ellauri069.html on line 283: Maailman Sota IIn aikana Syyskuussa 1944, Sakun voimat tähtäävät V-2 roketteja Lontooseen, Englantiin. Amerikan sotilas Analysis tab" data-crosslinktype="Characters">Alokas Laiskiais-Entropia
ellauri069.html on line 286: Aiempi hullusuoja lähellä Lontoota liikanimellä "Valkoinen Vizaus" majoittaa ryhmää hyypiöitä sekaantuneina tsygologiseen sodankäyntiin. Hörhöryhmä tunnetaan alkukirjainlyhenteellä KALAT. Henkilökunta sisältää tilastotieteilijän, Roger Mexikon, ja behavioristizygologin, Edward "Ned" Analysis tab" data-crosslinktype="Characters">Poinzimiehen.
ellauri069.html on line 299: Laiskiainen, Täti Vihreä, ja Nalle Läski lähetetään Ranskan Rivieralle, missä he pysähtyvät lomakohteeseen. Niiden ekana päivänä siellä, ne piknikoivat biitsillä joidenkin naisten kaa (tietysti). Muu nainen, muukalainen, joutuu mustekalan hyökkäämäxi. Alokas koittaa mäsätä mustekalan pään pullolla. Läski tuottaa liian-kätevän ravun, käskien Laiskiaisen houkutella mustekalan pois ruualla. Alokas epäilee juonta jonkinlaista. (Se olisikin eka tässä kirjassa.) Hän on oikea. Mussetkala on Poinzimiehen Grigori! Hyökkäys on lavastettu saadaxeen Laiskiaisen yhteen hollantilaisen naisen kaa, Analysis tab" data-crosslinktype="Characters">Katje Borgesius, entinen Nazi yhteispeluri ja nyt KALAT toimija. Alokas, tämä
ellauri069.html on line 313: Vetelys matkustaa Nordhauseniin, Sachsa, missä V-2 roketit rakennettiin. Matkalla hän tapaa Analysis tab" data-crosslinktype="Characters">Katkeron, kurssihereron aiemmasta Sachsan siirtolasta Etelä Länsi Aahrikassa, ja Suurehkon Mervin, rasistisen Amerikan upseerin. Katkero ja Mervi ovat myös kiinnostuneita V-2 rockets. (Ainoo joka alkaa väsyä on lukija.)
ellauri069.html on line 315: Nordhausenissa, Laiskis viettää yön izekuvatun noidan Geli Trippingin jalkovälissä. Hänen rakastajansa, ryssä Analysis tab" data-crosslinktype="Characters">Aivastus,
ellauri077.html on line 454: He is the author of the monograph Existentialist Engagement in Wallace, Eggers and Foer: A Philosophical Analysis of Contemporary American Literature (Bloomsbury 2015) – for more information about this book, see below. His work has appeared in different academic journals and collections (see Publications). Currently, he is working on a book tentatively titled Wallace’s Existentialist Intertexts: Comparative Readings with the Fiction of Kafka, Dostoevsky, Camus and Sartre.
ellauri079.html on line 221: An Analysis of Corporate Social Responsibility, Corporate Identity and Ethics Teaching in Business Schools.Nelarine Cornelius, James Wallace & Rana Tassabehji - 2007 - Journal of Business Ethics 76 (1):117-135.
ellauri079.html on line 298: The Duty to Help Damsels in Distress. James D. Wallace - 1968 - Analysis 29 (2):33 - 38.
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Psychology Analysis on Disney Character
ellauri094.html on line 652: Analysis of poem
ellauri180.html on line 566: Poem Analysis
ellauri180.html on line 599: Emma Baldwin graduated from East Carolina University with a BA in English, minor in Creative Writing, BFA in Fine Art, and BA in Art Histories. Literature is one of her greatest passions which she pursues through analyzing poetry on Poem Analysis.
ellauri181.html on line 412: 1950- ja 1960-lukujen taiteessa tohtori Thomas Hendrickson kehitti psykologian tohtori William Moulton Marstonin tutkimusteorian ”Emotions of Normal People” pohjalta Henkilökohtaisen Profiilin Analyysin eli Thomas HPA:n (Thomas Personal Profile Analysis (PPA). Thomas HPA on ipsatiivinen eli pakkovalintatesti, joka kattavasti selvittää henkilön työkäyttäytymistä eri tilanteissa. Sen avulla voidaan nopeasti ja luotettavasti saada kattavaa tietoa esim. henkilön johtamisen, rekrytoinnin tai kehittämisen tueksi. Sitä kuzutaan Thomasixi koska Thomas on nasevampi kuin joku Hendrickson. Hendrickson ja Kitula souteli vanhalla vitulla. Kyrpä oli airona ja munat peräpainona. Tuomas työnsi epäilevän sormen Jee-suxen uuteen reikään.
ellauri197.html on line 96: Analysis, Stanza One
ellauri197.html on line 379: Love’s Organ's Growth Analysis, Stanza One
ellauri221.html on line 269: In an update of a study on empathy originally conducted in 1979, Sara Konrath, a researcher at the University of Michigan’s Institute for Social Research, Ed O’Brien and Courtney Hsing have presented “Changes in Dispositional Empathy in American College Students Over Time: A Meta-Analysis” at the annual convention of Psychological Sciences in Boston (May 28th 2010). In this study they find a drastic difference in today’s student body on campuses from college students of the late 1970s. Today’s students disagree more frequently with such statements as: “I sometimes try to understand my friends better by imagining how things look from their perspective”, or, “I often have tender, concerned feelings for people less fortunate than me.”
ellauri241.html on line 1641: Analysis
ellauri270.html on line 288: Home › American Literature › Analysis of Shirley Jackson’s The Daemon Lover
ellauri270.html on line 289: Analysis of Shirley Jackson’s The Daemon Lover
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ellauri285.html on line 755: The first consequential re-evaluation of the mathematical modeling behind the critical positivity ratio was published in 2008 by a group of Finnish researchers from the Systems Analysis Laboratory at Aalto University (Jukka Luoma, Raimo Hämäläinen, and Esa Saarinen). The authors noted that "only very limited explanations are given about the modeling process and the meaning and interpretation of its parameters... [so that] the reasoning behind the model equations remains unclear to the reader"; moreover, they noted that "the model also produces strange and previously unreported behavior under certain conditions... [so that] the predictive validity of the model also becomes problematic."
ellauri351.html on line 293: Taleb on kirjoittanut Incerton, viisiosaisen epävarmuutta käsittelevän filosofisen esseen, joka julkaistiin vuosina 2001–2018 (erityisesti The Black Swan ja Antifragile). Hän on toiminut professorina useissa yliopistoissa ja työskennellyt riskitekniikan ansioituneena professorina New Yorkin yliopiston Tandon School of Engineeringissä syyskuusta 2008 lähtien. Hän on ollut mukana Risk and Decision Analysis -lehden päätoimittajana syyskuusta 2014 lähtien. Hän on myös toiminut matemaattisen rahoituksen harjoittajana, hedge-rahastojen hoitajana ja johdannaiskauppiaana, ja hän on tällä hetkellä Universal Investmentsin tieteellisenä neuvonantajana. The Sunday Times kutsui hänen vuonna 2007 julkaistua kirjaansa The Black Swan yhdeksi 12 vaikutusvaltaisimmasta kirjasta toisen maailmansodan jälkeen.
ellauri362.html on line 735: Analysis (ai): This poem delves into the intoxicating effects of alcohol and its profound impact on human behavior. It begins by addressing the mighty spirit of inebriation, emphasizing its ability to influence the body and mind. The poet invites those who have succumbed to its allure to share their experiences and shed light on the reasons behind their indulgence.
ellauri386.html on line 381: Analysis (AI): Sir Walter Raleigh's "A Farewell to False Love" is a scathing denunciation of love, castigating it as a source of pain, deceit, and suffering. The poem's tone is one of bitter disillusionment, as the speaker rejects love's false promises and embraces a more rational approach to life.
ellauri386.html on line 400: Analysis (ai): This poem explores the transient nature of human life through a theatrical metaphor. It compares life to a play, with our passions as the driving force and our time on Earth as the brief performance. The poem suggests that Heaven observes our actions and judgments, drawing attention to the consequences of our deeds. It concludes that while life's performance may be playful, our ultimate demise is a serious reality, underscoring the fragility and brevity of existence.
ellauri392.html on line 658: Analysis (ai): "Next, Please" by Philip Larkin explores themes of unfulfilled expectations and the passage of time. The poem depicts the speaker's frustration with the incessant anticipation of future events that ultimately fail to deliver on their promises.
ellauri405.html on line 236: 1Analysis (ai): This simple yet profound poem by Robert Louis Stevenson captures the essence of contentment and appreciation. Its concise language belies a depth of meaning that encourages readers to find joy in the abundance of life's offerings. The poem's structure is as straightforward as its message. Two rhyming couplets emphasize the simplicity of Stevenson's message: that the world is full of blessings we often overlook. The repetition of "number" and "things" reinforces the idea of abundance, inviting readers to pause and notice the countless sources of happiness that surround them. This poem stands in stark contrast to the grim realities of Victorian England, where Stevenson lived. The Industrial Revolution had brought both progress and poverty, and many people struggled to find happiness amidst the harsh conditions. Stevenson's message of finding joy in simplicity and gratitude may have been a source of solace during challenging times. Compared to Stevenson's other works, such as "Treasure Island" and "The Strange Case of Dr. Jekyll and Mr. Hyde," this poem is a departure in terms of tone. It is not an adventure story or a psychological thriller but rather a quiet meditation on the beauty of life. However, it shares the same optimistic spirit that permeates much of Stevenson's writing, reminding readers that even in the face of adversity, there is always something to be grateful for.
ellauri406.html on line 296: Frederick Benjamin "Ben" Hodges III (born 16 April 1958) is a tired United States Army officer who served as commanding general, United States Army Europe. He has been Senior Advisor to Human Rights First since June 2022 and also serves as NATO Senior Mentor for Logistics. He previously held the Perishing Chair in Strategic Studies at the Center for European Policy Analysis.
ellauri409.html on line 402: Analysis (ai): This poem displays a cynical and pessimistic tone, expressing the speaker´s frustration with life in October. The poem´s themes are similar to those found in other works by the author, including the futility of life and the search for meaning in a meaningless world. However, the poem´s tone is more explicitly angry and bitter than in other works. This may reflect the author´s own feelings of disillusionment and despair at the time he wrote the poem. Nice use of diction, though I thought the ´crooked old fart´ bit took me away from the depth of the work.
xxx/ellauri085.html on line 407: “No such theory has been found in even the most voluminous and learned histories of economic theories, including J.A. Schumpeter’s monumental 1,260-page History of Economic Analysis. Yet this non-existent theory* has become the object of denunciations from the pages of the New York Times and the Washington Post to the political arena. It has been attacked by Professor Paul Krugman of Princeton and Professor Peter Corning of Stanford, among others, and similar attacks have been repeated as far away as India. It is a classic example of arguing against a caricature instead of confronting the argument actually made.”
xxx/ellauri113.html on line 478: After his PhD, Berlinski was a research assistant in the Department of Biology at Columbia University for less than one year. He has taught philosophy, mathematics and English at Stanford University, Rutgers, the City University of New York and the Université de Paris [citation needed]. He was a research fellow at the International Institute for Applied Systems Analysis (IIASA) in Austria and the Institut des Hautes Études Scientifiques (IHES) in France [citation needed. Maybe it is all a bunch of lies.]
xxx/ellauri136.html on line 82: Lucia Toman´s credentials: Doctoral researcher in Literature. MA in Comparative Literature & Literary Analysis and Criticism, Goldsmiths, University of London · Graduated 2018. A voracious reader · Literature. Reads extensively and has published on Jungian psychology · Jungian Psychology. Avid reader, writer and doctoral student in literature · Literature. PhD researcher interested in Jungian psychoanalysis · Jungian Psychological Type. Knows French. Knows Slovak. Knows Czech. Bet her family is Bohemian (or Moravian perhaps).
xxx/ellauri199.html on line 274: Analysis of title, first-line, last-line
xxx/ellauri281.html on line 213: Yhdysvaltain energiatietohallinto. "Teknisesti hyödynnettävät liuskeöljy- ja liuskekaasuvarat: arvio 137 liuskemuodostelmasta 41 maassa Yhdysvaltojen ulkopuolella." EIA Independent Statistics & Analysis. Yhdysvaltain energiatietohallinto, 10. kesäkuuta 2013. PDF-tiedosto. .
xxx/ellauri298.html on line 349: Wilhelm Reich ( / r aɪ x / RYKHE, saksa: [ˈvɪlhɛlm ˈʁaɪç] ; 24. maaliskuuta 1897 – 3. marraskuuta 1957) oli itävaltalainen lääketieteen tohtori ja psykoanalyytikko, Sigmund Freudin jälkeisen toisen analyytikkopolven jäsen. Useiden vaikutusvaltaisten kirjojen kirjoittaja, The Impulsive Character (1925), The Function of the Orgasm (1927), Character Analysis (1933) ja The Mass Psychology of Fascism (1933), hänestä tuli yksi radikaaleimmista hahmoista. psykiatrian historiassa.
xxx/ellauri379.html on line 131: Character Analysis Kurtz's Native Mistress. The Congolese woman that rails against Kurtz's departure is a complete contrast to Kurtz's Intended. As the Intended is innocent and naïve, the native mistress is bold and powerful. Kurtz is a man of many lusts, and she embodies this part of his personality. She frightens the Harlequin because she finds him to be meddling with Kurtz too much; her threats to him eventually scare him into leaving the Inner Station.
xxx/ellauri379.html on line 133: Character Analysis The Intended. Kurtz's fiancée is marked — like the Harlequin — by her absolute devotion to Kurtz. When Marlow visits her after his return from Africa, he finds that she has been dressed in mourning for more than a year and still yearns for information about how her love spent his last days. However, she is actually devoted to an image of Kurtz instead of the man himself: She praises Kurtz's "words" and "example," assuming that these are filled with the nobility of purpose with which Kurtz began his career with the Company. Her devotion is so absolute that Marlow cannot bear to tell her Kurtz's real last words ("The horror! The horror!") and must instead tell her a lie ("The whore! The whore!") that strengthens her already false impression of Kurtz. On a symbolic level, the Intended is like many Europeans, who wish to believe in the greatness of men like Kurtz without considering the more "dark" and hidden parts of their characters. Like European missionaries, for example, who sometimes fuck the very people they were professing to save, the Intended is a misguided soul whose belief in Marlow's lie reveals her need to cling to a fantasy-version of the what the Europeans (i.e., the Company) are doing in Africa.
xxx/ellauri410.html on line 543: Analysis (ai): This poem satirizes religious rituals and the loss of spiritual meaning. It contrasts sharply with Eliot's earlier work, such as "The Love Song of J. Alfred Prufrock," which explored existential angst. The poem reflects the disillusionment and skepticism of the post-World War I era.
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