ellauri008.html on line 837: Stemming from Ernest's treatment as a child, where his overbearing mother put him in dresses (a common practice then, but which his mother took to the extreme, even treating him like a girl), Hemingway had an interesting relationship with gender and his perceptions of it. He probably never engaged in homosexual activity but there can be no doubt that he idolized the male form. There are scenes in almost all of his books but certainly in his major novels where the men are presented in a homerotic manner. Farewell to Arms is kind of an eyebrow raiser. But this is also the man who wrote The Garden of Eden, which was about gender switching. Ernest's 3rd son "ille faciet" Gregory fulfilled his dad's dream. Go read Running With The Bulls. This is written by his son Gregory’s wife Valerie, who had to deal with the fact that her man was a transvestite and died from a botched sex change. Very few people know this.
ellauri028.html on line 772: Sitt he illall menivä paari ja siäl tuli yks miäs juttele heill, ett "Hello! My name is Neil Armstrong and I have been in the moon!"
ellauri054.html on line 472: Browning on ensinnäkin pyssy, ja pyssytehdas. Browning Arms Company is an American marketer of firearms and fishing gear. The company was founded in Ogden, Utah, in 1878 by brothers John Moses Browning and Matthew Sandefur Browning. The company offers a wide variety of firearms including shotguns, rifles, and pistols. We Support nra.org, nssf.org, dontlie.org, gunvote.org.
ellauri067.html on line 410: Coat of Arms of the Russian Government 1919 (Church Slavonic "Си́мъ побѣди́ши", Russian "Этим побеждай"), see White movement. Inscribed on the Colours of the Irish Brigade.Inscribed on the banner and the motto of the 4th Guards Brigade (now 2nd Motorized Battalion "Pauci" — the Spiders) of the Croatian army. Inscribed on the banner of the Sanfedismo in 1799. Inscribed in Greek on the flag (obverse side) of the Sacred Band of the Greek War of Independence. Inscribed in Greek on the coat of arms, insignia and flag of the 22nd Tank Brigade (XXII ΤΘΤ) of the Greek Army. Inscribed on the flag of the 25th South Carolina "Edisto Rifles" Regiment, Civil War, USA, 1861-65. The motto of 814 Naval Air Squadron of the Royal Navy Fleet Air Arm. The motto of the Mauritius National Coast Guard. The motto of U.S. Marine Aircraft Squadron VMA(AW). The motto of Finnish Defence Force Reconnaissance. The motto of the Norwegian army 2nd Battalion (Norway). The motto of USS Waldron. The motto of HMCS Crusader, and the Sea Cadet Corps with her as the namesake, 25 RCSCC Crusader in Winnipeg.The motto of the Royal Australian Army Chaplains´ Department.
ellauri067.html on line 418: Used as the title of the political manifesto of George Lincoln Rockwell and the American Nazi Party. Is the motto on the coat of arms of the city of Plzeň, Czech Republic. The phrase is in the coat of arms of the city of Birkirkara, the largest city on the island of Malta, and the city of Bayamon, Puerto Rico. Is the motto on the Coat of Arms of O´Donnell. Appears in one of the paintings of the Polish artist Zdzisław Beksiński. It has been used in some versions of logo for the brand of cigarettes, Pall Mall. Appears on one of the stickers on the guitar of Alvin Lee, Ten Years After´s frontman, the same guitar he played at The ´69 Woodstock Festival.
ellauri107.html on line 242: In surveying Billy, “sometimes [Claggart’s] melancholy expression would have in it a touch of soft yearning, as if [he] could even have loved Billy but for fate and ban.” Evidently, Claggart has not fully disguised his private appreciation of Billy; but, because he believes something forbids any future for such feelings, he hardens his heart more and more fiercely toward the object of his desire. What “fate” and what “ban” does his misguided imagination perceive? Do their roles on the ship or elsewhere in society somehow doom any intimacy between them? Or does Claggart just presume Billy could never reciprocate his feelings? Might the Master at Arms simply despise sexuality in general and homosexuality in particular and, as a result, find himself driven all the more mad by his uncontrollable “yearning”? Whatever the accurate diagnosis, it is clear that Claggart distorts any positive feelings he possesses for Billy into negative ones with terrible consequences.
ellauri118.html on line 410: ¹Aviorikos kirjallisena topoksena on ollut useankin tutkimuksen aiheena, mutta ei yhdenkään narratologisen tutkimuksen. Edelleen painavin kirjallisuustieteellinen esitys aiheesta on Tony Tannerin ambivalentin psykoanalyyttis-strukturalistinen Adultery in the Novel (1979), joka lähestyy aviorikosta sekä yhteiskunnallisena että kirjallis-kielellisenä transgressiona. Viittaan Tannerin tutkimukseen Rouva Bovarya käsittelevässä luvussa. Muut laajemmat esitykset kirjallisesta aviorikoksesta ovat tekstianalyyttisesti merkityksettömämpiä: Bill Overtonin Fictions of Female Adultery (2002) keskittyy aviorikoskirjallisuuden historiallisiin ja kulttuurisiin reunaehtoihin sekä soimaa aiempaa tutkimusta (lähinnä Tanneria) liiasta kieli- ja kerrontakeskeisyydestä; Patricia Mainardin Husbands, Wives, and Lovers (2003) on kulttuurihistoriallinen esitys aviorikoksesta taiteessa ja Overtonin tutkimusta rikkaampi esitys esimerkiksi aviorikoksen lainsäädännöllisistä ja kulttuurisista kytköksistä; niin ikään Judith Armstrongin The Novel of Adultery (1976), Naomi Segalin The Adulteress’s Child (1992) ja Maria R. Ripponin Judgement and Justification in the Nineteenth-Century Novel of Adultery (2002) sivuuttavat kerronnan kysymykset ja keskittyvät kulttuuris-poliittiseen kontekstiin ja pelkästään referentiaalisen tason temaattiseen toistoon (kuten siihen että aviorikoksesta syntyvä lapsi on mitä todennäköisimmin tyttö). Oma lukunsa ovat vielä tiettyihin aikakausiin ja kielialueisiin (esimerkiksi ranskalaiseen hoviromantiikkaan) keskittyvät tutkimukset. Näistä maininnan arvoinen on ainakin Donald J. Greinerin Adultery in the American Novel (1985), vertaileva tutkimus Updiken, Hawthornen ja Jamesin avionrikkojista. Kulttuuri- ja myyttihistoriallinen klassikko, Denis de Rougemontin L’Amour et l’Occident (1939) on myös tutkimus uskottomuusfiktioista (Tristanin ja Isolden perillisistä), sillä Rougemontilla juuri aviorikos on länsimaisen ”rakkauden rakastamisen” huipentuma, transgressiivinen olotila joka katoaa, jos siitä tehdään instituutio. Käsitys uskottomuudesta kulttuurisena rajailmiönä ja juuri siitä syystä kertomustaiteen pulppuavana lähteenä yhdistää siis Rougemontia ja Tanneria, mutta jostain syystä Tanner ei viittaa Rougemontin teokseen. Mixihän? [Heitän tähän heti sen edellä mainitun oivalluxen, että romantiikka on sitä kun panettaa muttei pääse pukille.]
ellauri118.html on line 668: While she lay panting in his Arms ! Kun se makaa huokuen hänen sylkyssä!
ellauri118.html on line 765: And from Lisanders Arms she fled, Ja hiän pakeni Lisanderin käsivarsilta,
ellauri146.html on line 120: Grabbe stellt sich natürlich an die Seite eines solchen neuerstandenen Homer und Shakespeare und an einer andern Stelle, wo er ein keimendes Genie verkündet, liest man wenigstens den stillen Herzenswunsch heraus, er selbst möchte dies Genie sein: »Judenjungen,« sagt der Baron, »deren Bildung im Schweinefleischessen besteht, spreizen sich auf den kritischen Richterstühlen und erheben nicht nur Armseligkeitskrämer zu den Sternen, sondern injurieren sogar ehrenwerte Männer in ihren Lobsprüchen; Reimschmiede, die so dumm sind, daß jedesmal, wenn ein Blatt von ihnen ins Publikum kommt, die Esel im Preise aufschlagen, heißen ausgezeichnete Dichter. Schauspieler, die so langweilig sind, daß natürlich alles vor Freude klatscht, wenn sie endlich einmal abgehen, heißen denkende Künstler; Vetteln, deren Stimme so scharf ist, daß man ein Stück Brot damit abschneiden könnte, tituliert man echt dramatisch Sängerinnen. – O stände doch endlich ein gewaltiger Genius auf, der, mit göttlicher Stärke von Haupt zu Fuß gepanzert, sich des deutschen Parnasses annähme und das Gesindel in die Sümpfe zurücktreibe, aus welchen es hervorgekrochen ist.«
ellauri162.html on line 785: Molinism, named after 16th-century Spanish Jesuit priest and Roman Catholic theologian Luis de Molina, is the thesis that God has only middling knowledge of what is going on. It seeks to reconcile the apparent tension of divine providence and human free will. Prominent contemporary Molinists include William Lane Craig, Alfred Freddoso, Thomas Flint, Kenneth Keathley, and Louis Armstrong. What a wonderful world. Johnin mieliviini oli juuri Mölinä.
ellauri188.html on line 94: The American mission from Hawaii was no more successful. William Patterson Alexander (1805-1864), Benjamin Parker (1803-1877), and Richard Armstrong (1805-1860) arrived in the Marquesas in 1834 from Hawaii with their wives and a three-month-old baby. They returned the same year. In 1853, more missionaries led by James Kekela (1824-1904) arrived at Fatu Hiva with their wives from Hawaii, but were unable to remain there because of clashes with Catholic missionaries arriving on a French warship.
ellauri198.html on line 918: Arthur Symons (n.h.) described the poem as a "sort of spiritual biography" in the way that it describes the feelings and emotions of the poet, rather than the actions. Isobel Armstrong (n.h.) argued that the poem was Browning's attempt to "institutionalize" himself as a Romantic poet. Browning described himself within the poem as "priest and prophet" and therefore gave himself both the meaning and purpose that he was seeking as a young man. Vitun pappi ja profeetta, ansaizisi potkun perseeseen. Tää narsistinen suollos ei kelpaa mihinkään. Ei maxa vaivaa edes siteerata.
ellauri214.html on line 222: Göteborgissa oli bub Bishop's Arms. Olen ollut siinä. Piispa käsivarret kyynärpäitä myöden näyttelijättären haarukassa.
ellauri258.html on line 64: Vuoden huonoimman naispääosan palkinnon saajaksi on ehdolla Ryan Kiera Armstrong elokuvasta Firestarter. Kommenteissa myös huomautetaan, että Stephen Kingin kirjaan perustuvan elokuvan huonouden suurin syy ei ole Armstrongin roolisuorituksessa, vaan ize Teppo Kuninkaan paska kirjassa. Teppo on paizi säälittävän huono kynäilijä myös ihmisenä rupu ällöke (kz. esim. albumia 133.)
ellauri258.html on line 74: 11-vuotias Charlie McGee (Ryan Kiera Armstrong) pystyy sytyttämään tulipaloja ajatuksensa voimalla. Se on seurausta salaisen The Shop -viraston tieteellisestä kokeesta, johon Charlien isä Andy (Zac Efron) ja äiti Vicky (Sydney Lemmon) osallistuivat nuorina opiskelijoina.
ellauri269.html on line 191: Jokaiselle vuoden päivälle on oma päivittäinen taistelu (Daily-BG), jonka suorittamalla pelaajat saavat ylimääräisiä kunnia- ja areenapisteitä. Lisäksi jokaiselle kuukauden viikonlopulle (Call to Arms) on määrätty erityinen taistelukenttä, jolla taistelemisesta saa ylimääräisiä honor-pisteitä.
ellauri276.html on line 956: George Belton lauloi kappaleen Kaikki iloiset kaverit jotka seuraa auraa Madehurstissa, Arundelissa, Sussexissa 29. tammikuuta 1967 Sean Daviesille ja Tony Walesille. Tämä tallenne julkaistiin samana vuonna kuin hänen EFDSS-albuminsa All Jolly Fellows… nimikappale ja vuonna 2020 hänen Musical Traditions -antologiassa A True Furrow To Hold. Karl Dallasin Lewes Armsissa, Mount Placessa, Lewesissä, Sussexissa 11. toukokuuta 1974 tekemä live-tallennus julkaistiin vuonna 1975 Transatlantic-albumilla "lauluja ja tarinoita Sussexin pubissa", The Brave Ploughboy .
ellauri338.html on line 48: Schelling’s idea of limited or graduated reprisals—which he later set out in Arms and Influence (1966)—was adopted by the United States in 1965 as Operation Rolling Thunder, which involved the bombing of selected targets in North Vietnam in the expectation that it would deter the North Vietnamese from continuing the war. When this failed to deter North Vietnam, the bombing campaign was escalated, in spite of Schelling’s advice that the bombing should be abandoned if it did not succeed in the first three weeks.
xxx/ellauri068.html on line 555: Berlin's songs have reached the top of the charts 25 times and have been extensively re-recorded by numerous singers including The Andrews Sisters, Perry Como, Eddie Fisher, Al Jolson, Fred Astaire, Ethel Merman, Louis Armstrong, Frank Sinatra, Dean Martin, Elvis Presley, Judy Garland, Tiny Tim, Barbra Streisand, Linda Ronstadt, Rosemary Clooney, Cher, Diana Ross, Bing Crosby, Sarah Vaughan, Ruth Etting, Fanny Brice, Marilyn Miller, Rudy Vallée, Nat King Cole, Billie Holiday, Doris Day, Jerry Garcia, Willie Nelson, Bob Dylan, Leonard Cohen, Ella Fitzgerald, Michael Buble, Lady Gaga, and Christina Aguilera.
xxx/ellauri087.html on line 454: Many authors have borrowed the phrase "World enough and time" from the poem's opening line to use in their book title or inside. The most famous is Robert Penn Warren's 1950 novel World Enough and Time: A Romantic Novel, about murder in early-19th-century Kentucky. (WTF,? bet Ernest Heminway's booklet Farewell for Arms (p. 129) is famouser.) With variations, it has also been used for books on the philosophy of physics (World Enough and Space-Time: Absolute versus Relational Theories of Space and Time), geopolitics (World Enough and Time: Successful Strategies for Resource Management), a science-fiction collection (Worlds Enough & Time: Five Tales of Speculative Fiction), and a biography of the poet (World Enough and Time: The Life of Andrew Marvell). The phrase is used as a title chapter in Andreas Wagner's pop science book on the origin of variation in organisms, "Arrival of the Fittest". The verse serves as an epigraph to Mimesis, literary critic Erich Auerbach's most famous book. It is also the title of an episode of Big Finnish Productions's The Diary of River Song series 2, and of part 1 of Doctor Who's Series 10 finale. It is the title of a Star Trek New Voyages fan episode where George Takei reprises his role as Sulu after being lost in a rift in time. The title of Robert A. Heinlein's 1973 novel Time Enough for Love also echoes this line.
xxx/ellauri087.html on line 467: B. F. Skinner quotes "But at my back I always hear / Time's wingèd chariot hurrying near", through his character Professor Burris in Walden Two, who is in a confused mood of desperation, lack of orientation, irresolution and indecision. (Prentice Hall 1976, Chapter 31, p. 266). This line is also quoted in Ernest Hemingway's novel A Farewell to Arms, as in Arthur C. Clarke's short story, The Ultimate Melody.
xxx/ellauri113.html on line 168: 1969 "Buzz" Aldrin ja "Veny Käsivahva" Armstrong laskeutuivat kuuhun potkiskelemaan kuupölyä. Pieni askel miehelle, vielä pienempi mieslajille. JOS laskeutuivat, ehkä se oli pelkkää huijausta, Pirkko Zilles on siitä vakuuttunut. Holokaustifilmitkin oli lavastettuja. Tapsa missas ohjelman, koska oli Liverpoolissa kuuuntelemassa René Thomin katastrofiteorian luentoa. L I V, E R P, double-O L, Liverpool FC. Not the plan! Noihin aikoihin ei ollut nettitelevisiota. Mä näin sen Münchenin juna-aseman telkkareista Kreetan-matkalla. Se muutti ihmislajin tulevaisuuden. Mitä vittua. Huonoon suuntaan se oli mennyt jo aikapäiviä. Kun kuulennot eivät jatkuneet, Tapsan tapaiset lupaavat nuoret brittitutkijat pettyivät ja alkoivat trainspotata sekä särkeä hylättyjä taloja Yorkshiren slummeissa. Falklandin sota vähän piristi, ja aavikkomyrsky, mutta nyt on taas pelkästään TYYYYLLLSÄÄÄÄ. Yxi poskilihas ei oikeen korvaa salikäyntejä. Brexit ei ehtinyt paljon haitata Tapsaa ennenkun se teki oman exitin. "Uusi miehitettyjen avaruuslentojen ohjelma palauttaisi suuren yleisön innostuxen avaruutta ja ylipäänsä tiedettä kohtaan." Onhan paljon hauskempaa kazella kuin jätkän käy, ja ihmetellä huuli pyöreenä kun irtopäät ja suolenpätkät lentelevät epäonnistuneessa lähtökiireessä. Astronautteja vois taas haastatella tai niiden surevia perheitä ja niistä tehdä purkkakuvia, niinkuin hienolla 60-luvulla. Voi helvetti.
xxx/ellauri127.html on line 739: Shall I give you Miss Brawn? She is about my height—with a fine style of countenance of the lengthen'd sort—she wants sentiment in every feature—she manages to make her hair look well—her nostrills are fine—though a little painful—her mouth is bad and good—her Profil is better than her full-face which indeed is not full but pale and thin without showing any bone—Her shape is very graceful and so are her movements—her Arms are good her hands badish—her feet tolerable—she is not seventeen—but she is ignorant—monstrous in her behaviour flying out in all directions, calling people such names—that I was forced lately to make use of the term Minx—this is I think not from any innate vice but from a penchant she has for acting stylishly. I am however tired of such style and shall decline any more of it".
xxx/ellauri148.html on line 79: He recently co-wrote Farewell to Arms, an interactive play about a high school reunion in which every member of the audience gets a seismic orgasm under a tree.
xxx/ellauri179.html on line 298: An unmatched introduction to Hemingway’s particular skill as a writer is the beginning of A Farewell to Arms, certainly one of the most pregnant opening paragraphs in the history of the modern American novel. In that passage the power of concentration reaches a peak, forming a vivid and charged sequence, as if it were a 10-second video summary. It is packed with events and excitement, yet significantly frosty, as if unresponsive and numb, like a silent flashback dream sequence in which bygone images return, pass in review and fade away, leaving emptiness and quietude behind them. The lapidary writing approaches the highest style of poetry, vibrant with meaning and emotion, while the pace is maintained by the exclusion of any descriptive redundancy, of obtrusive punctuation, and of superfluous or narrowing emotive signs:
xxx/ellauri179.html on line 325: The Garden of Eden, however, a book brimming with the author’s vulnerability just as A Farewell to Arms is, treats intimate and delicate matters. Paxun eufemismikuorrutuxen alle kurkistaen: tässä niteessä on varmaan erityisen paljon homostelua. "She is depicted with fascination and fear, like Marcel Proust’s Albertine." No niin aina! "Eros and Thanatos, love and death, paradise and trespass." No on se vittua!
xxx/ellauri179.html on line 993: Does this make Ernest Hemingway a bad writer? Does it mean we should no longer read him? I don’t think so. But then again I wrote his biography so I may be biased. The aesthetic satisfaction and sheer joy of reading such works as “In Our Time” and “A Moveable Feast,” or encountering the enduring truths of such novels as “A Farewell to Arms,” “For Whom the Bell Tolls” and, yes, “The Sun Also Rises” are undeniable. The books remain. So does racism and antisemitism. There are here to stay.
xxx/ellauri261.html on line 229: His quote "We think of time as a one-way motion," from his lecture Time & The More It Changes appears at the beginning of the season 1 finale of the Loki TV show along with quotes from Neil Armstrong, Greta Thunberg, Malala Yousafzai, Nelson Mandela, Ellen Johnson Sirleaf, and Maya Angelou.
xxx/ellauri261.html on line 476: Directed by Gene Kelly and written and produced by Ernest Lehman, the film stars Barbra Streisand, Walter Matthau, Michael Crawford, Danny Lockin, Tommy Tune, Fritz Feld, Marianne McAndrew, E. J. Peaker and Louis Armstrong (whose recording of the title tune had become a number-one single in May 1964). The film follows the story of Dolly Levi, a strong-willed matchmaker who travels to Yonkers, New York in order to find a match for the miserly "well-known unmarried half-a-millionaire" Horace Vandergelder. In doing so, she convinces his niece, his niece's intended and Horace's two clerks to travel to New York.
xxx/ellauri261.html on line 506: Louis Armstrong as Orchestra leader
xxx/ellauri261.html on line 531:
xxx/ellauri354.html on line 228: Ernst Hemingway oli vastenmielinen mezästävä kyrpä. Farewell to Armsissa se esittää taas kerran tollasta vaitonaista John Wayne tyypin jenkkiä jota miehet ihailee ja pelkää ja johka naiset narahtaa. Eitää kirja ole niinkään sodasta kuin sen aiheuttamasta pillunnälästä.
xxx/ellauri354.html on line 240: There is an entire book which examines Hemingway as a kind of pre-Existentialist, John Killinger's Hemingway and the Dead Gods: A Study in Existentialism. I've copied out what Killenger says about A Farewell to Arms...
xxx/ellauri354.html on line 245: 2. In A Farewell to Arms there is this celebrated passage. "There were many words that you could not stand to hear and finally only the names of places had dignity. Certain numbers were the same way and certain dates and these with the names of the places were all you could say and have them mean anything. Abstract words such as glory, honor, courage, or hallow were obscene beside the concrete names of villages, the numbers of roads, the names of rivers, the numbers of regiments and the dates."
xxx/ellauri354.html on line 261: Mandel takes a brief reference to an anticlerical novel made by one of the characters in A Farewell to Arms and explores the historical and ideological basis for its presence in the novel. In a novel where the Priest is such an important figure, the discussion of the Catholic Church and the way that soldiers would regard religion becomes an important thematic examination. Mandel traces her exploration of this topic, the translation of this obscure novel, and her subsequent revelations, in a way that makes this chapter a study in scholarship and the excavation of an arcane reference.
xxx/ellauri354.html on line 433: Ernest Hemingway in his novel A Farewell to Arms (1929).
xxx/ellauri356.html on line 212: Englantilainen The Times julkaisi vuonna 1992 Barry Smithin ja useiden filosofien, mukaan lukien Ruth "Barcan formula" Marcusin, Louis Armstrongin sekä WV Quinen allekirjoittaman avoimen kirjeen, jossa vastustettiin Cambridgen yliopiston myöntämistä Derridalle kunniatohtorin arvoa. Tässä kirjeessä kritisoitiin Derridan työtä erityisesti "riittämättömyydestä selkeyden ja kurinalaisuuden standardeihin" ja mainittiin, että "monet ranskalaisetkin filosofit näkevät herra Derridassa vain syyn hiljaiseen hämmennykseen".
xxx/ellauri361.html on line 52: Tyylikkäästi pukeutunut mies oli kirurgi Carlton Armstrong, joka oli erikoistunut neurokirurgiaan. Hän teki tarvittavan leikkauksen puotipojan pikkuveljelle ilmaiseksi, ja pikkuveli parani. Puotipoika puikki sanaa hiiskumatta Novgorodiin. Carlton perässä.
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