, Usko, Tottelevaisuus, Voitto-Sanoma. Laivaston alkuperäinen tehtävä oli purjehtia Etelä-Amerikan länsirannikolle, missä he vaihtaisivat rahtinsa hopeaan, ja suunnata Japaniin vain, jos ensimmäinen tehtävä epäonnistuu. Siinä tapauksessa heidän piti hankkia hopeaa Japanista ja ostaa mausteita Molukkeilta ennen kuin he suuntasivat takaisin Eurooppaan. Heidän tavoitteenaan oli purjehtia Magellanin salmen läpi päästäkseen kohtalolleen, mikä pelotti monia merimiehiä ankarista sääolosuhteista johtuen. Laivastossa oli kaiken kukkuraxi mukana 30 englantilaista muusikkoa, mm. Yardbirds, Beatles, Dusty Springfield, Rolling Stones, Tom Jones, Elton John, David Bowie, Phil Collins, Cat Stevens, Sid Vicious, Brian Eno, Ozzy Osbourne, Led Zeppelin, Keith Richards, Freddie Mercury, Keith Moon, Adele, Amy Winehouse, The Who, Electric Light Orchestra, The Smiths, The Gorillaz, Bee Gees, Dua Lipa, Dire Straits, Spice Girls, Iron Maiden, The Queen, Olivia Newton-John, Billy Idol, Boy George, Pink Floyd, Motörhead, The Clash, Elvis Costello, Nick Drake, Donovan, Marianne Faithful, Edward Elgar, Petula Clark, Kate Bush, Sade, Dido, Sting, Seal, Cream, Haendel ja Rod Stewart. No okei, oli niitä enemmän kuin 30, mutta silti vittu. Ne kaikki hukkuivat. Jotkut heitettiin laidan yli ärsyttävästä soitosta.
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