ellauri062.html on line 707: Hausmylly on Teuvo Hakkaraisen kotikylältä tervehtivä pop-yhtye keikkatauolla. Badass-piponen Hausmyllyn Enzo on syöpänen.
ellauri152.html on line 587: The plot goes like this: Yentl has secretly studied Torah under her father’s tutelage. She has no interest in marriage, so when he dies, she disguises herself as Anshel and travels to a yeshiva. Along the way she meets a fellow student named Avigdor. They strike up a friendship and Yentl accompanies him to his yeshiva in Bechev, where they become study partners. Avigdor is in love with a girl named Badass, whom he wishes to marry. However, when Badass’s family learns a dark secret about Avigdor’s family, they won’t let him marry her. In desperation, Avigdor begs Anshel to marry Badass in his stead. Yentl initially resists, but eventually gives in and asks for Badass’s hand in order to retain Avigdor’s goodwill. After Anshel and Badass are married, Badass comes to look on her husband with love, but Yentl become more and more upset about the situation. Unable to go on any longer, Yentl asks Avigdor to join her on a business trip. Once they are at an inn in another city, Yentl tells him that she’s a woman. He laughs and doesn’t believe her, so she undresses momentarily. He is shocked. This is where the two versions split.
ellauri152.html on line 589: In the movie, in a scene I despise, Avigdor grabs her and shakes her violently while demanding to know why, and the rest of the conversation plays out melodramatically with yelling and tears. Yentl confesses that she loves him, he realizes he loves her too, and they kiss. Avigdor asks her to marry him, and says she could continue studying in secret. Yentl refuses because she can’t go back to studying furtively in secret, despite how much she loves him. The two part, and Avigdor returns to Badass and marries her. They live happily ever after, and the film ends with Yentl on a ship to America, implying that she will be able to study Torah as a woman there.
ellauri152.html on line 591: In the story, Avigdor just trembles and sits down, and Yentl calmly explains. He then asks what she is going to do now, and she says she will go to a different yeshiva and start over. Avigdor half says they could get married, but doesn’t finish the sentence. Yentl rebuffs him, saying it wouldn’t be good, and explains, “I’m neither one nor the other.” She tells him to go back to Badass instead. Avigdor has strange feelings, trying to reconcile who Anshel is, who Yentl is. But they spend the night in companionable debate, discussing Yentl’s marriage to Badass and whether she legally needs to divorce her, as well as why Yentl crossdressed. Avigdor brings up marriage again, but Yentl refuses even stronger.
ellauri152.html on line 593: The story ends with the townspeople of Bechev wondering about Anshel’s disappearance and why he divorced Badass so suddenly, but none of them guess the truth. Badass is heartbroken but eventually recovers enough to marry Avigdor, though she cries even at their wedding. They name their first child Anshel.
ellauri152.html on line 599: And then there are the things totally changed for the movie. Notably, in Yeshiva Boy, Anshel has some kind of un-described sex with Badass to consummate their marriage, without anyone finding out she was not assigned male at birth.
ellauri152.html on line 600: Anshel had found a way to deflower the bride. Badass in her innocence was unaware that things weren’t quite as they should have been.
ellauri152.html on line 601: Meanwhile, the movie has Yentl entirely evade the situation by telling Badass that despite what everyone says, they don’t have to sleep together, then convincing Badass that she (Badass) doesn’t want to have sex, and—when Badass expresses interest in having sex anyway—exhausts her with Torah study so she’s too tired to think about it.
ellauri152.html on line 603: And, oh f-ck, there is so much to talk about in this section. The importance of consent here, when Yentl lets Badass know she doesn’t need to do anything she doesn’t want to, both according to her husband and according to Jewish law—that’s good, that’s meaningful. Then we even get recognition that feminism doesn’t just mean validating women who don’t want sex, but also validating women who do want sex! Badass starts to have feelings for Anshel and proposes sleeping together herself, on her own terms. The movie is not always kind to Badass—in many ways she is a stereotype for Yentl to play off of—but this is a place where Yentl‘s feminism succeeds: Badass wants to have sex, and that’s fine.
ellauri152.html on line 605: Or it would be fine if the movie didn’t play it for laughs. The movie puts Yentl in multiple awkward situations where she has to perform verbal and physical gymnastics to keep people from seeing her without clothes, that gross classic trope whereby trans characters are outed all the time in fiction. As always, the movie drags this scene out into a whole joke, that Yentl has to scramble to prevent Badass from finding out she’s a woman because Badass wants to have sex with her, a woman, isn’t that just soooooo funny? On multiple levels, I am unamused and unhappy.
ellauri152.html on line 607: Movie Avigdor is shitty and Yentl and Badass should just stay married, but of course they do not. Yentl leaves, Avigdor and Badass marry, a happy ending for everyone. Meanwhile at the end of Yeshiva Boy, Avigdor and Badass are not entirely happy in their marriage, as both of them are still partly inlove with Anshel/Yentl. Not very Hollywood, but very queer.
ellauri152.html on line 622: And yet in other ways, the film can’t help preserving the queerness of the story despite itself. Barbra Streisand can add a song about how Yentl is just jealous of Badass for being a conventionally feminine woman whom Avigdor loves, but she can’t stop me from putting my grubby little bi hands all over her film, pointing at Yentl’s tortured gaze aimed at Badass, and saying “GAY.” And she certainly didn’t no-homo the interactions between Anshel and Avigdor very well, because they are in fact very yes-homo, and I will point and say “GAY” at that too.
ellauri331.html on line 440: Vuodesta 2001 lähtien Roman Badass oli työskennellyt Gazeta.Ru:ssa, Forbesissa, Interfaxissa, RBK:ssa ja Dozhdissa päätoimittajana. Vuonna 2017 hän lähti maasta opiskelemaan journalismia Stanfordin yliopistossa Kaliforniassa. Valmistuttuaan aikuisopinnoistaan ​​ja palattuaan Venäjälle vuonna 2018 hän päätti ryhtyä tutkivaan journalismiin verkkomedian muodossa, mitä hän oli aiemminkin tehnyt. Heinäkuussa 2018 Proektilla oli 10 työntekijää ja sen alkuperäinen budjetti oli 500 000 "jostain" saatua dollaria.
ellauri331.html on line 447: Proekt ilmoitti 28.6.2021 julkaisevansa selvityksen Venäjän sisäministeri Vladimir Kolokoltsevin omaisten omaisuudesta. Seuraavana päivänä Moskovan poliisi teki ratsian Roman Badassin, apulaispäätoimittajan Mihail Rubinin ja Proekt Maria Zholobovan perustajan asuntoihin; poliisi takavarikoi myös journalistisia laitteita kuten faxikoneen. Virallisesti etsinnät liittyivät vuoden 2017 journalistiseen tutkimukseen Putinin ystävästä, liikemiehestä ja rikospomo Ilja Traberista [ ru ]. Natalia Zviagina, Amnesty Internationalin Venäjän toimiston johtaja, sanoi, että ratsia on "osa järjestelmällistä puhdistusta kaikista kriittisistä äänistä, jotka paljastavat maan vallanpitäjien väärinkäytökset".
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