ellauri020.html on line 395: Donald Trump has always viewed his father as a role model. In The Art of the Deal, he wrote, “Fred Trump was born in New Jersey in 1905. His father, who came here from Sweden . . . owned a moderately successful restaurant.” In fact, the Trump family was German and desperately poor. “At one point my mother took in stitching to keep us going,” Trump’s father told me. “For a time, my father owned a restaurant in the Klondike, but he died when I was young.” Donald’s cousin John Walter once wrote out an elaborate family tree. “We shared the same grandfather,” Walter told me, “and he was German. So what?”
ellauri020.html on line 712: Enough people went looking for similarities between the real Trump marriage and the fictional Graham marriage that it became a legal scuffle within the larger war that was the ugly Trump divorce, with Donald’s lawyers fighting to preserve a gag order keeping Ivana from talking about their marriage. For her part, Ivana insisted she wasn’t writing about her ex. She told the Los Angeles Times: “There is no way he can prove that he’s Adam because he’s not Adam and I make sure that he’s not Adam,” adding that, “And even I think I have constitutional rights of speech in America. I did not abuse them.”
ellauri023.html on line 1140: Leevin “Alkuainetaulukossa” on huvittavia sketsejä sen sukulaisista, nimellä argon, koska ne oli kuin jalokaasu, ei reagoi. Laiskoja, pysähtyneitä tyyppejä jotka keskustelee nokkelasti mutta hyödyttömästi. Väriläiskiä on kuitenkin.
ellauri026.html on line 225: The idea is there, but all the lingering emphasis in the original has been smoothed away. This, too, unfortunately, is typical of the whole. I have said that Wilson’s translation reads easily, and it does, like a modern novel: at shockingly few points does one ever need to stop and think. There are no hard parts; no difficult lines or obscure notions; no aesthetic arrest either; very little that jumps out as unusual or different. Wilson has set out, as she openly confesses, to produce an Odyssey in a “contemporary anglophone speech,” and this results in quite a bit of conceptual pruning. If you wait for the “Homeric tags,” the phrases that contained so much Greek culture they have been quoted over and over again by Greeks ever since—well, you are apt to miss them as they go by. A famous one occurs in book 24, when Odysseus and Telemachus are about to go into battle together: Odysseus tells Telemachus not to disgrace him, and Telemachus boasts that he need not fear. Laertes, Odysseus’s father, exclaims (Wilson’s translation), “Ah, gods! A happy day for me! My son and grandson are arguing about how tough they are!”
ellauri050.html on line 189: “All things betray thee, who betrayest Me.” "Kaikki pettää sut, jos sä petät mut."
ellauri050.html on line 336: “And is thy earth so marred, "Ja onx sun maa niin epäkunnossa,
ellauri050.html on line 342: “And human love needs human meriting: "ja ihmisrakkaus vaatii ihmiseltä vastapalvelusta;
ellauri050.html on line 358: “Ah, fondest, blindest, weakest, "Hei mun lemppari sokea ja heikko,
ellauri052.html on line 108: I heard Bellow deliver the PEN speech on “American Writers and Their Public” to a packed hall in London on March 22, 1986. He had just suffered the death of his brothers and agonising break with Alexandra. Exhausted by jet-lag, stiff-gaited and parchment-skinned, he seemed terribly old and shattered. His talk ranged widely and wildly but, rambling and unfocused, he could not — like Ezra Pound in the Cantos — make it cohere.
ellauri052.html on line 882: I heard Bellow deliver the PEN speech on “American Writers and Their Public” to a packed hall in London on March 22, 1986. He had just suffered the death of his brothers and agonising break with Alexandra. Exhausted by jet-lag, stiff-gaited and parchment-skinned, he seemed terribly old and shattered. His talk ranged widely and wildly but, rambling and unfocused, he could not — like Ezra Pound in the Cantos — make it cohere.
ellauri052.html on line 940: Greg had made a career out of his own childhood misery—a nasty dig given that Saul was as much the author of that misery as he was of his novels. Greg noted, with shrugging disapproval, that his father “felt a duty of truth to his readers that was stronger than to his family,” but indicated he still didn’t understand or accept this about his father. Perhaps he can’t be expected to. “All significant human business is transacted inside,” was Saul’s lesson to Greg, who doesn’t seem to have forgiven his father for it being true.
ellauri052.html on line 944: It may be helpful to note here that Bellow’s fame, already growing after The Adventures of Augie March, exploded after the publication of Herzog in 1964—the same year Daniel, his youngest son, was born. By the time the newly rich writer, urged by his third wife, moved into a fancy co-op on Lake Michigan, Greg already possessed enough of what he thought were his own opinions to dislike the white plush carpets, the 11 rooms “filled with fancy furniture and modern art.” Reminding the reader he was “raised by a frugal mother and a father who had no steady income,” Greg says that he “found the trappings of wealth in their new apartment so repellent that I complained bitterly to Saul,” who replied that he didn’t care about the new shiny things so long as he could still write—which he could. “As I always had, I accepted what he said about art at face value,” Greg admits, but he stopped visiting the new place. After the marriage deteriorated and Saul moved out, 3-year-old Daniel, in the words of ex-child-therapist Greg, “took to expressing his distress” by peeing on the carpets. “I have to admit that the yellow stains on them greatly pleased me,” Greg writes—for once showing off the Bellovian touch.
ellauri058.html on line 718: Dr. Hirschmann said he decided to focus on the symptom of itching. “At first, I considered Hodgkin’s disease and some diseases of the liver.” Chronic kidney disease covered all of Herod’s symptoms except gangrene of the genitalia. Dr. Hirschmann figured that the most probable cause of King Herod’s death was chronic kidney disease complicated by Fournier’s gangrene, which is an unusual infection affecting the male genitalia.
ellauri061.html on line 797: Deborah and Barak then gathered 10,000 troops and attacked Sisera and his army. Barak’s troops won: “All Sisera’s troops fell by the sword; not a man was left” (Judges 4:16). Sisera himself fled to the tent of a Hebrew woman named Jael. She gave him milk to drink and covered him with a blanket in the tent. Then, “Jael . . . picked up a tent peg and a hammer and went quietly to him while he lay fast asleep, exhausted. She drove the peg through his temple into the ground, and he died” (verse 21).
ellauri061.html on line 803: The song of Deborah and Barak also gives some more detail about the victory over the Canaanites: “The earth shook, the heavens poured, / the clouds poured down water” (Judges 5:4). Evidently, God used a flood to disable the iron chariots of Sisera. The victory was supernatural (verse 20). Chapter 5 concludes with the statement, “And the land had peace forty years.” This impressive time of peace lasted until Midian took control of Israel, necessitating Gideon’s rise.
ellauri063.html on line 318: “All we talked about was how to get rid of the old structures.” Täst mie piän eixje Jaakkima?
ellauri066.html on line 936: Almost exactly a year from the pandemic’s start, Tegnell said that he believes people should still hold off on judging his policies. “The pandemic is not over,” he said. “Any kind of final review on what’s been good and what’s been bad still awaits us.” Thats what the guys in Nuremberg said: hold your horses, this was supposed to be a 1000-year Reich. Don't blame us on what were only meant as initial experiments.
ellauri067.html on line 318: “A market needed no longer be run by the Invisible Hand, but now could create itself—its own logic, momentum, style, from inside. Putting the control inside was ratifying what de facto had happened— that you had dispensed with God. But you had taken on a greater, and more harmful, illusion. The illusion of control. That A could do B. But that was false. Completely. No one can do. Things only happen, A and B are unreal, are names for parts that ought to be inseparable. …”
ellauri070.html on line 384: "A penny saved is a penny earned" is a quote often attributed to Benjamin Franklin, however, he didn’t coin it. In his 1737 Poor Richard’s Almanac, Franklin delivered the line: “A penny saved is two pence clear.” And later, in the 1758 almanac, he wrote a version closer to the saying we know: "A penny saved is a penny got." He never used the word "earned."
ellauri072.html on line 178: “A lot of biographers didn’t want to go into that subject,” Hart said, shrugging. “Maybe they thought they would turn away readers.”
ellauri073.html on line 204: Mrs. McC.’s sedulous attention to her own person’s dress and grooming is already a minor legend among the press corps, and some of the techs speculate that things like getting her nails and hair done, together with being almost Siametically attached to Ms. Lisa Graham Keegan (who is AZ’s education superintendent and supposedly traveling with the senator as his “Advisor on Issues Affecting Education” but is quite plainly really along because she’s Cindy McCain’s friend and confidante and the one person in whose presence Mrs. McC. doesn’t look like a jacklighted deer), are the only things keeping this extremely fragile person together on the Trail. (Onx tää nyt se jota sanottiin julkisesti emättimexi? Ei hizi, kyllä sille tarvittaisiin joku miellyttävämpi sana.)
ellauri077.html on line 56: 1Christopher Bartlett* (2016) “An Exercise in Telemachry”: David Foster Wallace’s Infinite Jest and Intergenerational Conversation. in Critique: Studies in ContemporaryFiction, 57:4, 374-389, DOI: 10.1080/00111619.2015.1113921
ellauri077.html on line 220: The French attributed the book’s great success to the French love of the “écrivain maudit” archetype, Wallace’s acerbic critique of America, and the myth that has grown up around the author: “A writer who seems to have been sacrificing his life on the altar of literature is seen as a hero.”
ellauri078.html on line 80: Dickinson´s verse is often associated with common meter, which is defined by alternating lines of eight syllables and six syllables (8686) or Iambic Tetrameter alternating with Iambic Trimeter. This pattern–one of several types of metrical “feet”–is known as an “iamb.” Common meter is often used in sung music, especially hymns (think “Amazing Grace” of "Yellow Roses of Texas").
ellauri078.html on line 147: Dickinson found the conventional religious wisdom the least compelling part of these arguments. From what she read and what she heard at Amherst Academy, scientific observation proved its excellence in powerful description. The writer who could say what he saw was invariably the writer who opened the greatest meaning to his readers. While this definition fit well with the science practiced by natural historians such as Hitchcock and Lincoln, it also articulates the poetic theory then being formed by a writer with whom Dickinson’s name was often later linked. In 1838 Emerson told his Harvard audience, “Always the seer is a sayer.”
ellauri080.html on line 693: “There seems to be a strong genetic overlap between ADHD and autism,” De Alwis said. “And it’s very common for people with ADHD to have autistic traits. These individuals may not have an autism spectrum disorder, but they typically score high on measurements of autistic traits.”
ellauri080.html on line 803: “After long study and experience I have come to the conclusion that (1) all religions are true; (2) all religions have some error in them; (3) all religions are almost as dear to me as my own Hinduism.” He could not tell a lie, but did not shirk from contradiction.
ellauri082.html on line 145: Orin (who never attended his father’s funeral) went to the gravesite and dug up his father, releasing the wraith in the process. (244: “After a burial, rural Papineau-region Québecers purportedly drill a small hole down from ground level all the way down through the lid of the coffin, to let out the soul, if it wants out.”) Orin, who is such a partisan of his father that he feels the need to repeatedly ruin the lives of people like his mother, has been mailing the tapes to his father’s enemies in revenge: disapproving film critics in Berkeley and the medical attaché (whose affair with his mother drove Himself especially wild) in Boston. It’s possible he’s being influenced by the wraith in these actions.
ellauri083.html on line 378: “What astounds me,” said Ziering in an interview, is that for the past nearly three decades, people assume that this has been a matter of “he said, she said”—meaning Allen’s word versus Farrow’s. But after Ziering and codirector Kirby Dick began their research, they realized, “Actually, it’s been a ‘he said, he said’ situation. Mia didn’t even speak until the Vanity Fair interview [in 2013]. Never. She is such a private person. That’s really important to know. And she was sort of blindsided by all these events that happened to her. And kept trying to navigate the best that she could just to protect her children and family.”
ellauri083.html on line 669: Abraham couldn’t keep himself contained, “Abraham fell on his face and laughed, and said to himself, ‘Shall a child be born to a man who is a hundred years old? Shall Sarah, who is ninety years old, bear a child?'”
ellauri083.html on line 687: These and other events in the Old and New Testaments reveal a lighter side to Christianity, showing that even God has a sense of humor and that “A cheerful heart is a good medicine.”
ellauri090.html on line 139: Humanitismi kuulostaa aivan järkeenkäyvältä. Tai siis tosi tutulta: humanismihan pitää homo sapiensia aivan huippuna, muu luonto tarjoaa sille luontopalveluja. Jos yxi jättää niin toinen ottaa, “Ao vencido, odio ou compaixão; ao vencedor, as batatas.” Näinhän nää talousliberaalitkin laskeskelee, luovaa tuhoa, ne vaan koittaa lohdutella luusereita tolla "win-win" kusetuxella. Kapitalismin kannattajia vaan nolottaa kun se sanotaan näin ilman sarvia ja hampaita.
ellauri094.html on line 348: “And when you are come into Babylon, you shall be there many years, and for a long time, even to seven generations: and after that I will bring you away from thence with peace.” (Baruch 6:2; quoted from Douay-Rheims 1899 American Edition)
ellauri094.html on line 658: “Super Flumina Babylonis” celebrates the release of Italy from bondage in imagery that recalls the resurrection of Christ. The open tomb, the folded graveclothes, the “deathless face” all figure in this interesting poem that sings out, “Death only dies.” In “Quia Multum Amavit,” France, shackled by tyranny, is personified as a harlot who has been false to liberty. She has become “A ruin where satyrs dance/ A garden wasted for beasts to crawl and brawl in.” The poem ends with France prostrate before the spirit of Freedom, who speaks to her as Christ spoke to the sinful woman in the Pharisee’s house, in a tone of forgiveness.
ellauri095.html on line 248: Hopkins invites a comparison between his persona and Christina’s erstwhile lover, James Collinson, who also became a follower of the Pre-Raphaelites and convert to Catholicism and, for a while, a Jesuit. Eventually, by converting to Catholicism himself and joining the Society of Jesus, Hopkins exchanged the inferior position articulated in “A Voice from the World” for a superior one, superior at least in the sense that Christina Rossetti apparently felt that her sister Maria, who actually did cross the convent threshold and become a religious, had achieved a higher stage of religious development than she herself did.
ellauri095.html on line 546: The phrase “And birds that call/Hoarse to the storm,” invites comparison with the son’s images of the windhover rebuffing the big wind in “The Windhover” (1877) and with the image of the great storm fowl at the conclusion of “Henry Purcell” (1879). The father’s prophecy, “thy sport is with the storm/To wrestle” is fulfilled in Gerard’s The Wreck of the Deutschland and “The Loss of the Eurydice” (1878). These two shipwreck poems, replete with spiritual instruction for those in doubt and danger were the son’s poetic and religious counterparts to his father’s 1873 volume, The Port of Refuge, or advice and instructions to the Master-Mariner in situations of doubt, difficulty, and danger.
ellauri096.html on line 55: Michael Scriven (1964) tried to refute predictive determinism (the thesis that all events are foreseeable), by conjuring two players, “Predictor” who has all the data, laws, and calculating capacity needed to predict the choices of others. Scriven goes on to imagine, “Avoider”, whose dominant motivation is to avoid prediction. Therefore, Predictor must conceal his prediction. The catch is that Avoider has access to the same data, laws, and calculating capacity as Predictor. Thus Avoider can duplicate Predictor’s reasoning. Consequently, the optimal predictor cannot predict Avoider. Let the teacher be Avoider and the student be Predictor. Avoider must win. Therefore, it is possible to give a surprise test. This sounds silly. The Predictor can predict that the Avoider double guesses her. Both can fiture out that this will go on and on, until time runs out, and they still just sit on their asses doing nothing. Thing is, you must remember that the players are part of the game, not outside of it as idealists would have it.
ellauri096.html on line 136: Foundationalists reject (1). They take some propositions to be self-evident. Coherentists reject (2). They tolerate some forms of circular reasoning. For instance, Nelson Goodman (1965) has characterized the method of reflective equilibrium as virtuously circular. Charles Peirce (1933–35, 5.250) rejected (3), an approach later refined by Peter Klein (2007) and championed at book-length by Scott F. Aikin (2011). Infinitists believe that infinitely long chains of justification are no more impossible than infinitely long chains of causation. Finally, the epistemological anarchist rejects (4). As Paul Feyerabend refrains in Against Method, “Anything goes” (1988, vii, 5, 14, 19, 159).
ellauri096.html on line 269: Binkley stipulates that the students do not forget. He needs to add that the students know that they will not forget. For the mere threat of a memory lapse sometimes suffices to undermine knowledge. Consider Professor Anesthesiology’s scheme for surprise tests: “A surprise test will be given either Wednesday or Friday with the help of an amnesia drug. If the test occurs on Wednesday, then the drug will be administered five minutes after Wednesday’s class. The drug will instantly erase memory of the test and the students will fill in the gap by confabulation.” You have just completed Wednesday’s class and so temporarily know that the test will be on Friday. Ten minutes after the class, you lose this knowledge. No drug was administered and there is nothing wrong with your memory. You are correctly remembering that no test was given on Wednesday. However, you do not know your memory is accurate because you also know that if the test was given Wednesday then you would have a pseudo-memory indistinguishable from your present memory. Despite not gaining any new evidence, you change your mind about the test occurring on Wednesday and lose your knowledge that the test is on Friday. (The change of belief is not crucial; you would still lack foreknowledge of the test even if you dogmatically persisted in believing that the test will be on Friday.)
ellauri097.html on line 302: In some respects this reflects a national pathology. Unlike an American or British child, an Australian student can go through thirteen years of education without reading much of their country’s literature at all (of the more than twenty writers I studied in high school, only two were Australian). This is symptomatic of the country’s famed “cultural cringe,” a term first coined in the 1940s by the critic A.A. Phillips to describe the ways that Australians tend to be prejudiced against home-grown art and ideas in favor of those imported from the UK and America. Australia’s attitude to the arts has, for much of the last two centuries, been moral. “What these idiots didn’t realize about White was that he was the most powerful spruiker for morality that anybody was going to read in an Australian work,” argued David Marr, White’s biographer, during a talk at the Wheeler Centre in 2013. “And here were these petty little would-be moral tyrants whinging about this man whose greatest message about this country in the end was that we are an unprincipled people.”
ellauri097.html on line 471: In Romans 1:26, the New Testament says, “For this reason, God gave them over to degrading passions, for their women exchanged the natural function for that which is unnatural,” that is, different than what God intended. “And in the same way, also, men abandoned the natural function of the woman, and burned in their desire towards one another.” The translation used here is the New American Standard Bible because I think the NIV is woefully inadequate in the way it translates this passage from the Greek.
ellauri097.html on line 697: “A Tuft of Flowers” is written in heroic couplets, with some variation from a strict iambic foot. All rhymes are masculine; the majority of lines are end-stopped. This, in part, gives the poem its marching, old-fashioned sound.
ellauri100.html on line 555: The study you just completed is an Implicit Association Test (IAT) that compares the strength of automatic mental associations. In this version of the IAT, we investigated positive and negative associations with the categories of “African Americans” and “European Americans”.
ellauri106.html on line 128: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 388: In a private note about Bloom’s book, Roth asserted, “Another writer my age awaiting a biography and awaiting death (which is worse?) might not care. I do.” Roth put enormous efforts into finding a biographer who could contest Bloom’s account. His first choice was the academic Ross Miller, but the novelist had a falling out with his biographer as the would-be James Boswell resisted the imperious dictates of the modern Dr. Johnson. Roth ended up describing his relationship with Miller as “my third bad marriage.” After unsuccessfully trying to rope in friends such as Hermione Lee and Judith Thurman to tell his life story, Roth settled on Blake Bailey, the author of highly regarded biographies of troubled male American writers, notably Richard Yates and John Cheever.
ellauri106.html on line 529: Without the sure theoretical footing that orthodox Marxism provided those of Benjamin’s generation, Roth, like many who used to kinda identify themselves with the late-20th century left, has been set adrift amid the wreckage of multinational capital, techno-militarism, and the information and cultural revolutions. In his trilogy, Roth offers a complex and beautifully-rendered document of the final decades of the “American Century,” but it is one that, like its narrator, Nathan Zuckerman, ultimately throws up its hands in despair, surrendering the complexities of life and the possibility of positive change en lieu of aesthetic and ascetic remove.
ellauri106.html on line 539: Puritan work ethic is what Roth, through his frequent allusions to New England’s storied past, points to as the source of America’s greatest triumphs—universal education, economic improvement, and those old standbys, rugged individualism and the “American Dream”.
ellauri107.html on line 452: “And it says here a fellow was inaugurated mayor in overalls—a preacher, too! What do you think of that!”
ellauri107.html on line 470: “A good labor union is of value because it keeps out radical unions, which would destroy property. No one ought to be forced to belong to a union, however. All labor agitators who try to force men to join a union should be hanged. In fact, just between ourselves, there oughtn't to be any unions allowed at all; and as it's the best way of fighting the unions, every business man ought to belong to an employers'-association and to the Chamber of Commerce. In union there is strength. So any selfish hog who doesn't join the Chamber of Commerce ought to be forced to.”
ellauri107.html on line 490: “And business! The roofing business! Roofs for cowsheds! Oh, I don't mean I haven't had a lot of fun out of the Game; out of putting it over on the labor unions, and seeing a big check coming in, and the business increasing. But what's the use of it? You know, my business isn't distributing roofing—it's principally keeping my competitors from distributing roofing. Same with you. All we do is cut each other's throats and make the public pay for it!”
ellauri109.html on line 515: A fiction writer’s life is his treasure, his ore, his savings account, his jungle gym,” Updike wrote. “As long as I am alive, I don’t want somebody else playing on my jungle gym—disturbing my children, quizzing my ex-wife, bugging my present wife, seeking for Judases among my friends, rummaging through yellowing old clippings, quoting in extenso bad reviews I would rather forget, and getting everything slightly wrong.”
ellauri109.html on line 571: In his fury and his hunger for retribution, Roth produced “Notes for My Biographer,” an obsessive, almost page-by-page rebuttal of Bloom’s memoir: “Adultery makes numerous bad marriages bearable and holds them together and in some cases can make the adulterer a far more decent husband or wife than . . . the domestic situation warrants. (See Madame Bovary for a pitiless critique of this phenomenon.)” Only at the last minute was Roth persuaded by friends and advisers not to publish the diatribe, but he could never put either of his marriages behind him for good. He was similarly incapable of setting aside much smaller grievances. As Benjamin Taylor, one of his closest late-in-life friends, put it in “Here We Are,” a loving, yet knowing, memoir, “The appetite for vengeance was insatiable. Philip could not get enough of getting even.”
ellauri111.html on line 265: “I’m sorry,” he said, taking a breath (or what seemed like a breath). “As I say, even here there are times when I could wish for a cigarette—or even a good whisky”, he added with a smile, nodding reassuringly at me.
ellauri111.html on line 311: “The person who loves is the person who wants to be guilty.” Yes! This is the profound essence of “All are responsible to all for all.” Love your blog.
ellauri112.html on line 790: When shall we eat supper? First or last day of the week? This has nothing to do with the Sabbath being changed. I do not believe that it has, but that it is obsolete. The Sabbath is “Saturday”, the 7th day, which I am convinced to be for the rest that Christians will take with the Father (Heb. 4:1-11) and for weekend shopping. I find keeping the Sabbath day is a part of the 10 commands. Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28, also see Deut. 4:13, 9:9, 11). Jeremiah said “Behold, the days are coming, says the LORD, when I will make a new covenant” (Jeremiah 31:31). Look further for Jeremiah said, “not according to the covenant that I made with their fathers”
ellauri112.html on line 792: Not according to which covenant? Jeremiah says the covenant “in the day that I took them by the hand to lead them out of the land of Egypt, My covenant which they broke” (31:32). Again which covenant is this? Exodus says “And He wrote on the tablets the words of the covenant, the Ten Commandments” (Exo. 34:28). Christ’s covenant is “not according to the covenant that I made with their fathers”, but “In that He says, ‘A new covenant,’ He has made the first obsolete. Now what is becoming obsolete and growing old is ready to vanish away” (Heb. 8:13). The Old Covenant of the 10 commands with the Sabbath keeping is obsolete and vanishing away in the 1st century.
ellauri112.html on line 902: First, on the next page of this web site, we will study a few Bible passages concerning the public worship of God in general. We do so for simple reasons. “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, for instruction in righteousness, that the man of God may be complete, thoroughly equipped for every good work” (2 Timothy 3:16-17, NKJV). Worship is a “good work,” but we are not to lean on our own understanding (Proverbs 3:5). Only the Bible can teach us how to worship God in a manner that pleases Him. All our worship, including our observance of the Lord’s Supper, ought to rest on a biblical foundation.
ellauri119.html on line 696: Rand once said, “As an advocate of reason, egoism and capitalism, I seek to reach the men of the intellect.” Clearly, my exposition wasn’t meant for you dear, nor for your retard hubby.
ellauri119.html on line 730: “Atlas Shrugged” is fiction. Authors of fiction can write anything they want to write no matter how nonsensical it is.
ellauri143.html on line 47: “At first, it may resemble a porcupine. But a closer look will tell it is actually looks like a rat,” he says. “It is actually the size of a coconut,” he says.
ellauri145.html on line 515: I had no idea Nietzsche could be funny until I read his letters. “The gentlest, most reasonable man may, if he wears a large moustache, sit as it were in its shade and feel safe,” he wrote, self-mockingly. “As the accessory of a large moustache he will give the impression of being military, irascible and sometimes violent – and will be treated accordingly.” More fun wisecracks:
ellauri146.html on line 654: Poe, unlike other great American writers of his time, spent a considerable portion of his childhood in Britain. In 1815, John Allan set out for England, accompanied by his wife, Frances Allan; his sister-in-law, “Aunt Nancy” Valentine; and his six-year-old foster son, Edgar Poe. For a time Edgar attended the small London school of Miss Dubourg (a name which subsequently was to appear in “The Murders in the Rue Morgue”) and later, for a period of three years from 1817 to 1820, was sent to a better school, the Manor House at Stoke Newington near London. Here Poe, in addition to being affected profoundly by the atmosphere of England, studied French, Latin, history and literature. The Manor House School, with its “Dr.” Bransby, Poe later was to transplant bodily to the semi-autobiographical tale “William Wilson” (1840).
ellauri146.html on line 666: It may be that Poe was embittered by his forced withdrawal from the University. During his life he never returned there, and, though there are oblique references to Charlottesville in “A Tale of the Ragged Mountains” and in The Journal of Julius Rodman, no other allusions to the University are to be found in his written work.
ellauri156.html on line 114: 15 Now a day before Saul's coming, the LORD had revealed this to Samuel saying, 16 “About this time tomorrow I will send you a man from the land of Benjamin, and you shall anoint him to be prince over My people Israel; and he will deliver My people from the hand of the Philistines. For I have regarded My people, because their cry has come to Me” (1 Samuel 9:15-16).
ellauri156.html on line 691: The lawyer knew he was in trouble and tried to dig himself out (bad choice). He (like many lawyers then and now) thought he could get himself off the hook by arguing in terms of technicalities. And so he had a follow-up question for Jesus: “And who is my neighbor?” Jesus did not debate this man on his own terms. He was not willing to get into a word study in the original text. Instead, Jesus told a simple story, the story of the Good Samaritan.
ellauri156.html on line 742: We can see now why David wrote these words in Psalm 51:4: “Against Thee, Thee only, I have sinned. Never mind the neighbors.”
ellauri159.html on line 696: Gallantry is a knight word for courage, it does not mean flourishing your hat in front of ladies. (For the latter, see Courtesy.) Ramon Lull said about courage (not gallantry): “A knight who is in battle with his Lord, who for lack of courage flees from battle when he should give aid, because he redoubts or fears the torment or peril more than trusts his courage uses not the office of knighthood.”
ellauri160.html on line 447: “A man of no fortune, and with a name to come. Onneton kaveri, jonka nimi on kielen kärjellä.
ellauri160.html on line 448: “And set my oar up, that I swung mid fellows.” Ja pystytä mun mela jota heilutin muiden mukana.
ellauri160.html on line 451: “A second time? why? man of ill star, Mitä vittua? Sinä taas? Jo oot epeli,
ellauri160.html on line 633: Within the center is the Adversary form of Samael – Asmodeus. The Cabalists compose Samael as being the Devil of the Tarot, and Asmodeus as a bestial man in a crouching position. The “Rosh Satanim” or “Head of Devils” whose elixir is “Sain ha-mawet”, the poison begetting life in both darkness and light. The “Angel of Death” who is Samael is indeed Ahriman or Satan, the Adversary along with his Bride, Lilith or Az. Asmodeus is a Son of Samael/Ahriman whose consort is a younger daughter of Lilith. Aeshma/Asmodeus is a powerful spirit who manifests in matter through the individual whose path is of the fallen ones.
ellauri161.html on line 998: “Any Christian who is not a hero is a pig.”
ellauri162.html on line 837: We can’t say we weren’t warned about Alexa! Alexa is the name given to the voice that responds to your commands on the Amazon Echo device. In a recent post, I discussed the creepiness of having someone potentially listen to every conversation in its vicinity. As I understand it (not having one) the device is only supposed to be activated if you first say “Alexa” but apparently that is not the case. A family in Portland, Oregon reports that an Amazon Alexa device recorded a private conversation about hardwood floors and randomly sent it to a contact in Seattle. Danielle, who declined to provide her last name, told KIRO-TV that the contact called her family to tell them that their privacy was being compromised. Unplug your Alexa devices right now, the reportedly unnamed individual said, you’re being hacked.
ellauri164.html on line 487: In Exodus 2, we see Moses’ mother attempting to save her child by placing him in a basket and putting it into the Nile. The basket was eventually found by Pharaoh’s daughter, and she adopted him as her own and raised him in the palace of the pharaoh himself. As Moses grew into adulthood, he began to empathize with the plight of his people, and upon witnessing an Egyptian beating a Hebrew slave, Moses intervened and killed the Egyptian. But that was not a sin because the guy was just an Egyptian. In another incident, Moses attempted to intervene in a dispute between two Hebrews, but one of the Hebrews rebuked Moses and sarcastically commented, “Are you going to kill me as you did the Egyptian?” (Exodus 2:14). Realizing that his criminal act was made known, Moses fled to the land of Midian where he again intervened—this time rescuing the daughters of Jethro Tull from some of Uriah Heep's bandits. In gratitude, Jethro (also called Reuel) granted his daughter Zipporah to Moses in marriage (Exodus 2:15–21). Moses lived in Midian for about forty years.
ellauri164.html on line 636: “And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also. ” (Numbers 20:10-11)
ellauri164.html on line 679: “And the LORD said to Moses and Aaron, “Because you did not believe in me, to uphold me as holy in the eyes of the people of Israel, therefore you shall not bring this assembly into the land that I have given them.”” (Num. 20:12 ESV)
ellauri164.html on line 894: “And the LORD said unto Moses, Go on before the people, and take with thee of the elders of Israel; and thy rod, wherewith thou smotest the river, take in thine hand, and go. Behold, I will stand before thee there upon the rock in Horeb; and thou shalt smite the rock, and there shall come water out of it, that the people may drink. And Moses did so in the sight of the elders of Israel. “And the LORD said unto Moses, Go on before the people, and take with thee of the elders of Israel; and thy rod, wherewith thou smotest the river, take in thine hand, and go.” Exodus 17:5–6
ellauri164.html on line 896: But we know that the Rock from which they drank water is Christ. “And did all drink the same spiritual drink: for they drank of that spiritual Rock that followed them: and that Rock was Christ.” 1 Corinthians 10:4. Psalms 78: 15–16 says “He clave the rocks in the wilderness, and game them drink as out of the great depths. He brought streams also out of the rock, and caused waters to run down like rivers.” Jesus Himself testifies to this by saying, “He that believeth on Me,” as the scriptures say, “out of his belly shall flow rivers of living water.” John 7:38
ellauri164.html on line 904: “And the LORD spake unto Moses, saying, Take the rod, and gather thou the assembly together, thou, and Aaron thy brother, and speak ye unto the rock before their eyes; and it shall give forth His water, and thou shalt bring forth to them water out of the Rock: so thou shalt give the congregation and their beasts drink. And Moses took the rod from before the LORD, as he commanded him. And Moses and Aaron gathered the congregation together before the rock, and he said unto them, Hear now, ye rebels; must we fetch you water out of this rock? And Moses lifted up his hand, and with his rod he smote the rock twice: and the water came out abundantly, and the congregation drank, and their beasts also.” Numbers 20:7–12 (emphasis mine).
ellauri164.html on line 941: “And the Lord spoke to Moses and Aaron in Mount Hor by the border of the land of Edom, saying: 24 "Aaron shall be gathered to his people, for he shall not enter the land which I have given to the children of Israel, because you rebelled against My word at the water of Meribah.” (Num. 20:23-25).
ellauri164.html on line 943: “And when you have seen it, you also shall be gathered to your people, as Aaron your brother was gathered. 14 For in the Wilderness of Zin, during the strife of the congregation, you rebelled against My command to hallow Me at the waters before their eyes.” (Num. 27:13-14).
ellauri171.html on line 689: The sixth lesson is that the homosexuals demonstrated that to them homosexual sexual activity is more desirable than heterosexual activity. However, heterosexual behavior is acceptable if that is all that is available to them. Romans 1:23-24, 26 and 28 teach that when people are given over to homosexual activity, it is a sign that they have rejected God. Homosexual activity is a more serious sin among sins, despite the claims of some. See the study, “Are some sins worse than other sins? – Are all sins equal?” Also notice that Judges 19:22 refers to the men of Gibeah as “worthless fellows.”
ellauri171.html on line 697: Finally, as Paul warns in 1 Corinthians 5:6, “Your boasting is not good. Do you not know that a little leaven leavens the whole lump of dough?” and again in Galatians 5:9, “A little leaven leavens the whole lump of dough.” Paul warns us two times!
ellauri172.html on line 289: 30 The donkey said to Balaam, “Am I not your own donkey, which you have always ridden, to this day? Have I been in the habit of doing this to you?”
ellauri181.html on line 191: “Achievement – Defining goal: personal success through demonstrating competence according to social standards.”
ellauri189.html on line 104: "A step – koń – kozak – ciemność – jedna dzika dusza” “And the steppe – the horse – the Cossack – darkness – they are one wild soul”). Steppi - koni - kasakka - myteryys - 1 villi sielu! Jokainen rappu jonka sä väsäät, mä tuun kellottaa suaaaa!!
ellauri192.html on line 330: Ainakin Jaro ize oivalsi miten mitätön se oli. “And Now, Goodby” sisälti seuraavat värsyt:
ellauri197.html on line 511: The first state to abolish all heartbalm actions was Indiana, with “An Act to promote public morals” in 1935.
ellauri198.html on line 846: While Yeats was playing with esoterica, Ireland was rife with internal strife and a world war flitted past. He was now the “sixty-year-old smiling public man” of his poem “Among School Children,” which he wrote after touring an Irish elementary school. He was also a world-renowned artist of impressive stature, having received the Nobel Prize for Literature in 1923. At night the poet could “sweat with terror” because of the surrounding violence, but otherwise he was enjoying himself royally. His collection The Dark Tower (1928) is often considered his best single book.
ellauri198.html on line 848: Another important element of poems in both these collections and other volumes is Yeats’s keen awareness of old age. Even his romantic poems from the late 1890s often mention gray hair and weariness, though those poems were written while he was still a young man. But when Yeats was nearly 60, his health began to fail and he was faced with real, rather than imaginary, “bodily decrepitude” (a phrase from “After Long Silence”) and nearness to death. Despite the author’s often keen awareness of his physical decline, the last 15 years of his life were marked by extraordinary vitality and an appetite for life, including young boys and girls.
ellauri210.html on line 373: By the time Johnson arrived in Paris, Cravan had carved out a reputation as a boxer himself, a discipline he first picked up while traveling across the USA. He was also known as an ardent proponent of the “American” attitude toward life, by which he meant living according to desire and instinct, and telling so-called civilized society to take a running jump. In an essay titled “To Be or Not To Be … American,” he wrote that, thanks to the influence of cakewalk dancers, track athletes, and boxers such as Joe Jeanette, the whole of Paris had turned American. “Overnight,” Cravan said, “everyone began to spit and swear” and “floated around in clothes two sizes too big for them.” He finished the piece with a crib sheet for how to pass as American: “Chew … never speak … always look busy … and, above all else, crown yourself with arrogance.” It was advice he followed assiduously. How right, how true, to this day.
ellauri219.html on line 449: A disciple of Sir Mahatavara Babaji (No.27), Sir Lahiri Mahasaya learned the discipline of Kriya Yoga in 1861, and subsequently passed the teachings down to Sir Yukteswar Girl (No.1), who in turn, passed them on to Sir Paramahansa Yogananda (No.33), of whom Mahasaya said, “As a spiritual engine, he will carry many souls to God’s Kingdom.”
ellauri222.html on line 143: As everyone has said, Bellow not least, “Augie March” was the breakthrough book. Bellow ascribed its origin to a visionary moment. In 1948, he had gone with Anita to Paris for two years, supported by a Guggenheim fellowship. (Bellow hated Paris.) He was at work on a novel called “The Crab and the Butterfly,” which apparently concerned two men arguing in a hospital room. In the version of the epiphany he told to Roth, he was walking to his writing studio one morning when he was distracted by the routine Parisian sight of the street gutters being flushed:
ellauri222.html on line 147: Into his head popped the memory of a friend from childhood, a boy named Charlie August—and Augie March was born. The novel poured out of him. “All I had to do was to be there with buckets to catch it,” he said. Being abroad, he thought, encouraged the sense of compositional freedom. He wrote much of the novel in Europe—in Paris, Salzburg, and Rome. He later boasted that not a single word of it was written in Chicago.
ellauri222.html on line 149: The subject of “Augie March” is the same as the subject of “Dangling Man” and “The Victim”: the danger of becoming trapped in other people’s definition of you. In the case of “Augie March,” the person in danger of being trapped was Saul Bellow. “This was not what being a novelist was supposed to have meant”: he is referring to the expectations of his intellectual backers. He realized that he didn’t want to be the great hope of the novel or to give voice to a generation’s angst. He wanted to write up the life he knew in the way James Joyce had written up the life he knew, and to transform it into a fantastic verbal artifact, a book that broke all the rules.
ellauri222.html on line 151: The first two hundred pages of “Augie March” are the best writing Bellow ever did. He created an idiolect that had no model. “I am an American, Chicago born . . . and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted; sometimes an innocent knock, sometimes a not so innocent.” Nobody speaks or writes that way—which is exactly what the sentence is telling us.
ellauri222.html on line 163: Bellow must have guessed that “Augie March” would distress some of his admirers. It did. He showed a hundred pages of the manuscript to Lionel Trilling. “It’s very curious, it’s very interesting,” Trilling told him, “but somehow it’s wrong.” When the book came out, Trilling wrote a positive notice in the newsletter of the book club he directed but registered concern about a dangerous notion he detected in the novel, the notion that one could have a meaningful life independent of one’s social function. Bellow wrote to Trilling to say (disingenuously) that he had written the novel without much of a moral purpose in mind. Trilling wrote back. “You mustn’t ignore the doctrinal intention of your book,” he said.
ellauri222.html on line 167: Most reviews were enthusiastic, though. “Augie March” was not a best-seller, but it sold well and won a major award. The year it came out, Bellow took a job at Bard College. He and Anita were separated, and he had a new girlfriend, Sondra Tschacbasov, called Sasha. She was sixteen years younger and strikingly attractive. They met at Partisan Review, where she worked as a secretary.
ellauri222.html on line 195: You can see the biographical problem. From the beginning, Bellow drew on people he knew, including his wives and girlfriends and the members of his own family, for his characters. In “Augie March,” almost every character—and there are dozens—was directly based on some real-life counterpart. Most of “Herzog” is a roman à clef. Leader therefore decided to treat the novels as authoritative sources of information about the people in Bellow’s life. When Leader tells us about Jack Ludwig and Sondra Tschacbasov, he quotes the descriptions of Gersbach and Madeleine in “Herzog.” In the case of the many relatives with counterparts in “Augie March,” this can get confusing. You’re not always sure whether you’re reading about a person or a fictional version of that person.
ellauri222.html on line 199: Structure was always Bellow’s weak point. One of his first editors at Partisan Review, Dwight Macdonald, worried about what he called a “centerless facility.” Podhoretz was not wrong about the problem of shapelessness in “Augie March.” The novel’s antic style is like a mechanical bull. For a few hundred pages, Bellow is having the time of his life, letting his invention take him where it will. By the end, he is just hanging on, waiting for the music to stop. It takes the story five hundred and thirty-six pages to get there.
ellauri222.html on line 213: Podhoretz told Leader that he considered all of Bellow’s characters puppets. And there is something animatronic about them. This is especially true in “Augie March,” where the extended procession of too vivid personalities is like a Wes Anderson movie. Bellow tended to make his characters look the way a child sees grownups, unalterable cartoons, weirdly unself-conscious in their one-dimensionality.
ellauri222.html on line 555: Augie, the hero of the novel, is a Jewish-American boy coming of age in Depression-era Chicago. Since their father abandoned the family, Augie and his two brothers are raised by their slow-witted mother and surrogate “Grandma” Lausch. Augie, good-looking with “tall hair” and green-gray eyes, is a soft-hearted young man whose sympathy for others often gets him into trouble. He holds a variety of jobs throughout his life and learns from different people he encounters. People tend to “adopt” Augie and try to groom him into the person they want him to be, but he really wants to become his own person. The name Augie is short for “August,” which means “Great.” Augie has a desire for greatness, but he has no idea of how to do it, thinking it beyond his ability to “breathe the pointy, star-furnished air at its highest difficulty.” He goes along through life repeating the same mistakes. In the end, Augie realizes that his life has been a voyage of discovery. Whether or not he has been a success, he doesn’t know, but he will continue with unquenchable optimism and hope, “forever rising up.”
ellauri226.html on line 122: There was a David Herbert Lawrence plaque on the street. Inside the tiny station were two more. It seemed a lot of plaques for a guy who spent one night there. “Blessed is he that expecteth nothing,” he wrote of Sorgono, “for he shall not be disappointed.” More Niente. “A dreary hole!” Lawrence muttered. “A cold, hopeless, lifeless, Saturday afternoon-weary village.” The food was bad. The bedsheets were stained. People cheerfully relieved themselves on the street. What limp parsnips too! “Why are you so indignant?” the Q.B. asked. “It’s all life.”
ellauri226.html on line 143: “A heart yearning for something I have known, and which I want back again.” Varmaan se oli Grazian graziöösi persaus. READING: Sea and Sardinia, by D.H. Lawrence (Penguin Classics); Cosima, by Grazia Deledda (Italica Press), about a young lady writer’s ass in Sardinia in the late 19th-Century.
ellauri236.html on line 92: At the same rally north of Rio de Janeiro, Paulo Roberto, 55, a government worker, said, “Anyone who votes for Bolsonaro is worried about the voting machines.”
ellauri236.html on line 405: “Are you sure it’s safe to use?” “Yeah. It can stay up all night.” She settled down in the bed. “Can it?” She spoke so softly he scarcely heard what she said, but he did hear. He suddenly grinned. “Well, there’s no law against it, is there? Do you want me to stay?” “Now you’re making me wet,” the girl said and hid her face. “What a question to ask a lady.” "My spaghetti’s going to be world famous in a moment. I promise.”
ellauri236.html on line 422: “I wish you would do it to me,” she said. “Anything is better than having him grinding hour after hour at my crotch, in and out. I wish you would do it to me…”
ellauri236.html on line 438: “Another five minutes,” she said to Woppy who was nursing Thompson's machine gun. "Then it's your turn." Even Slim seemed mildly excited. (Woppy is Italian. So he likes to cook spaghetti.)
ellauri236.html on line 491: “I checked all that,” Brennan said, looking wise. “Abe Schulberg is financing the club. He’s done a deal with Ma Grisson. She runs the club and gives the kike a fifty percent cut.”
ellauri240.html on line 150: “We have enormous experience on how to use these things. We have tested them in combat,” he says, while China has not. We have killed an enormous number of enemies with it. “And that makes an enormous difference.”
ellauri247.html on line 259: Smollett’s deep moral energy surfaced in two early verse satires, “Advice: A Satire” (1746) and its sequel, “Reproof: A Satire” (1747); these rather weak poems were printed together in 1748. Smollett’s poetry includes a number of odes and lyrics, but his best poem remains “The Tears of Scotland.” Written in 1746, it celebrates the unwavering independence of the Scots, who had been crushed by English troops at the Battle of Culloden. Not much of an improvement on the rest I'd say.
ellauri248.html on line 347: There was also an allotment process starting in the Dawes Act of 1887 until 1934. This was to force more land from Native people. The ostensible reason was to make them individual landholders and thus “Americanized” members of a capitalist system. It was felt this would “solve” the “Indian problem”. In short that it would make them no longer part of the ethnic communities they were members of. However the main push to “solve” the “problem” was by Anglo-Americans who wanted to take that land. Thus land was distributed to tribal members and the “surplus” was given or sold at a cut rate to White Americans or turned into National Forests and Parks or military bases. Land owned by Native Americans decreased from 138 million acres in 1887 to 48 million acres in 1934. They lost 2/3s of their treaty land base. About 90,000 Native Americans were made landless.
ellauri256.html on line 364: “All our girls were in love with him and etched the name Osya with a penknife on their desks,” Lilya recalled. His low-key courtship of Lilya lasted seven years. Up until the moment she became pregnant. However, the father was not Brik but ... a music teacher, Grigory Krein. Under pressure from her mother, Lilya had an abortion, after which she could no longer have children. And Brik finally proposed.
ellauri257.html on line 504: Still, Singer was a married man, but not to Runia (Rachel) Pontsch, who in 1929 gave birth to a son, Israel Zamir, Singer's only child. In Warsaw, before immigrating to the United States, he had a child out of wedlock with one of his mistresses, Runia Shapira, a rabbi’s daughter. She was a Communist expelled from the Soviet Union for her Zionist sympathies. In his 1995 memoir, “A Journey to My Father, Isaac Bashevis Singer,” Zamir recounts how he and his mother ended up in Palestine. But since Singer and Runia separated when Zamir (born in 1929) was little, the report is almost totally deprived of a domestic portrait.
ellauri262.html on line 623: But Mr Neeson, who provided the voice of Aslan in the recent Narnia films, said: “Aslan symbolises a Christlike figure, but he also symbolises for me Mohammed, Buddha and all the great spiritual leaders and prophets over the centuries.”
ellauri264.html on line 422: Norm founded and leads The Law Firm in 2005, Connecticut-based criminal defense and civil rights. It focuses on serious felonies including violent felonies, white-collar crimes, sex offenses, drug crimes, and misconduct by lawyers, doctors, and government officials. Norm has defended capital murder cases and won federal civil rights verdicts for police brutality, discrimination, false arrest, malicious prosecution, and violations of rights, always on the side of the criminal. Norm Pattis is veteran of more than 100 successful jury trials, many resulting in acquittals for people charged with serious crimes, multi million dollar civil rights and discrimination verdicts, and successful criminal appeals. The Hartford Courant describes his work as “Brilliant” and “Audacious”.
ellauri264.html on line 712: By clicking “Accept All Cookies”, you agree to the storing of cookies on your device to enhance site navigation, analyze site usage, and assist in the marketing efforts of our business giants.
ellauri270.html on line 351: A hush falls over the crowd as Mr. Summers states that he’ll read the names aloud and the heads of families should come forward and draw a slip of paper from the box. Everyone should hold his paper without opening it until all the slips have been drawn. The crowd is familiar with the ritual, and only half-listens to these directions. Mr. Summers first calls “Adams,” and Steve Adams approaches, draws his slip of paper, and returns to his family, standing a little apart and not looking down at the paper.
ellauri272.html on line 418: Bloom wrote: “Ammons’s poetry does for me what Stevens’s did earlier, and the High Romantics [Bloom’s term for William Blake, William Wordsworth, Samuel Coleridge, Percy Bysshe Shelley, John Keats, and Lord Byron] before that; it helps me to live my miserable life.
ellauri275.html on line 426: According to Peskov, the “pioneers” in such laws were the United States. “And one version of the (Georgian) bill, called "American law", if we understand correctly, was very similar to a similar US law. The second version was less similar to the US law, was much milder in nature. But, of course, we have nothing to do with either one,” Peskov said.
ellauri276.html on line 1222: “Arise my good fellow, arise with good will, "Nouse, hyvä ystäväni, nouse hyvästä tahdosta,
ellauri277.html on line 240: In the spring of 1913 he visited the International Exhibition of Modern Art—the “Armory Show”—which introduced European modern art to America. He approved of the show as a “declaration of independence” from tradition, but he did not think most of the paintings were beautiful and did not care for the artistic ideologies behind movements such as cubism. The reviews of an exhibition of his own work in December 1914 were mixed. Hedevoted most of his time to painting for the next eighteen years but remained loyal to the symbolism of his youth and became an isolated figure on the New York art scene.
ellauri284.html on line 654: On a blindingly sunny day in Gurgaon, Pankaj Bansal, son of Basant Bansal, appeared on a golf green to greet contestants from the “Apprentice”-style Indian reality show “The Pitch.” The young scion, in a lilac shirt and aviator sunglasses, told the budding entrepreneurs that his family was positioning itself to be “one of the most respected developers in the country” and worked only with the best architects, interior designers and landscapers.
ellauri285.html on line 399: “A woman of undoubted Genius,” according to Samuel Taylor Coleridge, Mary Robinson was an English actress, author, celebrity, and ardent supporter of the rights of women who gained considerable fame during her lifetime. Known by the nickname “Perdita,” after her role in Shakespeare’s The Winter’s Tale, peddled to The Prince of Wales her tail.
ellauri290.html on line 325:
| The “Arab State” | 4,476 | 2,897,467 | 42.88% |
ellauri290.html on line 331: | b) Land Area According to Ownership | “Arab State” | | | “Jewish State” | Jerusalem (I. Z.) | |
|---|
ellauri290.html on line 341: | “Arab State” - Towns | 16 | 1 | — | 17 |
ellauri290.html on line 356: | “Arab State” | 10,000 | 725,000 | 735,000 |
ellauri290.html on line 369: | “Arab State” | 10,000 | 725,000 | 735,000 |
ellauri290.html on line 719: “Arab State”
ellauri300.html on line 846: They took the bull that was brought to them, prepared it, and prayed to Baal until noon. They shouted, “Answer us, Baal!” and kept dancing around the altar they had built. But no answer came.
ellauri300.html on line 881: 3 Then Peter said, “Ananias, how is it that Satan has so filled your heart that you have lied to the Holy Spirit and have kept for yourself some of the money you received for the land? 4 Didn’t it belong to you before it was sold? And after it was sold, wasn’t the money at your disposal? What made you think of doing such a thing? You have not lied just to human beings but to God.”
ellauri316.html on line 824: “The Germans know, as many Americans do not, that the war was won at Stalingrad and that 27 million Soviet citizens died in the fight against the Wehrmacht,” Neiman told ARTnews. “Among decent Germans who want to acknowledge their country’s crimes, there is a strong sense of guilt for the war against the Russians.”
ellauri317.html on line 408: Juri Aleksandrovich Levada syntyi 1930 Ukrainan SSR:ssä Njeuvostoliitossa Vinnitsan alueellisen sanomalehden “Alternativnaja Pravda” toimittajan Natalya Lvovna Moreinisin ja keskiajan historioitsija Moisei Aleksandrovich Koganin, myöhemmin professorin ja M. N. Pokrovskin mukaan nimetyn Leningradin pedagogisen instituutin väärennetyn historian osaston dekaanin perheeseen. Ne olivat todennäköisesti jutkuja. 1930-luvun puolivälissä Natalya Lvovna Moreinis meni naimisiin hänen housuihinsa pyrkivän kirjailijan Aleksanteri Stepanovitš Levadan kanssa, joka adoptoi lapsen. Heidän avioliittonsa hajosi pian hänen nuoremman veljensä Evgeniyn (1939-2000) syntymän jälkeen. Isäpuoli viis välitti käenpojasta.
ellauri322.html on line 421: “As flies to wanton boys, are we to the gods;
ellauri344.html on line 107: The Marvels. The Marvels -tähti ei ole kiinnostunut elokuvan floppaamisesta: “Antaa Disneyn johtajan huolehtia siitä.”
ellauri351.html on line 496: Ei ole mitään “Act of God”, kuten common law -oikeusjärjestelmässä tavataan kutsua äkillistä ja yllättävää tapahtumaa, johon ei ole kohtuudella voitu varautua. Ei. On vain “Act of Man”, ihmisen toiminnan tuloksena syntynyt soppa, jossa nyt kiehumme sammakonreisinä. Eikä nykytila ole mikään yllätys, johon emme olisi voineet varautua. Tiedeyhteisön yrittäessä neutraalein ja pragmaattisin sanakääntein kertoa mitä tuleman pitää, me ihmiskuntana olemme päättäneet olla välittämättä seurauksista.
ellauri360.html on line 74: “A Sentimental Novel,” the final published work of the novelist and theorist Alain Robbe-Grillet, appeared in France four months before his death, in 2008, and in English translation last spring. The content of the novel contributed to the lag in its translation: “A Sentimental Novel” (reviewed this summer in Briefly Noted) is a compendium of Robbe-Grillet’s sadistic fantasies, which, he said, he had catalogued since adolescence. The work consists of two hundred and thirty-nine numbered paragraphs that form a sort of sadist’s rhapsody about the sexual initiation of a fourteen-year-old girl, Gigi. Gigi’s travails are recounted in exacting detail, against a lushly imagined mise-en-scène, with elaborate furnishings, torture devices, and a proliferation of young companions. Okei siis Robbe liittyy pitkään jonoon kynäilijäpedofiilejä. Ei siinä mitään, kukapa ei pitäisi latuskarintaisista teinitytöistä. Mutta pakkoko niitä on silleen rääkätä?
ellauri392.html on line 823: This ultimate tunnel vision of pursuing “intellectual liberation”å through a narrow tube of Heidegger seen through Derrida seen through de Man is reminiscent of a Yiddish proverb: “Az der vorem zitst in khreyn, meynt er az es iz keyn zisers nito.” Kun mato istuu piparjuuressa, se ei tiedä mitään ihanampaa paikkaa.
ellauri393.html on line 295: Much of what Erikson did in the therapeutic hour resembled counseling, as opposed to analysis. For Rockwell, the immediate crisis was his marriage. He bemoaned his shared life with an alcoholic whose drinking, he said, made her petulant and critical of his work. Rockwell was a dependent man who tended to lean on men, and in Erikson he found reliable support. “All that I am, all that I hope to be, I owe to Mr. Erikson,” he once wrote.
ellauri399.html on line 149: And Jobs' famous ego also had an effect on the relationship, as he grew in self-regard and refused to perform everyday tasks. Doing the dishes ourselves was simply no option for [Steve]. He had entered into an elite world where others took care of the lower-level functions so that he could operate with more efficiency, on his presumably higher plane. Jobs was a master salesman, but to him, selling wasn’t selling. It was seduction. . I’ll never forget a meeting with Jobs where he was asked about the use of technology (computers) and he simply replied, “They are still too hard to use.” That sense that there are two types of people in the world, “Apple people” and everyone else, was the most powerful tool in our sales and branding arsenal.
ellauri408.html on line 348: But Jehovah’s comedy of errors wasn’t over. No, like the Keystone Kops in serialization, he was just getting warmed up! Jehovah gypped Adam and Eve, because he falsely claimed they now possessed the knowledge of good and evil: “And the Lord God said, The man has now become like one of us, knowing good and evil.” (Genesis 3:22)
xxx/ellauri075.html on line 465: “American Psycho” author Bret Easton Ellis tore into the late author of the critically acclaimed “Infinite Jest” and “The Pale King” on Twitter last week, and in true Ellis fashion, he didn’t hold back.
xxx/ellauri075.html on line 474: A few years later, Wallace laid into “American Psycho” in an interview with Larry McCaffery, saying it “panders shamelessly to the audience’s sadism for a while, but by the end it’s clear that the sadism’s real object is the reader itself… You can defend ‘Psycho’ as being a sort of performative digest of late-eighties social problems, but it’s no more than that.”
xxx/ellauri085.html on line 510: “A healthy economy depends on a functioning government,” said Owen Zidar, an associate professor of economics and public affairs at Princeton University.
xxx/ellauri085.html on line 511: “Not being able to finance a quality education system and other priorities can lead to lower economic performance when tax revenues are too low,” he said. “At current tax rates, there’s no credible evidence that tax cuts pay for themselves.”
xxx/ellauri086.html on line 89: Yhtäkkiä hänmies halusinkin ottaa ohjat ja käänsi minut alleen. Sitten huudettiinkin yhdessä. Tunsin kun pilluni puristui tiukemmin ja tiukemmin vasten aivan kovaa kullia, kun levitin jalkojani. Hänmies nosti ne olalleen. Tiesin, tulevani pian, mutta en vielä. Tiesin, ettei hänmies kestäisi kauaa. Koitin kääntyä kontilleni, jossa tulisin nopeammin, mutta hänmies ei antanut armoa vaan työnteli kiroillen menemään minun maatessani kyljellään tämän edessä. Nostin pakaraani, että hänmies pääsi työntymään syvemmälle ja ihailemaan näkyä. Rytmi kiihtyi “Anna mie käännyn?” kysyin varovasti.
xxx/ellauri127.html on line 120: In his lifetime, Nabokov received many contrary and often puzzled reviews. The Hollywood producer Robert Evans famously flew to Switzerland in 1968 to read an advance copy of the novel “Ada” in one day. “It was torture,” he recalled. Dwight Macdonald hated “Pale Fire” on behalf of Partisan Review, calling it “unreadable . . . too clever by half . . . Philistine . . . false” — and he hadn’t even finished his first paragraph!
xxx/ellauri127.html on line 126: Rebecca Solnit, for instance, wrote a cringe-inducing and hilarious essay, “Men Explain Lolita to Me,” including these lines: “A nice liberal man came along and explained to me this book was actually an allegory as though I hadn’t thought of that yet. It is, and it’s also a novel about a big old guy violating a spindly child over and over and over. Then she weeps.”
xxx/ellauri127.html on line 138: Plenty of monsters make great art, and many of their names emblazon lists of Nobelists, poet laureates, and so. And there is no doubt that Nabokov created great art, in two languages, like Joseph Conrad, whom he predictably disdained. (“A collection of glorified cliches.”) His achievements speak volumes. If only he hadn’t been such a jerk.
xxx/ellauri128.html on line 527: Kuuluisia ranskalaisia tapakomedioita rakkaudesta ovat Benjamin Constantin “Adolphe,” André Giden “Strait is the Gate,” Stendhalin “On Love,” Roland Barthesin “A Lover’s Discourse” ja André Mauroisin (1928) “Climates.”
xxx/ellauri128.html on line 544: He had a good education at the lycée in Rouen, falling under the influence of a charismatic teacher, Émile-Auguste Chartier, known as “Alain.” Alain inspired other pupils, too, including Simone Weil and Raymond Aron, urging them to question received ideas. He gave Maurois a love of literature but also, perhaps surprisingly, urged him to take up the mill business after leaving school. Maurois did so, but in his Elbeuf office he kept a secret cupboard filled with Balzac novels and notebooks, and copied out pages of Stendhal to improve his writing style. He became a Kipling enthusiast, and learned excellent English. He travelled to Paris at least one day a week, and frequented brothels there.
xxx/ellauri139.html on line 199: Ippolit is a 17-year-old boy who is dying of tuberculosis. An ardent nihilist, he yearns to be taken seriously and attempts to dramatically leave the world. He delivers rambling, self-absorbed, nihilistic speech entitled “A Necessary Explanation” to Myshkin, Nastasya, and Rogozhin, and many others at a party at Lebedev’s dacha. After this, he attempts to commit suicide by shooting himself with the gun he’s had since he was a child. This entire plan backfires, as everyone grows bored with his speech, and when it comes time to kill himself he fails to do so because there is no cap in the gun. After this incident, Ippolit’s illness shows progress and he eventually dies.
xxx/ellauri139.html on line 475: “Flit like a ghost away.”—“Ah, Gossip dear, Tee kuin puu ja lähde! - Öh, vanha kirkkovene,
xxx/ellauri139.html on line 477: “And tell me how”—“Good Saints! not here, not here; Ja kerro miten - Voi vittu! ei, ei täällä!
xxx/ellauri139.html on line 495: “And be liege-lord of all the Elves and Fays, Ja eleskelet keijujen ja tontun siivellä
xxx/ellauri139.html on line 518: “A cruel man and impious thou art: Julma mies ja hävytön! etkö olla saata
xxx/ellauri139.html on line 520: “Alone with her good angels, far apart Enkeleiden kanssa samassa makkarissa vetää
xxx/ellauri139.html on line 532: “Awake, with horrid shout, my foemen’s ears, Herätän vihulaiset huutamalla kovasti,
xxx/ellauri139.html on line 533: “And beard them, though they be more fang’d than wolves and bears.” Vedän niitä parrasta niinkuin rovasti.
xxx/ellauri139.html on line 536: “Ah! why wilt thou affright a feeble soul? Ääk! mixä pelottelet vanhaa sielua,
xxx/ellauri139.html on line 537: “A poor, weak, palsy-stricken, churchyard thing, Köyhää heikkoa, hilseistä syvänielua?
xxx/ellauri139.html on line 559: “All cates and dainties shall be stored there Kaappiin nyt misson meikit sekä tummeli,
xxx/ellauri139.html on line 684: “And now, my love, my seraph fair, awake! "Ja nyt neiti hyvä olis aika herätä,
xxx/ellauri139.html on line 723: “Ah, Porphyro!” said she, “but even now Ai säxe olit Porfyro, vanha tuttu?
xxx/ellauri139.html on line 726: “And those sad eyes were spiritual and clear: Kun se puhutteli mua kazoen noilla kauniilla
xxx/ellauri139.html on line 752: “A dove forlorn and lost with sick unpruned wing.” Se on siellä ihan numerosi vieressä.
xxx/ellauri139.html on line 758: “Ah, silver shrine, here will I take my rest Mä oon sun palavelii, ja hyväxi lopuxi
xxx/ellauri139.html on line 759: “After so many hours of toil and quest, Me voidaan mennä naimisiin, saan sun vaakunan,
xxx/ellauri139.html on line 760: “A famish’d pilgrim,—saved by miracle. Ja bonuxexi vielä imutan sun viikunan.
xxx/ellauri139.html on line 768: “Arise—arise! the morning is at hand;— Nöyse! Nöyse! On aamu, joutuu nysse.
xxx/ellauri139.html on line 773: “Awake! arise! my love, and fearless be, Nyt mennään, mullon Pusulassa mökki,
xxx/ellauri139.html on line 821: Dostoon liittyvien kliseiden viidakossa alkoi kiinnostaa mixi Ippolitin välttämätön selitys (s. 597/954) entitled “A Necessary Explanation” to Myshkin, Nastasya, and Rogozhin, and many others at a party at Lebedev’s dacha. oli jenkkioppaan mielestä 'rambling, self-absorbed, nihilistic speech'.
xxx/ellauri148.html on line 197: The rabbis have taught; The Holy One, blessed be He, will say to Messiah ben David, may he be revealed soon in our day!; “Ask of Me anything, and I shall give it to you, for it is written, The Lord said unto me, Thou art my son, this day have I begotten thee, ask of Me and I will give the nations for thy inheritance (Psalms 2:7-8)” And when he will see that Messiah ben Joseph will be slain, he will say before Him: “Master of the World! I ask nothing of you except life! God will say to him: “Even before you said, ‘life,’ your father David prophesied about you as it is written, He asked life of Me, Thou gavest it him (Ps. 21:5) Babylonian Talmud Sukkah 52a
xxx/ellauri148.html on line 207: R. Y’hoshu’a ben Levi once found Elijah standing at the entrance of the cave or R. Shim’on ben Yohai…He asked him: “When will the Messiah come?” He said to him: “Go, ask him himself” “And where does he sit? “At the entrance of the city [of Rome]” “And what are his marks?” “His marks are that he sits among the poor who suffer of diseases, and while all of them unwind and rewind[the bandages of all their wounds] at once, he unwinds and rewinds them one by one, for he says, ‘Should I be summoned, there must be no delay.’” R. Y’hoshu’a went to him and said to him; “Peace be unto you, my Master and Teacher!” He said to him: “Peace unto you, Son of Levi!” He said to him: when will the Master come?” He said to him: “Today.” R. Y’hoshu’a went to Elijah, who asked him; “What did he tell you?” R. Y’hoshu’s said “[He said to me:] Peace be unto you, Son of Levi!” Elijah said to him: “[By saying this] he assured the World to Come for you and your father.” R. Y’hoshu’a then said to Elijah: “The Messiah lied to me, for he said ‘today I shall come,’ and he did not come.” Elijah said: “This is what he told you: 'Today', If you but hearken to His voice’ (Ps. 95:7) (Babylonian Talmud Sanhedrin 98a)[12]
xxx/ellauri148.html on line 264: 1 “At that time Michael shall stand up, The great prince who stands watch over the sons of your people; And there shall be a time of trouble, Such as never was since there was a nation, Even to that time. And at that time your people shall be delivered, Every one who is found written in the book. 2 And many of those who sleep in the dust of the earth shall awake, Some to everlasting life, Some to shame and everlasting contempt. Daniel 12:1-2
xxx/ellauri154.html on line 203: Practically everyone knows Godard’s classic pronouncement, “All you need for a movie is a girl and a putz,” but a 1989 interview contains one of the more caustic charges Godard levels at cinema, that “Cinema is an ideology based on men living out through their imaginations what they could not do to women.” This chauvinist pig who openly played out his own marital problems with Anna-Kaarina in their collaborations of the ‘60s, now abrazes other toxic males for similar diversions.
xxx/ellauri167.html on line 381: In general, New Year festivals start in the spring, when Nature appears to reawaken after a dormant winter. Why is the Jewish New Year celebrated in the autumn? The Torah says quite clearly that the first month of the year shall be in the spring (Exod. 12:2), which means Nisan, though it was originally called “Aviv,” or Spring (Deut. 16:1). This follows the Babylonian calendar, which started with the month of Nisannu and continued with 10 days of New Year rituals. So what the heck?
xxx/ellauri179.html on line 207: “A big Austrian trench mortar bomb of the type that used to be called ash cans, exploded in the darkness. I died then. I felt my soul or something come right out of my body, like you’d pull a silk handkerchief out of a pocket by one corner. It flew around and then came back and went in again and I wasn’t dead anymore.”
xxx/ellauri179.html on line 384: “A Bellini?” Nick asked.
xxx/ellauri179.html on line 414: “And of this what would you say?” Nick asked desperately.
xxx/ellauri179.html on line 416: “A writer should write what he has to say, and not speak it. And then?”
xxx/ellauri179.html on line 418: “It was the man's wife and daughter. They must have weighed six hundred pounds between them,” he said. “Another two hundred for the man I killed.”
xxx/ellauri179.html on line 420: “A large family.” Papa laughed.
xxx/ellauri179.html on line 432: “Ain't you that Hemmen-way?” Papa looked up at a man standing above the able. The light hung behind his head so his face was dark but Papa could see his slight jaw and bony cheeks.
xxx/ellauri179.html on line 452: “Are you all right? We could follow him.” Nick pulled a revolver from under his coat. “I could kill him.”
xxx/ellauri179.html on line 460: “Are there such extremes in the afterlife, Papa?” he asked. “Why not end up at Harry's?”
xxx/ellauri179.html on line 466: “And Juice? Fix the damn light.”
xxx/ellauri179.html on line 470: “A man also can kill a man.”
xxx/ellauri179.html on line 544: “Ask away,” Nick Adams said.
xxx/ellauri179.html on line 556: “Me too.” Nick Adams winked. It wasn't that he winked or what he said, but he looked bad. The shadows on his face looked bad and he smelled bad from all the smoke. Words sounded bad when they fell from his mouth. The band got louder. “An old prizefighter. Ole Anderson. I have to go to Fossalta di Piave tomorrow. He lives there.”
xxx/ellauri179.html on line 993: Does this make Ernest Hemingway a bad writer? Does it mean we should no longer read him? I don’t think so. But then again I wrote his biography so I may be biased. The aesthetic satisfaction and sheer joy of reading such works as “In Our Time” and “A Moveable Feast,” or encountering the enduring truths of such novels as “A Farewell to Arms,” “For Whom the Bell Tolls” and, yes, “The Sun Also Rises” are undeniable. The books remain. So does racism and antisemitism. There are here to stay.
xxx/ellauri187.html on line 212: cheesy by today’s standards. The book’s title You Must Change Your Life is a case in point. It’s the last lines in Rilke’s “Archaic Torso of Apollo.”
xxx/ellauri187.html on line 570: “Our concern and solidarity is first with victims of harassment, and with the right of all staff and students to work in a healthy and safe environment,” the letter said. “And while we also recognize the possibility of rehabilitation, it can only be at the end of a process that begins with an acknowledgement of the offense, and taking responsibility for the harm caused.”
xxx/ellauri193.html on line 583: Även Harry Martinson debuterade som poet men det är förmodligen hans prosa som är mest känd. Som prosaförfattare debuterade han med reseskildringen “Resor utan mål” som följdes upp med reseskildringen “Kap Farväl!”. Mest känd är han nog dock för sin uppväxtskildring “Nässlorna blomma”, som handlar om en föräldralös pojkes uppväxt i Fattigsverige. En av hans mer otippade framgångar var rymdeposet “Aniara” som handlar om ett rymdskepp som transporterar flyktingar från jorden till andra planeter på grund av miljöförstöring och kärnvapenkrig.
xxx/ellauri193.html on line 738: “A sector of the community was talking about the killing of farmers. It had always been the view and the feeling of individuals in society that South Africa needed to bring back the death penalty. She said, previously when the death penalty was used, many people were killed, even innocent people were killed. Motshekga reminded the committee that on April 18, 2002, the late President Nelson Mandela launched the Moral Regeneration Movement. "He had realised that the legacy of the past has led our people to behave in a beastly way, like savages."
xxx/ellauri193.html on line 830: “To err is human, to forgive is divine” (this saying is from “An Essay on Criticism,” by Alexander Pope). We need more forgiveness, not only in South Africa, but across the world. I know that the pain associated with murder for the nearest relatives (pain on both sides) is unbearable, but forgiveness is an important component if we want to progress in our thinking beyond the death penalty. If you cannot forgive, you are killing your own spirit. A long detention sentence is healthier.
xxx/ellauri195.html on line 220: Kindness . . . . . .“And is kind.”
xxx/ellauri199.html on line 1051: It’s not just dishonest scholars who benefit from this intellectual fraud but hostile nations and human rights abusers hoping to distract from their own ongoing villainy. Dictators who slaughter their own people are happy to jump on the “America is a racist country” bandwagon and mimic the language of antiracism and “pro-justice” movements as PR while making authoritarian conquests.
xxx/ellauri199.html on line 1070: In the summer of 1936, Theodor Geisel was on a ship from Europe to New York when he started scribbling silly rhymes on the ship’s stationery to entertain himself during a storm: “And this is a story that no one can beat. I saw it all happen on Mulberry Street.”
xxx/ellauri199.html on line 1071: The rhymes morphed into his first children’s book, “And to Think That I Saw It on Mulberry Street,” about a boy who witnesses increasingly outlandish things. First published in 1937, the book started Geisel’s career as Dr. Seuss. He went on to publish more than 60 books that have sold some 700 million copies globally, making him one of the world’s most enduringly popular children’s book authors.
xxx/ellauri202.html on line 415: Historians dispute his acount. Ian Kershaw, for example, wrote in his biography of Hitler Hubris, “A family named Frankenreiter did live there, but was not Jewish. There is no evidence that Maria Anna was ever in Graz, let alone employed by the butcher Leopold Frankenreiter.”
xxx/ellauri215.html on line 137: “A fiction writer’s life is his treasure, his ore, his savings account, his jungle gym,” he wrote. “As long as I am alive, I don’t want somebody else playing on my jungle gym—disturbing my aborted children, quizzing my ex-wife, bugging my present wife, seeking for Judases among my friends, rummaging through yellowing old clippings, quoting in extenso bad reviews I would rather forget, and getting everything slightly wrong.”
xxx/ellauri215.html on line 451: “A man is forbidden to compel his wife to have marital relations…Rabbi Joshua ben Levi similarly stated: Whosoever compels his wife to have marital relations will have unworthy children.”
xxx/ellauri225.html on line 334: Esseekirjassaan Mindwave Ursula sanoo olevansa mies, ei tosin yhtä hyvä kuin Ernest Hemingway, jonka lauseet oli lyhyitä, mutta hyvä korvike, kuin kalapuikko lohifileen sijasta. “An imitation phony second-rate him with a ten-hair beard and semicolons.”
xxx/ellauri229.html on line 134: (1.) The whole Bible will be read through in an orderly manner in the course of a year. – The Old Testament once, the New Testament and Psalms twice. I fear many of you never read the whole Bible; and yet it is all equally Divine (may the Catholics say what they will, it´s all 100% pure new wool, including Leviticus), “All Scripture is given by inspiration of God, and is profitable for doctrine, for reproof, for correction, and instruction in righteousness, that the man of God may be perfect.” If we pass over some parts of Scripture, we shall be incomplete Christians. "You'll never read it", said Circle Mouth to me when I bought Noam Chomsky´s thesis at a MIT Press book sale. Of course I had to read it from cover to cover, though much of it was pretty dull. (That´s all I remember of it as is.)
xxx/ellauri261.html on line 257: Suddenly she grabbed my knee. “Sammy,” she said, “do you think that Alice and I are lesbians?” I had a genuine hot curl of fire up my spine. “I don’t see that it’s anybody’s business one way or another,” I said. “Do you care whether we are,” she asked. “Not in the least,” I said. I was suddenly dripping wet. “Are you queer or gay or different or ‘of it’ as the French say or whatever they are calling it nowadays,” she said, looking narrowly at me. I waggled my hand sidewise. “Both ways,” I said. “I don’t see why I should go through life limping on just one leg to satisfy a so-called norm.” “It bothers a lot of people,” Gertrude said. “But like you said, it’s nobody’s business, it came from the Judeo-Christian ethos, especially Saint Paul the bastard, but he was complaining about youngsters who were not really that way, they did it for money, everybody suspects us or knows but nobody says anything about it. Did Thornie tell you?” “Only when I asked him a direct question and then he didn’t want to answer, he didn’t want to at all. He said yes he supposed in the beginning but that it was all over now.” Gertrude laughed. “How could he know. He doesn’t know what love is. And that’s just like Thornie.”
xxx/ellauri281.html on line 523: Arthur Miller was 35 and at the top of his career when, in 1951, he first set eyes on Marilyn Monroe. He was the author of “All My Sons” and “Death of a Salesman,” the first play to win all three major drama prizes (the Pulitzer Prize, the Tony Award and the New York Drama Critics’ Circle Award). He would soon begin work on “The Upokas.” She was 24 and, except for her glorious behind, virtually unknown.
xxx/ellauri281.html on line 533: With Monroe out of the picture — she died in 1962 — Mr. Bigsby pretty much folds up this big, busy tent. Miller went on to write important plays, notably “After the Fall” (1964), but his best work was in the distant rearview mirror.
xxx/ellauri281.html on line 535: The long, strange, elegiac ballad of Arthur Miller and Marilyn Monroe — one that would end for her in miscarriages, bottles of pills and increasingly erratic behavior, and for him in a long gap in his theater career — takes up only a few chapters of “Arthur Miller: 1915-1962,” Christopher Bigsby’s sober and meteor-size new biography. But they are crucial chapters. The book moves inexorably toward Monroe’s appearance; her magnetism sucks everything rapidly toward it. Miller’s long life (1915-2005) can be cleaved neatly into B.M. and A.M. — before Marilyn and after.
xxx/ellauri281.html on line 648: His encyclopaedia Al-Iklīl (“The Crown”; Eng. trans. of vol. 8 by N.A. Faris as The Antiquities of South Arabia) and his other writings are a major source of information on Arabia, providing a valuable anthology of South Arabian poetry as well as much genealogical, topographical, and historical information. “Al-Dāmighah” (“The Cleaving”), a qaṣīdah, is perhaps his most famous poem; in it he defends his own southern tribe, the Hamdān. It has been said that al-Hamdānī died in prison in Sanaa in 945, but this is now in question.
xxx/ellauri304.html on line 537: “Ahab, the obsessed, revenge-seeking captain of a whaling ship, sails his vessel and its crew to destruction, in a final confrontation with the great white whale that had crippled him years earlier.”
xxx/ellauri304.html on line 549: “After his fake execution for a murder he didn’t commit, ex-cop Remo Williams is forced to work for America’s secret crime-fighting agency CURE, while being trained by the world’s greatest assassin, the aged, ageless, cranky, mercenary, mystical Chiun, Master of Sinanju.”
xxx/ellauri306.html on line 66: Why do so many people (especially philosophers) hate Ayn Rand? She’s almost unknown in the UK - so much so that when there was a documentary about her on TV, The Daily Telegraph - a right-wing paper by British standards - felt obliged to explain to its readers who she was. She was, it said, “An unpleasant Russian-American fruitcake.” What was Ayn Rand? Cod philosopher, bad writer and deeply narcissistic, severely socially impaired person.
xxx/ellauri312.html on line 359: The second was a son named Hans Albert (called “Albert” by his parents), who attained a doctorate in engineering and became a university professor, homeless, and an acknowledged expert on hydraulics. He was obviously quite intelligent, although not quite at changing-the-entire-precepts-of-physics level.
xxx/ellauri354.html on line 259: “A coward dies a thousand times before his death, but the valiant taste of death but once. It seems to me most strange that men should fear, seeing that death, a necessary end, will come when it will come.” ― William Shakespeare, Julius Caesar. Silly Bill, the £1000 question is just the when.
xxx/ellauri354.html on line 267: Eventually Notari ended up as a fascist, founding the Milanese newspaper “L’Ambrosiano” in 1922, and was appointed to the very institutional “Accademia d’Italia”: just like another firebrand-turned-reactionary, the initiator of the Italian Futuristic movement Filippo Tommaso Marinetti, who, as a young, used to call for burning academies down... [signed] Enzo. The Black Pig is not a novel, as Enzo claims, but an energetic, apparently learned, vitriolic attack on the precepts and clergy of the Catholic Church.
xxx/ellauri354.html on line 279: The Black Pig’s front matter also mentions two earlier publications that reveal Notari’s anticlerical bias: Carducci Intimo (1903), a biography of Giosuè Carducci (1835–1907), the Italian poet, professor, classicist, translator, freethinker, fierce opponent of the Catholic Church, and author of “Hymn to Satan,” who would be awarded the 1906 Nobel Prize in Literature; and Il Papa alla porta! Inchiesta e conclusioni per l’abolizione del Papato (Throw the Pope out! An inquest and conclusions for the abolition of the Papacy), aimed at the recently elected and very conservative Pope Pius X. Notari’s anticlericalism is also visible in his dedication of The Black Pig: “A due invitti innovatori di un Italia pagana e virile, dedico questo libro di demolizione di una Italia chiercuta e bazzotta” (To two indomitable revivers of a pagan and virile Italy, I dedicate this book aimed at the destruction of a tonsured and limp Italy).
xxx/ellauri404.html on line 440: “And we have seen and testify that the Father has sent the Son as Savior of the world” (1 John 4:14).
xxx/ellauri410.html on line 176: But are they worth reading? Does a little ‘bolo’ go a long way? a New York Times reporter asked Anthony Julius, the litigation lawyer specializing in anti-defamation and anti-Semitism. His doctoral dissertation, charging Eliot with antiSemitism, resulted in the notorious publication of T.S. Eliot, Anti-Semitism and Literary Form. ‘‘They are not worth reading,’’ Mr. Julius said. ‘‘They tap, in the most puerile way imaginable, racist fantasies of the sexual superiority of blacks’’ (Lyall). Here is an example of feeling the elephant without contact, because if he had read the verse, he would see that Columbo the Jew was the one with the biggest cock. “And he refuses to acquit Eliot of anti-Semitism in this case merely because the poet has managed to be superior to the black bigotry his poem evokes” (Menand).
xxx/ellauri417.html on line 383: Kirjassa on erilaisia harjoituksia muun muassa siitä, kuinka kullin saa syvälle suuhun. “Voi olla kivaa osata ottaa kulli syvälle suuhun. Kitalaen koskettelu laukaisee kuitenkin yökkäämisrefleksin, eivätkä yökkäily ja seksi ole kovin mukava yhdistelmä.” Avuksi kannattaa kuulemma ottaa banaani. “Voit yrittää ujuttaa banaanin syvemmälle ja syvemälle suuhusi ja yrittää huijata yökkäysrefleksiä.” Kirja opettaa nuoria poikia myös ottamaan edustavia kuvia peniksestään. “Anna kullin levätä mahaa vasten, anna jalkojen näkyä tai pidä kullia kädessäsi.”
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