ellauri047.html on line 532: Zedernhäuser trägt der Atlas
ellauri047.html on line 619: Seetritalot kantaa Atlas
ellauri052.html on line 68: Scholars such as Bellow biographer James Atlas and others have shown that quite a few passages and ideas were lifted from a book titled The Cattle Complex in East Africa (1926) written by Bellow's anthropology professor Melville Herskovits who supervised his senior thesis at Northwestern University in 1937. What a schtekl, to steal from his own professor.
ellauri052.html on line 944: Zachary Leader’s work, though superior to Atlas’s and better than his first volume, still has some serious flaws. He swallows Keith Botsford’s absurd claim that his subject “is a direct descendant of Machiavelli”. Leader constantly tries to connect every person and event in Bellow’s life to their fictional counterparts instead of emphasising his imaginative transformation of experience. Literary agent Andrew Wylie, well named “The Jackal,” poached Bellow from his longtime agent Harriet Wasserman. Varmaan lupas Salelle pyllynamia.


ellauri089.html on line 130: When Ayn Rand's novel The Fountainhead was published, Heinlein was very favorably impressed, as quoted in "Grumbles ..." and mentioned John Galt—the hero in Rand's Atlas Shrugged—as a heroic archetype in The Moon Is a Harsh Mistress. He was also strongly affected by the religious philosopher P. D. Ouspensky.
ellauri109.html on line 581: in 2000, James Atlas’s biography of Bellow appeared. It was a book that Roth had urged Atlas to write, but Bellow hated it, and so, in the end, did Roth. An acidic trickle of disenchantment, especially regarding Bellow’s inconstancy with women and family, runs through it. Oma vika pikku sika.
ellauri112.html on line 374: Kun maailma järkkyi (Atlas Shrugged, 1957) on yhdysvaltalaisen kirjailijan Ayn Randin neljäs romaani.
ellauri119.html on line 637: She started writing her best-known novel, "The Fountainhead" in 1935, and would be published after multiple publisher rejections, in 1943. Ayn would go on to write a screenplay based on the novel, and then work on one of her other well-known novels, "Atlas Shrugged", which focused largely on her version of Objectivism, and would be published in 1957. She would spend her life discussing, lecturing, and writing about her philosophy.
ellauri119.html on line 716: Atlas Shrugged offers several examples that also refute this common misconception. The villains in this novel are businessmen who try to succeed through political pull. While they are businessmen, supposedly Ayn Rand’s ideal person, she does not paint them in a flattering light. She demonstrates how evil they are and how their political maneuvering always leads to their failure.
ellauri119.html on line 730: “Atlas Shrugged” is fiction. Authors of fiction can write anything they want to write no matter how nonsensical it is.
ellauri119.html on line 736: Both you and Rand are unaware that our founders were heavily influenced by Greek philosophers who proposed the notion of civic virtue. Civic virtue is the view that the needs of the many outweigh the needs of the one (Atlas with the world on his shoulders). All libertarians are selfish because their concern is their own liberty and the hell with society.
ellauri119.html on line 785: Wahlroos kuvaa Randin pääteosta Atlas Shruggedia "kiehtovaksi romaaniksi". Hän myös päättää päättää 373-sivuisen laajan ja kauaskantoisen pohdiskelunsa vielä palaamalla romaaniin.
ellauri119.html on line 787: Helsingin Sanomien haastattelussa (Kapitalistin muotokuva, 12.2.2012) Wahlroos "nimeää kolme itselleen tärkeää ajattelijaa". He ovat moraalifilosofi ja taloustieteilijä Adam Smith, taloustieteilijä Milton Friedman ja – Ayn Rand. Atlas Shruggedissa Ayn Rand jakaa kansalaiset "ryöstäjä-pummeihin" ja "tuottajiin". Ideana on, että laiskat ja epämoraaliset ryöstäjä-pummit vaativat itselleen koko ajan enemmän ilman, että he tuottavat mitään. Lopulta sankarikapitalistit kyllästyvät Yhdysvallat vallanneeseen kollektivismiin ja menevät lakkoon.
ellauri171.html on line 950: In Canaanite mythology there were twin mountains Targhizizi and Tharumagi which hold the firmament up above the earth-circling ocean, thereby bounding the earth. W. F. Albright, for example, says that El Shaddai is a derivation of a Semitic stem that appears in the Akkadian shadû ("mountain") and shaddā'û or shaddû'a ("mountain-dweller"), one of the names of Amurru. Philo of Byblos states that Atlas was one of the Elohim, which would clearly fit into the story of El Shaddai as "God of the Mountain(s)". Harriet Lutzky has presented evidence that Shaddai was an attribute of a Semitic goddess, linking the epithet with Hebrew šad "breast" as "the one of the Breast". The idea of two mountains being associated here as the breasts of the Earth, fits into the Canaanite mythology quite well. The ideas of pairs of mountains seem to be quite common in Canaanite mythology (similar to Horeb and Sinai in the Bible). The late period of this cosmology makes it difficult to tell what influences (Roman, Greek, or Hebrew) may have informed Philo's writings.
ellauri222.html on line 103: In the culture of little magazines, friendship is the last thing to prevent one writer from reviewing the work of another. As a novelist happy to have well-disposed reviewers, Bellow had an obvious stake in these friendships. But the friends had a stake in Bellow, too. As Mark Greif points out in his important new study of mid-century intellectual life, “The Age of the Crisis of Man,” Bellow came on the scene at a time when many people imagined the fate of modern man to be somehow tied to the fate of the novel. Was the novel dead or was it not? Much was thought to depend on the answer. And for people who worried about this Bellow was the great hope. Atlas quotes Norman Podhoretz: “There was a sense in which the validity of a whole phase of American experience was felt to hang on the question of whether or not he would turn out to be a great novelist.”
ellauri222.html on line 131: In Commentary, Podhoretz complained that the novel lacked development and that its exuberance was forced. He called it a failure. Podhoretz was one of Trilling’s protégés, and Bellow always believed that Trilling was behind the review, although Podhoretz denied it. But Atlas says that the art critic Clement Greenberg, then an editor at Commentary, having recently come over from Partisan Review, claimed that the editors had put Podhoretz up to it. It was felt in New York circles, Greenberg said, that Bellow had gone a little too far.
ellauri222.html on line 143: In November, Bellow learned from a possibly overly conscientious babysitter that Sasha and Ludwig were sleeping together. It turned out that the affair had been going on for two and a half years, since the summer of 1958. And although Ludwig was still married, it continued. Adam was living with Sasha while it was going on. Given Bellow’s vulnerabilities, the double betrayal was his worst nightmare come to life. According to Atlas, he talked about getting a gun.
ellauri269.html on line 258: World of Warcraftista on julkaistu myös erilaisia oppaita, esimerkiksi World of Warcraft Atlas, World of Warcraft Bestiary, Bradygamesin julkaisema yli 400-sivuinen opas World of Warcraft: Official Strategy Guide ja myös toinen lähes yhtä pitkä opas The Burning Crusade: Official Strategy Guide lisäosan maailmasta. Pelistä tehtyihin lisätuotteisiin lukeutuvat laaja lautapeli World of Warcraft: The Board Game sekä keräilykorttipeli World of Warcraft: Trading Card Game.
ellauri310.html on line 53: Aake Kallialan näköinen poliisi on Tel Avivissa Dan, Atlas on Lior Ashkenazi, Ecemin oloinen pulska tyttö on Tel Avivissa poika. In forensic science, Locard's exchange principle holds that the perpetrator of a crime will bring something into the crime scene and leave with something from it, and that both can be used as forensic evidence. Sullon mun luonne. Mitäs läxit! Löpö on loppu. Lainaa naapurilta. Hyvä ajatus. Opettele lukemaan, se oli lämminvesivaraaja! Lährettihin kosimahan! Nunnuka nunnuka lailailaa! Apuuva!
xxx/ellauri199.html on line 79: Neptunukseen liittyy usein vaimo. Varhaisissa inkarnaatioissa hän on Salacia, suolaveden jumalatar. Roomalaisten otettua yhteyttä kreikkalaisiin, Neptunuksen myyttiin lisättiin ja siihen kuuluu hänen paremmin tunnettu vaimonsa Amfitriitti. Pariskunnalla oli kolme lasta, muun muassa merman, Triton. Neptunuksen myyttiin roomalaisessa kulttuurissa kuului lukuisia muiden naisten, muun muassa Pegasoksen ja Atlasin, isiä ja lapsia.
xxx/ellauri199.html on line 89: When Poseidon desired to marry her, Amphitrite, wanting to protect "her virginity", fled to the Atlas mountains. Poseidon sent many creatures to find her. A dolphin came across Amphitrite and convinced her to marry Poseidon. As a reward for the dolphin´s help, Poseidon created the Delphinus (öresvin) constellation.
xxx/ellauri268.html on line 275: Merope is the name of a daughter of Atlas in Greek Mythology. It is also the name of the mother of Oedipus in Oedipus Rex. Both Voldemort and Oedipus killed their fathers randomly. The flashback scene featuring Merope and her family was cut from the film adaptation of Harry Potter and the Half-Blood Prince because of time and pacing concerns. However, it was originally present in an early draft of the film's screenplay according to director David Yates. It's unknown if there were any actresses considered to play Merope by that point. Joanie would have been good for a cameo appearance. Merope means 'part face', possibly a reference to the asymmetry of the two halves of Joanne's face.
xxx/ellauri281.html on line 500: Toisen maailmansodan aikana muiden ährätessä pommikuopissa Arttu kirjoitti käsikirjoituksen Cowanin puuhaamalle armeijan opetuselokuvalle. Millerin mukaan Cowan halusi "tehdä sotilaista kuvan, jonka sotilaat istuvat loppuun asti nauramatta kertaakaan halveksivasti". Saavuttaakseen tällaisen materiaalin luotettavuuden nuori kirjailija päätti Pylen esimerkin mukaisesti kerätä materiaalia luonnollisissa olosuhteissa - ei sentään rintamalla edessä, vaan täällä takana valmisteluprosessissa. Jonkin ajan kuluttua Cowan kuitenkin erotti Millerin - ilmeisesti johtuen radikaaleista näkemyseroista tulevaisuuden kuvan ideologiasta - ja korvasi hänet useiden kokeneempien kirjoittajien ryhmällä. Se kannatti, sillä tämän seurauksena elokuva julkaistiin vuonna 1945 nimellä "The Story of G.I.Joe". ja sen käsikirjoittajat Leopold Atlas , Guy Endor ja Philip Stevenson tulivat Oscar - ehdokkaiksi. Arttu nuoli kiukkuisena näppejä kazomossa.
xxx/ellauri304.html on line 640: Theme isn’t something you paste on after you write the first draft. Now, potboilers in general don’t have much thematic content because they doesn’t need to go far beyond: Bang Bang and the good guys in the white hats win. Theme is a more ever-present feeling that permeates the book you’re working on. Do you think when Ayn Rand wrote The Fountainhead or Atlas Shrugged, she first wrote the stories and then asked herself, “Now whatever could this be about? Selfishness?” But then, she was more political than most and, as I said, many books don’t have any discernible theme, except, buy it please and make me rich. That's my theme anyway.
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